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* New York Times Best Illustrated Book
* 2004³â Child magazine's Best Children's Book Awards ¼ö»óÀÛ
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Editioin: Hardcover: 34 pages
ISBN-10: 0152167439
ISBSN-13: 978-0152167431
Ã¥ Å©±â : 28.6cm x 22.2cm
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Book Description
Long ago in Italy, a mighty asparagus grew smack-dab in front of the king's castle. Was the king happy about it? No. The asparagus had to go. But how does a king reason with an asparagus of such stature?
With tongue planted firmly in cheek, Vladimir Radunsky tells the uproarious tale of an almost immovable vegetable. Drawing on Italian Renaissance art, the esteemed artist creates a breathtaking magical kingdom, where it's easy to imagine that such an asparagus existed. His artwork is as gorgeous as it is funny. Although the old masters may turn over in their graves, readers of all ages will clamor for more of The Mighty Asparagus.
Child Magazine
An asparagus, as tall as a tower, sprouts up in the king's yard. Despite all the efforts of the king, the queen, a knight, and even a rhino, it seems that nothing can uproot it-until a bird flutters its wings "andthe humongous, stupendous, splendid, catastrophic vegetable collapsed!" Underneath the snappy asides and caricatures mixed with Italian Renaissance paintings is a message: Everyone's contributions count, no matter how small.
Child magazine's Best Children's Book Awards 2004
Publishers Weekly
In Radunsky's (Mannekin Pis) gleefully subversive retelling of the Russian folktale "The Turnip," he spoofs Renaissance paintings for his illustrations and changes the locale to an Italianate royal family's court. To the horror of the macho king, a huge, indubitably phallic asparagus stalk pops up in his yard, dominating the palace (and the spreads): "Oh, I hate that stinky asparagus!" he cries. The queen and blushing princess, however, gaze longingly at the enormous vegetable (the princess squeals, "Give it to me now! I want to gobble it up!"; "Funny, I thought that children hated asparagus," the narrator slyly comments). The wink-wink, nudge-nudge jokes to the adults threaten to overwhelm the early pages, but the author/ artist eventually wrestles the satire back on track. Ever the iconoclast, Radunsky raids Italian masterpieces and apologizes to their artists in an arch dedication ("thank you and sorry"). The bumbling king, in his crimson hat and cape, comes from Piero della Francesca, for example, while his imperious advisers are lifted from Andrea Mantegna. Radunsky distorts the characters' haughty faces into Terry Gilliam-esque gooniness, showing readers that museum art (like legendary turnips and asparagus) can withstand a healthy satirical tweaking or two.
Booklist
Interpretations of the Russian folktale "The Enormous Turnip", are legion, but Radunsky's may elicit some furrowed brows. A giant asparagus appears in the courtyard of a king, who despises it; eventually, a small bird succeeds in toppling it after all others fail. The book concludes with a foldout revealing the veggie behemoth surrounded by characters and their elegiac musings ("Such a huge asparagus it was, and now it's fallen and beaten down"). Readers older than the story's usual pictur´Ý±âx | What is ´Ý±âx | What is e-book? ÀüÀÚÃ¥(electronic book)À̶ó°íµµ ºÒ¸®¿ì¸ç, Ã¥ÀÇ ³»¿ëÀ» Á¾À̰¡ ¾Æ´Ñ ÄÄÇ»ÅÍ ¸ð´ÏÅͳª ÇÚµåÆùÀÇ È¸éÀ» ÅëÇØ ÀÐÀ» ¼ö ÀÖ½À´Ï´Ù.
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e-book-age audience will probably most appreciate Radunsky's gonzo storytelling style, but the text is really just a vehicle for eye-popping visuals, a pastiche of Italian Renaissance people and other elements nicked from actual paintings. An author's note acknowledges artists such as Lorenzetti, Piero della Francesca, and Mantegna, but, unfortunately, no master list is given for the numerous individual paintings that are referenced. Creative educators might make this flaw into a virtue, though, by encouraging students to use library resources to trace Radunsky's inspirations. Younger groups studying folktales should stick with retellings like Jan Peck's The Giant Carrot (1998); pull this out for sophisticated older kids (and college-age art students), who will get the most out of the armchair museum tour.
School Library Journal
For those who love Radunsky's flamboyantly ribald sense of humor, are comfortable with chaos, and accepting of Italian Renaissance art delivered out of context and edited mischievously, this variant of the classic tale "The Turnip" is great fun. It is set in Italy in 1602, the year an enormous stalk of asparagus grew in the king's yard. A combined effort by the monarch, the queen, a rhinoceros, the bravest knight, the princess, and Tiny Little Bird succeeds in dislodging it. "And the humongous, stupendous, splendid, catastrophic vegetable collapsed!" Not much in the text or illustrations makes sense but both scream for attention. The old masters might not be pleased with Radunsky's schoolboy tendency to exaggerate their subjects' noses or white out their eye sockets to fill them in with slightly crossed bug eyes. Part of the book's mischief involves a seemingly mindless inclusion of phallic images. Adolescent? Oh yeah. And no wonder, considering that the artist says he was 13 years old in 1602 according to the book-jacket notes. It's all very amusing, but will children get it? Yes! The lowbrow humor, the blind silliness, and the quirky exaggerations are childishness itself. For older children there is the appeal of random sarcasm and funky, distorted illustrations. |
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