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41 My Friend Rabbit, 36 Black and White, 36 Amelia Bedelia Treasury, 36 This Story Is for You
HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
Imagine a Place (Å« »çÀÌÁî ÇϵåÄ¿¹ö, ½´ÆÛ¹ÙÀÌ) 8,800¿ø (ǰÀý)
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ÀúÀÚ : Sarah L. Thomson (Author), Rob Gonsalves (Illustrator) | ÃâÆÇ»ç : Atheneum Books
160504
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ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 40 pages
ISBN : 9781416968023
Àç°í : ǰÀý
±ÇÀ忬·É : À¯¾Æ, À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (4¼¼~9¼¼)
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Edition: Hardcover: 40 pages
ISBN-10: 1416968024
ISBN-13: 978-1416968023
Ã¥ Å©±â : 28.8cm x 28.6cm



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Book Description
If you can imagine a place,
you can go there.
Imagine a place that makes you feel as free as a bird. Imagine a place where getting there is worth whatever it takes. Imagine a place that makes you feel like it's always been your destination. Imagine a place made out of pure imagination.
Imagine a Place is a gorgeous companion to the critically acclaimed Imagine a Night and Imagine a Day, and reminds us that imagination is powerful enough to take us anywhere we want to go. And Rob Gonsalves's exquisitely conceived paintings leave you in awe...of his imagination.


School Library Journal
The creators of Imagine a Night (2003) and Imagine a Day (2005, both S & S) offer
another book to ponder and pore over. Readers are again encouraged to stretch their imaginations and question perspective and perception. Painterly acrylic panoramas, supported by lyrical text, are packed with skewed realities. On the title page, an image of a cathedral's interior transmutes into a city skyline as the pointed arches become silhouetted skyscrapers and the mottled stonework of ancient walls, buttressed ceilings, and floor become the rippled surface of the surrounding harbor and stratocumulus clouds. On another spread, the text reads, "Imagine a place¡¦/where water is solid,/light is liquid,/sky a frozen river/flowing under your feet," and the illustration shows skaters gliding across a nighttime river, their lanterns reflecting the moonlight, and snow banks that mirror the clouds above. The sometimes esoteric text and sophisticated art play with literality: houseboats are depicted as brick-and-stone manors in giant skiffs, their verdant lawns enclosed by bow-and-stern-curved fences. This is not magical realism, but shifting realism - magical, to be sure, but not in the high-falutin', metaphysical sense. This is the magic of positive and negative space, of expectation and experimentation, of creativity and conversion. Readers will want to look, look again, discuss, and imagine.
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