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* New York Times Book Review Best Illustrated Books of the Year
Caldecott ¼ö»óÀÛÀÎ Hondo and FabianÀÇ ÀúÀÚÀÎ Peter McCarty ƯÀ¯ÀÇ »ö¿¬ÇÊÀ» ÀÌ¿ëÇØ¼ ±×¸° ºÎµå·¯¿î º§ºªÇ³ÀÇ ±×¸²°ú ´Ü¹®À¸·Î µÈ °£°áÇÏ¸ç ¹Ýº¹ÀûÀÎ À̾߱Ⱑ ¸ÚÁø Á¶È¸¦ ÀÌ·ç´Â À̸§´Ù¿î ±×¸²Ã¥ÀÔ´Ï´Ù.
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Paperback: 32 pages
ISBN-10: 0805072594
ISBN-13: 978-0805072594
Ã¥ Å©±â: 22.5cm x 20.3cm
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Book Description
"It was time for a little bunny to be on the move. From here to there, a bunny goes where a bunny must."
And so Little Bunny's journey begins: over the hills, through the woods, past the little girl who wants to take him home. But where is Little Bunny going?
"Bunny, bunny, going down the path,
Bunny, bunny, aren't you turning back?
Where are you going, Little Bunny?"
By the time Little Bunny reaches his destination--his very own place, with all the other little bunnies--readers will be thoroughly enchanted. Simple and accessible, Little Bunny on the Move takes us on a classic picture book journey with a most satisfying conclusion.
From Publishers Weekly
"It was time for a little bunny/ to be on the move./ From here to there,/ a bunny goes where a bunny must," begins this reassuring yet enigmatic tale. An unseen narrator periodically asks questions of the charming title characterA"Bunny, Bunny aren't you turning back?/ Where are you going, Little Bunny?"Aand then answers them. This bunny moves "past five fat sheep" and "over train tracks." McCarty's (Night Driving) haunting pencil and watercolor illustrations of Bunny's journey emulate silver point, with drawings that seem to be etched and only the barest hint of pale color. He combines modern and timeless sensibilities, as in a breathtaking view of Bunny descending a hillside, a plane in the distance juxtaposed with a Japanese cherry blossom that might have been featured in an ancient silk screen; in another illustration, a little girl who could easily have stepped from a Renoir painting offers Bunny shelter. The counterpoint of modern and timeless phrases in the text occasionally has a jarring effect, but the artwork more than compensates for these few missteps. Light shimmers through delicate grass and tree leaves seem to be lit from within, as the tiny white bunny finally reaches its destination: home. Subtly compelling, McCarty's mysterious, almost black-and-white compositions possess a quiet dignity.
From Library Journal
A little bunny is on the go, passing a pig, a cow, a flock of sheep, a train, and a little girl. His destination, revealed only on the final pages, is home. Though small and gentle, he is confident and determined to complete his journey despite the concern of those he encounters. "Bunny, Bunny, the sky is turning black./Bunny, Bunny, aren't you going back?/Won't you stop to sleep, Little Bunny?" McCarty's black-and-white pencil-and-watercolor illustrations with just a hint of color have a luminescent quality. The artist creates a pleasant out-of-time feeling by portraying objects ambiguously enough to defy their placement in time. An airplane, the child's clothing, a train could all be contemporary or from a bygone decade. Readers familiar with McCarty's black-and-white illustrations for John Coy's Night Driving (Holt, 1995) will recognize the style, although Little Bunny's artwork includes faint tints of color. The technique suits the text, which is also both general and timeless: "...a bunny goes where a bunny must." The slight, simple narrative is enhanced by lovely, intermittent rhymes. Within the plethora of bunny picture books, Little Bunny slips through a fence like Peter, receives a carrot on his return like the runaway bunny, but still maintains his own individuality.
From Kirkus Reviews
A fresh look at a reassuring theme, with unusual and beguiling illustrations. Little Bunny is on the move, ``from here to there,'' past a cow, a pig, sheep, and the train tracks, through a fence, and past a little girl who wants to make a pet of him. On this journey, Bunny has little time to sleep, for he must go where he musthome, it turns out, where he is surrounded by his family, and where there are carrots. Bunny lives in a beautifully textured and shaded landscape done in a kind of grisaille, like medieval manuscripts painted in shades of grey. Colors, when used, are elusivethe palest green suggests grass, the barest swath of dim orange tints the carrotand heighten the brilliant use of white for the bunny, sheep, daisies, clouds, and the shadows of the landscape. Toddlers and caregivers alike will be soothed by a child-sized adventure, brought to sweet closure. |
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