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[ 책 소개 ]
* A Parents Magazine, Best Book of the Year
* An American Bookseller "Pick of the Lists" Selection
영국의 저명한 Illustrator인 마르시아 윌리엄스가 어린 아이들을 위해 만든 셰익스피어 걸작 모음집입니다.
셰익스피어 작품 중에서 가장 유명한 7편을 선정해서 유머러스한 만화 형식으로 재구성했기 때문에 어린 아이들이 재미있게 즐길 수 있습니다.
이 책에 포함된 7편의 내용은 아래와 같습니다.
- ROMEO AND JULIET
- A MIDSUMMER NIGHT'S DREAM
- JULIUS CAESAR
- HAMLET
- MACBETH
- THE WINTER'S TALE
- THE TEMPEST
큰 사이즈의 | 닫기x |  What is 페이퍼백?
표지가 두꺼운 판지나 보드지가 아닌 비교적 얇은 종이를 사용해서 만든 책이며, 실박음질 대신에 풀로 제본처리하는 경우가 많습니다. 일반적으로 하드커버나 보드북에 비해서 가격이 저렴합니다. 소프트커버로 불리우기도 합니다. 책의 이음새 부분이 접히거나 휘는 내구성이 그리 좋지는 않은 책입니다.
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[ 서지 정보 ]
Paperback: 40 pages
ISBN-10: 0763623237
ISBN-13: 978-0763623234
책 크기: 31.5 cm x 25.3 cm
[ 영문 서평 ]
Book Description
Come wend your way along London’s Thames River to the Globe Theatre, where seven favorite Shakespearean plays are being performed! Marcia Williams brings to life ROMEO AND JULIET, A MIDSUMMER NIGHT'S DREAM, JULIUS CAESAR, HAMLET, MACBETH, THE WINTER'S TALE, and THE TEMPEST, making liberal use of Shakespeare’s rich dialogue. With the help of her signature comic-strip style, the Bard’s 400-year-old masterworks become as relevant to young readers today as they were to theatergoers way back then.
With the help of Marcia Williams's signature comic-strip style, the bard's 400-year-old masterpieces come to life for a new generation of readers.
School Library Journal
The success of Williams's Greek Myths for Young Children (Candlewick, 1992) is no surprise to those whose first exposure to the classics through "Classic Comics" led to a comfortable and even enthusiastic view of literature. The lively cartoon format never overwhelms the clear progress of the stories. While the technique used in her latest book may boggle the mind of a struggling adult, it should be child's play to average elementary-school readers. Each of the seven selections, Hamlet, Romeo and Juliet, Macbeth, The Winter's Tale, Julius Caesar, Midsummer Night's Dream, and The Tempest, is told as if it were on a stage, with cartoon panels carrying the actions and direct quotations from the play. The author's narration appears below the panels. An audience surrounds this presentation on three sides of each page. Not only are the stories complex and multilayered, but the byplay in the audience also further complicates these busy pages. As Hamlet struggles with his decision, orange sellers work a crowd that comments irreverently on the play. Queen Elizabeth I and Will himself appear at more than one production. Macbeth, which has a relatively simple story line, is told in larger panels and is not as hard to follow. The Winter's Tale is also not badly served by this treatment, although it's disappointing to find the most cartoonish stage direction in all of Shakespeare, "Exit, pursued by a bear," omitted. While it's hard to imagine anyone except maybe Robin Williams taking this on as a read-aloud, the kids who pore over detail in "Waldo" or Graeme Base's Animalia (Abrams, 1993) may graduate to enjoying an introduction to the plays in this format.
Booklist
Williams uses the oversize, comic strip format of her King Arthur and the Knights of the Round Table (1996) and other picture books to evoke a sense of what it must have been like to attend performances of seven plays at the old Globe Theatre. As the actors stand in running panels atop prose plot summaries, declaiming well-chosen lines from the plays, in the borders men, women, and children of all ages (including, for sharp-eyed viewers, Queen Elizabeth and the Bard himself) watch, laugh, weep, shout smart comments, and fool around. Although watery gray backgrounds give Macbeth and parts of Hamlet a gloomy cast, the mood in general is boisterous: Juliet sprawls fetchingly on her balcony rail; donkey-headed Bottom curls a bespelled Titania's toes; one viewer bids a rowdy youth, "Buzz off," and another, seeing Macbeth waving a pair of gory daggers, opines, "I don't think this is quite suitable for children." On the contrary, although the names and plot twists may sometimes come too fast for some readers to keep straight, this offers an inviting taste of the Shakespearean buffet, as well as a rare glimpse into the character of Elizabethan theater. |
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