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53 A Chair for My Mother, 40 The Amazing Bone, 34 Room on the Broom, 30 Daddies Are for Catching Fireflies
HOME  >    Àç°í°¡ ¾ø´Â »óǰ   
The True Story of the Three Little Pigs (¹Ì±¹±³»ç ¼±Á¤ 100´ë Çʵ¶µµ¼­, ÆäÀÌÆÛ¹é, ½´ÆÛ¹ÙÀÌ) 3,900¿ø (ǰÀý)
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ÀúÀÚ : John Scieszka, Lane Smith (Illustrator) | ÃâÆÇ»ç : Puffin Books
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ÆäÀÌÁö : 32 pages
ISBN : 0140540563
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1993³â "The Stinky Cheese Man and Other Fairy Tales"·Î Caldecott Honor¸¦ ¼ö»óÇÑ Jon Scieszka¿Í Lane Smith(Illustrator)ÀÇ ÄÞºñ°¡ ¸¸µç ¶Ç ÇϳªÀÇ °ÉÀÛÀÔ´Ï´Ù.

À¯¸íÇÑ ¼¼¸¶¸® µÅÁöÇüÁ¦ À̾߱⸦ ´Á´ëÀÇ ÀÔÀå¿¡¼­ ÀçÁ¶¸íÇÑ ³»¿ëÀÔ´Ï´Ù. ¿À¸®Áö³Î À̾߱â´Â ¼¼¸¶¸® µÅÁö ÇüÁ¦°¡ °¢°¢ ¤´Ü, ³ª¹«, º®µ¹·Î ÁýÀ» ¸¸µé¾ú´Âµ¥ ´Á´ë°¡ ³ªÅ¸³ª¼­ ¤´Ü°ú ³ª¹«·Î ¸¸µç ÁýÀ» ÀÔ±èÀ¸·Î ºÒ¾î¼­ ¾²·¯¶ß¸®°í µÅÁö ÇüÁ¦ µÎ¸¶¸®¸¦ Àâ¾Æ ¸Ô¾úÀ¸³ª º®µ¹·Î ¸¸µç ÁýÀº Æ°Æ°ÇØ¼­ ºÎ¼öÁö ¸øÇß´Ù´Â À̾߱â·Î À¯ºñ¹«È¯ÀÇ Á߿伺À» °­Á¶ÇÏ´Â ³»¿ëÀÔ´Ï´Ù. ¿øÀÛ¿¡¼­´Â ´Á´ë°¡ ÀÜÀÎÇÏ°í ¹«ÀÚºñÇÑ ±«¹°·Î ¹¦»çÇϰí ÀÖ½À´Ï´Ù¸¸, ÀÌ ±Û¿¡¼­´Â ´Á´ëÀÇ ÀÔÀå¿¡¼­ ÀüÇô ´Ù¸¥ Áø½ÇÀ» µé·ÁÁÝ´Ï´Ù.

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Paperback - 32 pages
ISBN: 0140540563
Ã¥ Å©±â : 26.5cm x 21.4cm



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From School Library Journal
Victim for centuries of a bad press, Alexander (``You can call me Al'') T. Wolf steps forward at last to give his side of the story. Trying to borrow a cup of sugar to make a cake for his dear old Granny, Al calls on his neighbors--and can he help it if two of them built such shoddy houses? A couple of sneezes, a couple of dead pigs amidst the wreckage and, well, it would be shame to let those ham dinners spoil, wouldn't it? And when the pig in the brick house makes a nasty comment about Granny, isn't it only natural to get a little steamed? It's those reporters from the Daily Pig that made Al out to be Big and Bad, that caused him to be arrested and sent to the (wait for it) Pig Pen. ``I was framed,'' he concludes mournfully. Smith's dark tones and sometimes shadowy, indistinct shapes recall the distinctive illustrations he did for Merriam's Halloween ABC (Macmillan, 1987); the bespectacled wolf moves with a rather sinister bonelessness, and his juicy sneezes tear like thunderbolts through a dim, grainy world. It's the type of book that older kids (and adults) will find very funny. --John Peters, New York Public Library


From Debra Briatico - Children's Literature
In this humorous story, Alexander T. Wolf tells his own outlandish version of what really happens during his encounter with the three pigs. He claims that he runs out of sugar for a cake that he is making for his grandmother. In an effort to locate sugar for his recipe, he visits the homes of his pig neighbors. At the first two houses, he goes into sneezing fits and ends up blowing the houses down, killing both pigs. Of course he couldn't let those two good meals go to waste, so he eats them up! When he visits the third house, occupied by a grouchy pig, the wolf endures nasty insults, and as a result, tries to knock down the front door. When the police arrive at the scene, they capture an angry sneezing and wheezing wolf. After he ends up in jail, the wolf claims that he is being framed by the media, who are "blowing" the whole story out of proportion. Smith's simplistic and wacky illustrations add to the effectiveness of this fractured fairy tale.


From Publisher's Weekly - Publishers Weekly
In this gaily newfangled version of a classic tale, Scieszka and Smith ( Flying Jake ) argue in favor of the villain, transforming the story of the three little pigs into a playfully suspicious, rather arch account of innocence beleaguered. Quoth the wolf: ``I don't know how this whole Big Bad Wolf thing got started, but it's all wrong.'' According to his first-person testimony, the wolf went visiting the pigs in search of a neighborly cup of sugar; he implies that had the first two happened to build more durable homes and the third kept a civil tongue in his head, the wolf's helpless sneezes wouldn't have toppled them. As for his casual consumption of the pigs, the wolf defends it breezily (``It seemed like a shame to leave a perfectly good ham dinner lying there in the straw'') and claims cops and reporters ``framed'' him. Smith's highly imaginative watercolors eschew realism, further updating the tale, though some may find their urbane stylization and intentionally static quality mystifyingly adult. Designed with uncommon flair, this alternative fable is both fetching and glib.
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