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[ 책 소개 ]
나는 콘서트 홀을 좋아하지 않아요. 발을 굴러도 안되고 손뼉도 못치고... 모든 것을 못한답니다. 난 거리의 음악을 좋아해요. 자유 분방하며 쓰레기 통이라도 훌륭한 악기가 됩니다. 신발로 비트를 맞추며 듣는 것이 신납니다. 하지만 할머니는 그렇지 않은 가봐요. 교향곡(Symphony)이란 홀에서만 열려야 한다고 생각하죠. 어느덧 날은 어두워지고.. 공원으로 사람들이 모여드네요. 할머니와 나는 공원으로 발걸음을 돌렸습니다. 다양한 나라에서 온 다양한 악기를 가진 사람들이 야외 무대에서 공연을 합니다... 정말 멋진 야외 오케스트라 공연입니다. 그때 갑자기 지휘자가 지휘를 도와줄 사람이 한명 더 필요하다고 했어요. 당연히 제가 나갔답니다. 사람들의 박수를 받으며... 할머니도 자랑스러워 했답니다. 연주를 시작해 볼까요.. 이제.. 모두... 시작!
세대차를 극복하고 할머니와 손녀가 서로의 의견을 존중해서 야외 음악당에 가는 다정한 모습이 인상적입니다. 다양한 악기들이 나오는 원색의 그림과 운율감이 느껴지는 텍스트가 읽는 재미를 더합니다.
작은 사이즈의 | 닫기x |  What is 페이퍼백?
표지가 두꺼운 판지나 보드지가 아닌 비교적 얇은 종이를 사용해서 만든 책이며, 실박음질 대신에 풀로 제본처리하는 경우가 많습니다. 일반적으로 하드커버나 보드북에 비해서 가격이 저렴합니다. 소프트커버로 불리우기도 합니다. 책의 이음새 부분이 접히거나 휘는 내구성이 그리 좋지는 않은 책입니다.
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[ 서지 정보 ]
Reading level: Ages 4-8
Edition: Paperback: 32 pages
ISBN: 0064431894
책 크기 : 22.7cm x 17.3cm
[ 영문 서평 ]
Book Description
I like the music
When the junkman finds a blues stick
And shabops-it
On the tops-it
Of the garbage cans.
But Grandma says the symphony's the place to be. The little girl doesn't want to go -- she likes the music in the street. Then she finds out Grandma's not taking her to an ordinary concert; it's an outside concert, at night, in the park! And there's a special surprise waiting for her that would make anyone like the music.
Annotation
A little girl who loves street music learns to love the symphony as well when her grandmother takes her to an outdoor concert.
Publishers Weekly
The young narrator of Komaiko's verses is a devotee of musicnot of the concert-hall fare her Grandma is always urging on her, but of the sounds, songs, and rhythms she hears all around: "I like the beat/ Of my feet/ When my shoes hit the street/ And I rapatapa-tapa/ On the hot concrete." Grandma perseveres in sharing her love of the symphony, and succeeds when a concert in the park provides the vibrant, participatory atmosphere that sets the orchestral music aloft, giving it a life and verve a child can appreciate. This is a high-spirited celebration of music of all sorts and a joyful recognition of the spontaneous rhythms of everyday living. Komaiko's poetry skillfully mirrors the child's moods and perceptions: a regular, evenly regimented pace when describing what the girl perceives as the monotony of indoors concerts, then it soars and dances with syncopation when she tells of the street music she likes best. Westman's illustrations paint a city teeming with sights as well as sounds, and add a zest and energy all their own. Ages 4-8.
School Library Journal
PreSchool-Grade 1 A young girl is less than thrilled with her grandmother's choice of music for her. Grandma keeps taking her to the symphony, which she finds boring. The narrator much prefers the music of the street, as when ``the junk man finds a blues stick/ And shabops-it/ On the tops-it/ Of the garbage cans.'' At last Grandma suggests a night concert in the park which meets with the girl's ap proval, especially when the conductor chooses her to replace him on the podi um. The story is told in verse that has a pronounced cadence which quickly be comes tiresome. The rhymes are often forced, and often the words themselves seem meaningless rather than evoca tive, as when they reach the park ``the strings bow and pick it/ To the clicks of the cricket,/ And coyotes/ Sing their no teys/ For the timpani.'' While the timpa ni do appear in the illustrations several pages later, nowhere is there a coyote in this totally urban setting. Westman's brightly colored cartoons are appealing, reminding one of Byron Barton's work in books such as Wheels (Crowell, 1979), but they cannot make up for the banal verse they accompany. Eleanor Schick's One Summer Night (Greenwil low, 1977; o.p.) is a better treatment of a similar theme. Elaine Fort Weische del, Turner Free Library, Randolph, Mass. |
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