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HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
Henry's Freedom Box (Caldecott ¼ö»óµµ¼­, ÇϵåÄ¿¹ö, ½´ÆÛ¹ÙÀÌ) 7,800¿ø (ǰÀý)
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ÀúÀÚ : Ellen Levine (Author), Kadir Nelson (Illustrator) | ÃâÆÇ»ç : Scholastic Press
180221
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ÆòÁ¡ 10Á¡ ¸®ºä 1°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 40 pages
ISBN : 9780439777339
Àç°í : ǰÀý
±ÇÀ忬·É : À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ, ÃʵîÇб³ °íÇгâ (7¼¼~12¼¼)
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* Caldecott Honor ¼ö»óµµ¼­
* ALA Notable Book for Middle Readers
* CCBC Choices, Historical Places, People, and Events
* IRA Teachers ' Choices, Primary
* NCSS Notable Social Studies Trade Books for Young People
* Booklist Editor 's Choice
* Booklist Top 10 Black History for Youth
* The Bulletin of the Center for Children 's Books, Bulletin Blue Ribbons
* Junior Library Guild Selection


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Hardcover: 40 pages
ISBN-10: 043977733X
ISBN-13: 978-0439777339
Ã¥ Å©±â: 28.6 cm x 23.8 cm



[ ¿µ¹® ¼­Æò ]

Book Description
A stirring, dramatic story of a slave who mails himself to freedom by a Jane Addams Peace Award-winning author and a Coretta Scott King Award-winning artist.
Henry Brown doesn't know how old he is. Nobody keeps records of slaves' birthdays. All the time he dreams about freedom, but that dream seems farther away than ever when he is torn from his family and put to work in a warehouse. Henry grows up and marries, but he is again devastated when his family is sold at the slave market. Then one day, as he lifts a crate at the warehouse, he knows exactly what he must do: He will mail himself to the North. After an arduous journey in the crate, Henry finally has a birthday -- his first day of freedom.


School Library Journal
Inspired by an actual 1830s lithograph, this beautifully crafted picture book briefly relates the story of Henry "Box" Brown's daring escape from slavery. Torn from his mother as a child, and then forcibly separated from his wife and children as an adult, a heartsick and desperate Brown conspired with abolitionists and successfully traveled north to Philadelphia in a packing crate. His journey took just over one full day, during which he was often sideways or upside down in a wooden crate large enough to hold him, but small enough not to betray its contents. The story ends with a reimagining of the lithograph that inspired it, in which Henry Brown emerges from his unhappy confinement - in every sense of the word - and smiles upon his arrival in a comfortable Pennsylvania parlor. Particularly considering the broad scope of Levine's otherwise well-written story, some of the ancillary "facts" related in her text are unnecessarily dubious; reports vary, for instance, as to whether the man who sealed Henry into the crate was a doctor or a cobbler. And, while the text places Henry's arrival on March 30, other sources claim March 24 or 25. Nelson's illustrations, always powerful and nuanced, depict the evolution of a self-possessed child into a determined and fearless young man. While some of the specifics are unfortunately questionable, this book solidly conveys the generalities of Henry Brown's story.


Booklist *Starred Review*
Although the cover shows a young boy staring intently at the reader, this book is really about Henry Brown as an adult and a staggering decision he made to achieve freedom. Henry, born a slave, hears from his mother that leaves blowing in the wind "are torn from the trees like slave children are torn from their families." When his master grows ill, Henry hopes that he will be freed; instead, he is given to his master's son, and his life becomes worse. Eventually, Henry marries and has children; then his family is sold. With nothing left to lose, he asks a white abolitionist to pack him in a crate so he can be mailed to freedom. The journey is fraught with danger as he travels by train and then steamboat, but 27 hours later, he reaches Philadelphia. A brief author's note confirms the details of the story, but it's the dramatic artwork that brings the events emphatically to life. According to the flap copy, an antique lithograph of Brown inspired Nelson's paintings, which use crosshatched pencil lines layered with watercolors and oil paints. The technique adds a certain look of age to the art and also gives the pictures the heft they need to visualize Brown's life. Transcending technique is the humanity Nelson imbues in his characters, especially Brown and his mother--her dream of freedom deferred, his amazingly achieved. Ilene Cooper


Kirkus Review *Starred Review*
Nelson's powerful portraits add a majestic element to Levine's history-based tale of Henry ¡°Box¡±
Brown, a slave who escaped by having himself mailed to freedom in a crate. Depicted as a solemn boy
with an arresting gaze on the cover, Henry displays riveting presence in every successive scene, as he
grows from child to adult, marries and is impelled to make his escape after seeing his beloved wife and
children sold to slaveowners. Related in measured, sonorous prose that makes a perfect match for the art,
this is a story of pride and ingenuity that will leave readers profoundly moved, especially those who may
have been tantalized by the entry on Brown in Virginia Hamilton's Many Thousand Gone: African
Americans from Slavery to Freedom (1993).

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