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HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
Carl's Afternoon in the Park (º¸µåºÏ, ½´ÆÛ¹ÙÀÌ) 3,900¿ø (ǰÀý)
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ÀúÀÚ : Alexandra Day (Author, Illustrator) | ÃâÆÇ»ç : Farrar, Straus and Giroux
191202
»ó¼¼±×¸²º¸±â
ÆòÁ¡ 0Á¡ ¸®ºä 0°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 36 pages
ISBN : 9780374311049
Àç°í : ǰÀý
±ÇÀ忬·É : ¿µ¾Æ, À¯¾Æ, À¯Ä¡¿ø»ý (2¼¼~6¼¼)
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Edition: Board book: 32 pages
ISBN-10: 0374311048
ISBN-13: 978-0374311049
Ã¥ Å©±â: 14.8 cm x 12 cm



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Book Description



Publishers Weekly
Move over, Mary Poppins, and make room for Carl, the ravishing rottweiler cum babysitter who makes his fourth and perhaps finest appearance yet in this gorgeously colored picture book. As with the other Carl books, these adventures are virtually wordless. When a mother meets a friend in the park, she leaves Carl in charge of her baby and the newest addition to the series, a rottweiler puppy. Carl fans know what happens next: the baby scrambles aboard Carl's back and the romp begins. Here, however, the illustrations are more dynamic and the goings-on even more beguiling than in previous outings, making wonderful use of the park setting. Carl poses like a pony on the merry-go-round; the trio rides a tiny train into a children's zoo, where the puppy incurs a ewe's maternal wrath; while the puppy wreaks more havoc, Carl and the baby model for afternoon painters, each of whom styles his canvas after a famous artist. There's lagniappe too, for gifted puzzle enthusiasts--about 20 pictures of dogs have been hidden in the illustrations. And for the softhearted, a portion of the proceeds benefits the American Humane Association. All ages.


School Library Journal
America's most endearing Rottweiler is left in the park by his mistress to mind not only the baby but also a friend's frisky puppy. Fans of Good Dog, Carl (Green Tiger Pr., 1985), Carl Goes Shopping (1989), and Carl's Christmas (1990, both Farrar) will not be surprised to learn that he rises to the occasion. The baby seems a tiny bit older in this book and expectantly clambers onto Carl's back the moment the adults disappear. The venturesome trio embarks on a series of merry capers: a romp in a flower bed, a splash with a hose, a ride on a merry-go-round (with Carl as the "horse"), and so on. In one of the funnier scenes, Carl and the baby pose for a painting class and are rendered cubistically, abstractly, and impressionistically by the students. As always, Carl returns his charges safely to their point of origin--just in time to receive his unsuspecting mistress's commendation. In her familiar realistic, painterly style, Day is a master of sweet but not cloying illustration. Her colors are bright and clear; her animals and children expressive and appealing. The flow of the episodic events may seem slightly truncated in spots (e.g., the puppy, lifted aloft by a balloon, is grasped by the baby but the next plate shows both baby and puppy having an ice-cream cone). It's a minor quibble. The fact that no responsible adult would ever leave a baby unattended in a public park today and that, after three books, the concept is not as original and fresh, will matter little to the followers of Day's wordless fantasies.
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