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113 The Moon Seems to Change, 61 A Father's Love, 56 The Race of the Birkebeiners, 50 Good-bye Tonsils!
HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
The Basket Moon (Å« »çÀÌÁî ÇϵåÄ¿¹ö, ½´ÆÛ¹ÙÀÌ) ¢½ 8,600¿ø (ǰÀý)
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Mary Lyn Ray (Author), Barbara Cooney (Illustrator) | ÃâÆÇ»ç : Little Brown & Co
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ÆòÁ¡ 9.3Á¡ ¸®ºä 3°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 32 pages
ISBN : 9780316735216
Àç°í : ǰÀý
±ÇÀ忬·É : À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (6¼¼~10¼¼)
ÃÖ±Ù 10¸í ÀÓÀÇ »õ·Î°íħ ÃÖ±Ù ÀÌ Ã¥À» ±¸¸ÅÇϽŠ´Ù¸¥ ȸ¿øÀÇ Ã¥Àå
ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
[ Ã¥ ¼Ò°³ ]

* A Publishers Weekly Best Book of the Year
* A Children's Book Council "Not Just for Children Anymore" Selection


Ox-Cart Man°ú Chanticleer and the Fox·Î µÎÂ÷·Ê Caldecott MedalÀ» ¼ö»óÇÑ Barbara CooneyÀÇ ¾Æ¸§´Ù¿î ±×¸²Ã¥ÀÔ´Ï´Ù.

±íÀº »ê¼Ó¿¡ »ç´Â ¼Ò³âÀº ¾ðÁ¦³ª ´ëµµ½Ã¸¦ µ¿°æÇÕ´Ï´Ù. ¿Â °¡Á·ÀÌ ¹Ù±¸´Ï¸¦ ¸¸µé¸é ¾Æ¹öÁö´Â ȯÇÏ°Ô ±æÀ» ¹àÇôÁÖ´Â º¸¸§´ÞÀÌ ¶ß´Â ³¯, ¹Ù±¸´ÏµéÀ» ±ä ¸·´ë¿¡ ¸Å´Þ°í´Â È¥ÀÚ¼­ Çãµå½¼ ÀåÅÍ·Î ÆÈ·¯ °¡°ï Çß½À´Ï´Ù. ¼Ò³âÀº ¾Æ¹öÁö¿¡°Ô ÇÔ²² °¡ÀÚ°í Á¶¸¨´Ï´Ù¸¸, ±×¶§¸¶´Ù ¾Æ¹öÁö´Â Á»´õ Å©¸é ÇÔ²² °¡ÀÚ°í ´ë´äÇÕ´Ï´Ù. ¼Ò³âÀÌ 9»ìÀÌ µÇ¾úÀ» ¶§ µåµð¾î ¾Æºü¿Í ÇÔ²² ¹Ù±¸´Ï¸¦ ÆÈ·¯ °¡°Ô µÇ¾ú½À´Ï´Ù. Çãµå½¼½Ã¿¡ µµÂøÇßÀ» ¶§, ¼Ò³âÀº µµ½ÌÀÇ ¹øÈ­ÇÑ ¸ð½À°ú ´Ù¾çÇÑ Ç³¹°¿¡ ¸Å·áµÇ¾ú½À´Ï´Ù. ÇÏÁö¸¸ ÁýÀ¸·Î µ¹¾Æ°¡·Á ÇÒ ¶§, »ç¶÷µéÀÌ Ã̳ðÀ̶ó°í ³î¸®´Â ¼Ò¸®¸¦ µè°Ô µÇ°í, ¼Ò³âÀº ºÎ²ô·¯¿ò°ú Ä¡¿å ¶§¹®¿¡ Ū°Ô ³«´ãÇÕ´Ï´Ù. ±×¸®°í ¾Æ¹öÁö°¡ ¹Ù±¸´Ï¸¦ ¸¸µå´Â ÀÏÀ» À̾î¹Þ±â ½È´Ù°í »ý°¢ÇÕ´Ï´Ù. ¸îÁÖ°¡ È帣°í ¼Ò³âÀÌ ¹Ù±¸´Ï¸¦ ¸¸µå´Â Çê°£¿¡ °¬À» ¶§, Á¶ ¾ÆÀú¾¾´Â »ì¾Æ°¡´Âµ¥ À־ ³²µéÀÇ Æò°¡º¸´Ù ´õ Áß¿äÇÑ °ÍÀÌ ¹«¾ùÀÎÁö¸¦ ºÒ¾î¿À´Â ¹Ù¶÷ÀÇ ¿¹¸¦ µé¾î¼­ °¡¸£ÃÄ ÁÝ´Ï´Ù...

Å« »çÀÌÁîÀÇ ÇϵåÄ¿¹öÃ¥ÀÔ´Ï´Ù.



[ ¼­Áö Á¤º¸ ]

Hardcover: 32 pages
ISBN-10: 0316735213
ISBN-13: 978-0316735216
Ã¥ Å©±â: 28.5cm x 22.2cm



[ ¿µ¹® ¼­Æò ]

Book Description
After hearing some men call his father and him hillbillies on his first trip into the nearby town of Hudson, a young boy is not so sure he still wants to become a basket maker.


Publishers Weekly
Weaving in authentic details as seamlessly as Pa weaves the splints in his baskets, Ray (Mud; Pianna) pays homage not only to a time-honored craft, but to the way traditions link one generation to the next. A boy growing up in the hills above the Hudson Valley longs to accompany his father to town, where each month he takes his baskets to sell: "He always went when the moon was round, to have it for a lantern if he was late returning." As the seasons turn, the boy continues to watch and wait, listening to the stories Pa tells, observing the men at their basket weaving. Then after his ninth birthday, "I began to see Pa studying me the way he checked a basket when it was finished"; at the next full moon the boy is allowed to go to town. The journey opens the world to him, in more ways than one; the boy will never view his life the same way again. Ray's subtle symbolism and poetic language create a story that will linger with readers for many moons. And Cooney's (Ox-Cart Man) scenes are as pristine as the narrative. From countryside to bustling early- 20th-century metropolis, her deft brush picks out a few carefully chosen details to balance the ethereal simplicity of each scene: delicate fern fronds decorate the forest's undergrowth; a boy's red mittens counterpoint the muted grays of a winter scene; the iron filigree on a rooftop in town adds an elegant touch to the skyline. Author and artist unite in a tribute to the natural world humanity, and their abiding interconnectedness.


School Library Journal
This engaging book tells about a young boy's coming-of-age in an isolated rural community around the turn of the last century, and about the special baskets made by the people who live in the hills above the Hudson River. For years, the child has been eager to join his father on his monthly walk to the nearby town to sell the baskets. Pa always goes at the time of the "basket moon" (the full moon) because he needs its light to find his way home. Finally, after the boy's ninth birthday, he accompanies his father to town. He is excited by all the new things he sees there, but when a townie taunts them with "A tisket, a tasket, hillbilly basket! That's all a bushwhacker knows," he is devastated. He wants nothing further to do with basket making and wants his family to stop, too. One of his father's helpers, seeing the boy's distress, helps him to understand the artistic nature of their craft, and to value such work. The story is told by the boy in lyrical prose, and is graced by Cooney's soft-hued oil-and-acrylic paintings. The artist makes the mountains and forests glow with a suffused light that enhances their beauty and softens the family's hard life, and she artistically incorporates the various steps of basket making described in the text. An afterword explains a little of the history of these baskets and the people who made them. A luminous and deeply satisfying look back in time.
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