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23 Biscuit, 17 Charlie and the Chocolate Factory, 11 Where Do Diggers Trick-or-Treat?, 9 Snappy Little Bugs
HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
If I Was the Sunshine (ÇϵåÄ¿¹ö Ư°¡ÆÇ¸Å, ½´ÆÛ¹ÙÀÌ)
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ÀúÀÚ : Julie Fogliano (Author), Loren Long (Illustrator) | ÃâÆÇ»ç : Simon & Schuster
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ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 48 pages
ISBN : 9781481472432
Àç°í : ǰÀý
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* Keystone to Reading Elementary Book Award


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Hardcover : 48 pages
ISBN-10 : 1481472437
ISBN-13 : 978-1481472432
Ã¥ Å©±â: 29.8 cm x 28.5 cm



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Book Description
A breathtaking picture book about the relationships we share from New York Times bestselling storytellers Julie Fogliano and Loren Long in the tradition of The Runaway Bunny and Guess How Much I Love You.

if i was the sunshine
and you were the day
i¡¯d call you hello!
and you¡¯d call me stay

if you were the winter
and i was the spring
i¡¯d call you whisper
and you¡¯d call me sing¡¦

Through clever, thought-provoking verse and warmly evocative art, New York Times bestsellers Julie Fogliano and Loren Long explore the awe-inspiring nature of relationships, love, and connection.



School Library Journal
A farm is the setting for a fanciful dialogue between a mother and daughter that occurs over the span of a day. The duo appears at the beginning and conclusion, viewed mostly at a distance or from behind. The one close-up reveals a girl with dark, straight ponytails, her face golden from the illumination of fireflies. Each conversational segment spans two spreads; the fourth (last) line, appearing after the pause of the page turn, rhymes with the second. Some ideas are imaginative and abstract: "if i was the silence/and you were a sound/i'd call you missing/and you'd call me found." Others are tangible and humorous: "if i was an apple/and you were a worm/you'd call me lunch/and i'd call you squirm." The dance of words and pictures is lovely, although it is curious that Fogliano abandoned the subjunctive mood in a book about "ifs." Long's acrylic paintings, some recalling the patchwork landscapes of Grant Wood, will show well with groups. Large figures fill the foreground, from a dappled cow whose bulk crosses the gutter to a hibernating grizzly bear spilling out of the verso, his frame pushing a field of snow up toward the heavens like a too-small blanket. VERDICT The creative use of language and accessible, pleasing imagery will lead to rereadings, which in turn, will inspire listeners to invent their own playful verses.


Publishers Weekly
¡°Each stanza of this lilting poem imagines a pair of partners in the natural world - winter and spring, thunder and cloud - and gives them the power to speak and to name each other. . . . The word love never appears in Fogliano¡¯s text, but it can be felt on every page.¡±


Kirkus Reviews
¡°Fogliano uses surprising connections to telegraph love with frequently unexpected results . . . [Her] choice to eschew the subjunctive mood makes the comparisons seem tantalizingly possible. Jewel-toned images full of light, formed by sumptuous acrylic paints, bring the distant near and the miniscule close. Gentle on ear and eye, a keen display of relationships bound together in love and complexity.¡±


Booklist
¡°Dramatic artwork and clever verse combine in a book that will pique young listeners' imaginations. . . . The wordplay is fun, and the beautifully bold acrylic paintings have intense child-appeal.¡±


BCCB
¡°A gentle literary frolic whose creativity and tight patterning will make it a repeatable favorite for youngsters. . . . Adults and young audiences alike will be charmed by the verses and embrace this new approach to bedtime; call it read.¡±


The Horn Book
¡°Fogliano¡¯s unexpected yet somehow just-right phrasing delights the ear with its perfect cadence and tight rhymes that are wrapped up in a near call-and-response rhythm. . . . A mood piece offering a gentle meditation on connections in the natural world and in human experience, too.¡±

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