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HOME  >    Àç°í°¡ ¾ø´Â »óǰ   
17 Kings and 42 Elephants (´º¿åŸÀÓÁî Best Illustrated Book)
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ÀúÀÚ : Margaret Mahy, Patricia MacCarthy | ÃâÆÇ»ç : Puffin Pied Piper
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ÆäÀÌÁö : 32 pages
ISBN : 0140545972
Àç°í : ǰÀý
±ÇÀ忬·É : À¯¾Æ, À¯Ä¡¿ø»ý (4¼¼~7¼¼)
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* 1987³â New York Times Best Illustrated Book


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Reading level: Baby-Preschool
Edition: Paperback, 32 pages
ISBN: 0140545972
Ã¥ Å©±â : 26.8cm x 23cm



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Book description
Where those kings are headed is a mystery, but no travelers ever had such a jolly time. Here is a royal romp through a tongue-twisting paradise. 32 full-color illustrations.


Publisher's Weekly
PW enjoyed the ``rollicking language'' of Mahy's ``foot-stomping poem,'' in this fanciful jungle journey illustrated with glowing batik art.


School Library Journal
In words both sensible and nonsensical, Mahy's entourage of kings and elephants makes its way through the jungle. Readers don't know where they came from or where they're going, but the journey is a joyous one. Before the procession disappears into the night, assorted jungle creatures respond to the songs and music of the travelers: ``Forty-two elephantsoh, what a lot of 'ums, /Big feet beating in the wet wood shade, /Proud and ponderous hippopotomums /Danced to the music that the marchers made.'' Painted on silk, the batik illustrations glow with the lush, clear colors of the fabric. Their visual patterns reflect the verbal patterns and the fun of the text. The hippopotomums are palpably ponderous, the flamingos gorgeously pink. Not since Preston and Parker's Pop Corn and Ma Goodness (Viking, 1969; o.p.) has there been such a marriage of happy, rhythmic language and illustrations. Go for it. Your small patrons will love it.


The New York Times Book Review
Ms. Mahy's rich, wonderful poem . . . is utterly delightful. Its language is a miraculous mixture of concision and freedom, joy and mystery, sillinessand seriousness all rolled into one. . . . In the tradition of early Dr. Seuss, it is simply terrific picture-book writing. But there is the rub. . . . A glorious text needs a complement, a companion, a visual spouse. Patricia MacCarthy's pictures . . . are vibrant and colorful, to be sure, and bear a relationship to the text in their joyousness. Yet, for a picture book, that is not enough. Ms. MacCarthy's pictures end up as decorations, not illustrations. They do nothing to expand or amplify or resonate the text. . . . Published withobvious care, with a little more insight and daring, this better than ordinary book might have been extraordinary.
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