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* Lee Bennett Hopkins Poetry Award ¼ö»óÀÛ
* Notable Children's Books in the Language Arts (NCTE)
* Bluebonnet Award nominee
* Junior Library Guild Selection
Á¶°¢ÃµµéÀ» ÀÌ¾î¼ ¸¸µç ¾Æ¸§´Ù¿î ÄþÆ® ±×¸²µéÀ» ¹è°æÀ¸·Î ÇØ¼ ÃÑ 20ÆíÀÇ µ¿½Ã¸¦ ¼ö·ÏÇϰí Àִ åÀÔ´Ï´Ù. ¹Ì±¹ÀÇ Àú¸íÇÑ ½ÃÀÎÀÎ Anna Grossnickle Hines°¡ ÀÚ½ÅÀÇ ½ÃÀÇ ¹è°æÀÌ µÉ ±×¸²µéÀ» õÁ¶°¢µéÀ» ÇѶ¡ ÇѶ¡ ÀÌ¾î ¸¸µç ÄþÆ® ÀÛǰÀ¸·Î Á÷Á¢ ¸¸µé¾ú½À´Ï´Ù. º½, ¿©¸§, °¡À», °Ü¿ï °èÀýÀÇ º¯È¸¦ ³ë·¡ÇÑ ¾Æ¸§´Ù¿î ½Ã 20Æíµµ °¨»óÇÏ°í ½Ã¿¡ ¾î¿ï¸®´Â âÁ¶ÀûÀÎ ÄþÆ® ÀÛǰÀ» ÅëÇØ ÀÛ°¡ÀÇ ¿¹¼úÈ¥µµ ´À²¸ º¸¼¼¿ä.
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Edition: Paperback: 32 pages
ISBN-10: 0060559608
ISBN-13: 978-0060559601
Ã¥ Å©±â: 27.8cm x 22.8cm
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Book Description
Nineteen handmade quilts grace the pages of this collection of seasonal poems. Taking inspiration from the magic that is winter, spring, summer, and fall, and stitching together varied forms of poetry (including haiku) with something entirely her own, Anna Grossnickle Hines presents her vision of nature's year-round drama. The author learned to quilt from her mother, and her talent and enthusiasm for this traditional craft are evident on every glorious page. A fascinating note on the making of the quilts is included.
Publishers Weekly
"In a series of quilted designs worthy of exhibition, Hines illustrates the theme of this deceptively simple, unique collection of poems," wrote PW in a starred review. Ages 5-up. (Aug.) Copyright 2003 Reed Business Information.
In a series of quilted designs worthy of exhibition, Hines (My Own Big Bed) illustrates the theme of this deceptively simple, unique collection of poems: "Pieces of the seasons/ appear and disappear/ in a patchwork pattern/ making up a year." Her language, both playful and adroit, allows readers to see familiar seasonal changes anew. "Good Heavens," for instance, depicts a spring lawn as "astronomical/ with dandelion blooms" that fill the green sky with "a thousand suns/ and then/ a thousand moons." Hines varies her quilt designs as often as she varies her poems' rhythm and rhyme schemes. In one of the longer poems, "Do You Know Green?," the words trickle down the page, much like the light that filters through the trees in the accompanying quilt; both the poem's construction and the long vertical tree trunks emphasize the forest's height and grandeur. Meanwhile, abstract quilts like the one featuring hundreds of flowered squares in "Misplaced?" stress frivolity--in this case, a joke involving a flowerbed where "bloomers are not sleepyheads." An appendix explains Hines's meticulous quilting process. Wearing two hats, Hines takes her quilter's stash of fabric swatches and her wordsmith's metaphors for memories of the seasons, and pieces together a unified, artistic whole. An outstanding book for aspiring quilters or anyone at all.
Children's Literature
A feast for the senses lies between the covers of this book. Eye-catching handmade quilts, created by Hines herself, are the backdrops for twenty of her poems about the seasons. The first poem, "Pieces of the seasons/ appear and disappear/ in a patchwork pattern/ making up a year" sets the stage for what is to come. The poems present the sights, sounds and smells of the seasons, beginning in early spring with a crow alighting on a cedar branch. In the subsequent quilts, pastels give way to multi-hued flower beds of summer, followed by the orange and yellows of fall, that give way to shadows and the ice blue shading of a winter night. The poems beg to be read aloud, with strong rhythms, strong images, delightful use of language and onomatopoeia. Hines presents the story behind the quilts and discusses her process at the end of the book. She dedicates the book to her mother who gave her sage advice—"If that's what you want to do, that's what you should do." This is a book for those who love language and images, art and quilts.
School Library Journal
Hines has illustrated her mostly free-verse poems about the seasons with quilts. The selections, which describe weather, gardens, and animals, are set against her patchwork designs. The fabric art, done in a broad range of colors, are mostly representational, picturing animals and landscapes. While a few are striking, those that depend on a fabric's print or the quilting pattern come across flatly in reproduction. The poems are nicely descriptive, but not distinguished. The most interesting part for readers may be the two pages at the end that describe the quilting process, with a short bibliography. The quilts in the book are Hines's first, and took her several years to complete. They will certainly inspire young quilters or artists to try something similar, but as a collection of illustrated poems, Pieces fails to stand out. |
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