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HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
Alligator Boy (ÇϵåÄ¿¹ö, ½´ÆÛ¹ÙÀÌ)
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ÀúÀÚ : Cynthia Rylant (Author), Diane Goode (Illustrator) | ÃâÆÇ»ç : Harcourt Children's Books
100803
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ÆòÁ¡ 0Á¡ ¸®ºä 0°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 32 pages
ISBN : 0152060928
Àç°í : ǰÀý
±ÇÀ忬·É : À¯¾Æ, À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (5¼¼~9¼¼)
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ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
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* Ohioana Award for Children's Literature
* Parents' Choice Silver Honor


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Edition: Hardcover: 32 pages
ISBN-10: 0152060928
ISBN-13: 978-0152060923
Ã¥ Å©±â : 28.8cm x 22.3cm



[ ¿µ¹® ¼­Æò ]

Children's Literature
In terse, bouncy verse, Rylant tells a story that may be tongue-in-cheek, and so must be taken with at least a grain of salt. A boy who is "tired of being a boy" and "hoped to be somebody new" is happy to receive, as a gift from his aunt, a head and tail which, when put on, help him become "quite a fine alligator." His father seems to accept this transformation, perhaps because the illustrations portray the boy inside. But his upset mother must be reassured by a veterinarian before she sends him off to school. There he cheerfully engages in all the usual activities while enjoying the chance to frighten the bullies. At home, he is still happy to sit in his mother's lap. Goode requires only the minimum of props to produce a delightfully imaginative sequence of drawings "in line" with watercolors and gouache providing the particulars that the very succinct rhymes ignore. Somehow, she manages to make us believe in this boy/reptile as he goes about playing the piano or singing. In the final scene of togetherness, we are convinced of the satisfying appropriateness of the supposed transformation. Lift the jacket to enjoy the contrasting cover.


Kirkus Reviews
In rhyming couplets, Rylant expertly unfolds a quirky tale about a boy who is "tired of being a boy" and "hope[s] to be somebody new." He gets his wish when a package with an alligator suit arrives on his doorstep. Rylant's elegant writing and understated humor are matched perfectly by Goode's watercolor illustrations. Goode's generous use of white space focuses our attention on the characters that she imbues with copious charm and personality. The witty language and engaging, dynamic pictures, as well as the warmly nostalgic atmosphere, will attract parents and children alike. What's more, its whimsy and fancy extend to the final page: The alligator boy does not have a change of heart and decide to turn back into a boy. Neither is the story revealed to have taken place in his imagination or his dreams. Instead, Rylant and Goode close the story with a picture of their main character asleep on his mother's lap, his alligator tail hanging down from the chair, and the reassuring message that his is "a good green life for an alligator boy."
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