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Library Binding: 48 pages
ISBN-10: 0060726768
ISBN-13: 978-0060726768
Ã¥ Å©±â: 28.5 cm x 24.2 cm
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Book Description
Johannes Chrysostomus Wolfgang Gottlieb Mozart was only three years old—not much bigger than his name—on the day his life changed forever.
So begins this vivid biography about one of the most legendary prodigies in history. Award-winning author and illustrator Diane Stanley engagingly tells the story of a brilliant boy who grew up to be a complex and often troubled young man—a man who composed some of the most beautiful music of all time.
With stunning and expressive illustrations, she portrays Mozart's turbulent life as a marionette show, inspired by the famous Salzburg Marionette Theatre, using an innovative artistic approach to present the life of a renowned musical genius. In concise and lyrical prose, Stanley presents an honest and sympathetic portrait of the boyhood and tragically short adulthood of a composer whose music has lived on for more than two hundred years.
From Publishers Weekly
Inspired by the Salzberg Marionette Theatre, Stanley (Joan of Arc) frames this engaging and well-paced biography of Mozart as a three-act puppet play. Sprinklings of dialogue and witty anecdotes - such as the prank Mozart plays on a singer mid-performance - flesh out the life of this wunderkind (What a strange and magical childhood it must have been for Wolfgang... being praised, petted, and covered with kisses by the greatest nobles of Europe). Painting gessoed wood panels with egg tempera in soft tones, Stanley achieves an authentic sense of place, while augmenting the historic mood with musical staffs that wind through the scenes and informational asides presented by angels. While the three-act structure serves the through story well, some may find the marionette strings attached to every character distracting. Endnotes include an extensive chronology of Mozart's life. Ages 8–12.
From School Library Journal
Grade 2–5 - Stanley brings meticulous research and creative visual treatments to her biographies; this 18th-century prodigy offers fertile grist for her mill. In extensive back matter, the author explains that she chose to portray the characters as marionettes after a trip to the Salzburg Marionette Theatre, a group that frequently performs simplified versions of Mozart's operas. The visible white strings may take some explanation for a young audience, but the staged effects, from the opening curtain to the suspended cherubs carrying footnotes (parenthetical comments or definitions), are well suited to the story of a man who spent most of his life performing or composing. Stanley divides Mozart's life into three acts. The first begins with his interest in lessons at age three and follows him on a European tour with his musical father and sister. In the second act, the arrogant young man, no longer a wunderkind, is dismissed by his employer and estranged from his father. During the finale, viewers meet Mozart's wife and children, learn a humorous anecdote regarding The Magic Flute, and discover the composer's tragic and untimely demise. The quoted material is carefully contextualized; one has the sense that the comments are taken from actual letters, although this is not documented. Transcriptions of melodic lines from famous works appear throughout. Stanley's golden palette is achieved with egg tempera on wooden panels. Natural accompaniments include Kyra Teis's The Magic Flute (Star Bright, 2008) and Peter Sís's whimsical Play, Mozart, Play! (HarperCollins, 2006). - Wendy Lukehart, Washington DC Public Library |
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