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³ëº§¹®Çлó ¼ö»óÀÚ·Î °áÁ¤µÈ ¹Ì±¹ÀÇ Àú¸íÇÑ °¡¼öÀÎ ¹ä µô·±¿¡ ÀÇÇØ 1979³â¿¡ ºÒ·ÁÁø ÆË¼Û "Man Gave Names to All the Animals"¸¦ Jim Arnosky ƯÀ¯ÀÇ »ç½ÇÀûÀÎ ±×¸²À¸·Î º¸¿©Áִ åÀÔ´Ï´Ù. ¹ä µô·±ÀÌ ¿Ö ³ëº§¹®Çлó ¼ö»óÀÚ·Î °áÁ¤µÇ¾ú´ÂÁö¸¦ È®ÀÎÇØ º¼ ¼ö ÀÖ´Â ¾Æ¸§´Ù¿î ³»¿ëÀÇ µ¿½Ã°¡ Jim ArnoskyÀÇ »ç½ÇÀûÀÎ ¸ÚÁø ¼¼¹ÐÈ ±×¸²°ú ¸ÚÁø Á¶È¸¦ ÀÌ·ç´Â Ã¥ÀÔ´Ï´Ù.
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furry hair -> bear,
know how -> cow,
pull -> bull,
big -> pig,
steep -> sheep...
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ÆäÀÌÆÛ¹éÀÔ´Ï´Ù.
[ ¼Áö Á¤º¸ ]
Paperback: 32 pages
ISBN-10: 1454915765
ISBN-13: 978-1454915768
Ã¥ Å©±â: 29 cm x 23 cm
[ ¿µ¹® ¼Æò ]
Book Description
¡°Man gave names to all the animals
In the beginning, in the beginning.
Man gave names to all the animals
In the beginning, long time ago.¡±
Whimsical and witty, ¡°Man Gave Names to All the Animals¡± first appeared on Bob Dylan's album Slow Train Coming in 1979. With Dylan's blessing, illustrator Jim Arnosky has crafted a stunning picture book adaptation of the song that's a treat for both children and adults, with breathtaking images of more than 170 animals.
The revered musical legend rarely allows his songs to be illustrated, and Arnosky has done the song proud with a parade of spectacular creatures ready to receive their names—until the surprise ending, when children get to name an animal all by themselves!
From Publishers Weekly
In a track on his 1979 album Slow Train Coming, Dylan speculates about Mankind's naming of beasts. Although his observations are by no means profound, his subject is appropriate for preschoolers: "[Man] saw an animal leavin' a muddy trail./ Real dirty face and a curly tail./ He wasn't too small and he wasn't too big./ 'Ah, think I'll call it a pig.' " Menchin (The Day the Whale Came) smoothly adapts this lark of a musical moment to the page by making it a guessing game. In teasing spreads, he reveals the eyes, feet or tail of the nameless creature, then unveils it whole. Menchin surrounds his block prints of barnyard animals with mixed media collages. A linocut pink pig sits in a patch of greenish straw, for instance, and a cropped photo of a crowd overlooks a bull and toreador. Even if the chosen lyrics eliminate both the catchy tune and the famous voice, this labor of love recommends Dylan to a new generation. Ages 3-10. (Nov.)
School Library Journal
Dylan's 1979 album, Slow Train Coming, included this title, and 20 years later, Menchin has taken the lyrics and added his own multimedia illustrations to create this picture book. Bold colors combine with powerful lines and visual imagery. For instance, the upper half of the head of an angry bull glares out at readers on a double-page spread colored in fire-engine red. Its horns curl up to encircle the text, which stands in straight lines that march across the two pages: "He saw an animal that liked to snort. Horns on his head and they weren't too short." What adds to the jarring effect of the bull is the sweet cow on the previous double-page spread, its head tilted into a somewhat perplexed look that seems to highlight its innocence. The baby-blue sky, sun-dappled grass, and row of bucolic-looking minihouses with curlicues of smoke rising from the chimneys add to the countryside feeling. The text is forced at times, and the lyrics don't always work as well visually as they do musically. Still, this book would be an effective way to showcase the many ways in which artists can create pictures using collage, paint, scissors, and, of course, their imaginations.
Lisa Gangemi Krapp, Rockville Centre Public Library, NY
Booklist
If you have the earlier version of this book (Man Gave Names to All the Animals, 1999, illustrated by Scott Menchin), you might ask yourself why you would need this new rendition. The words do remain the same, but the illustrations couldn¡¯t be more different. While Menchin¡¯s spare cartoon style used barnyard animals to stand in for the animals listed in Dylan¡¯s song, Arnosky uses his lush, realistic pencil and acrylics to depict animals in the wild. Only six creatures are named in the song (bear, cow, bull, pig, sheep, snake); however, Arnosky features more than 170 in various groupings, some in their natural habitats while others pose with creatures with which they would not coexist. Ninety-six of the creatures are listed at the back of the book with a challenge to find them on the pages. A CD of Dylan¡¯s original recording is nicely tucked away inside the back cover. For a contrasting animal song in pictur´Ý±âx | What is ´Ý±âx | What is e-book? ÀüÀÚÃ¥(electronic book)À̶ó°íµµ ºÒ¸®¿ì¸ç, Ã¥ÀÇ ³»¿ëÀ» Á¾À̰¡ ¾Æ´Ñ ÄÄÇ»ÅÍ ¸ð´ÏÅͳª ÇÚµåÆùÀÇ È¸éÀ» ÅëÇØ ÀÐÀ» ¼ö ÀÖ½À´Ï´Ù.
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e-book? ÀüÀÚÃ¥(electronic book)À̶ó°íµµ ºÒ¸®¿ì¸ç, Ã¥ÀÇ ³»¿ëÀ» Á¾À̰¡ ¾Æ´Ñ ÄÄÇ»ÅÍ ¸ð´ÏÅͳª ÇÚµåÆùÀÇ È¸éÀ» ÅëÇØ ÀÐÀ» ¼ö ÀÖ½À´Ï´Ù.
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´Ý±âx | What is e-book? ÀüÀÚÃ¥(electronic book)À̶ó°íµµ ºÒ¸®¿ì¸ç, Ã¥ÀÇ ³»¿ëÀ» Á¾À̰¡ ¾Æ´Ñ ÄÄÇ»ÅÍ ¸ð´ÏÅͳª ÇÚµåÆùÀÇ È¸éÀ» ÅëÇØ ÀÐÀ» ¼ö ÀÖ½À´Ï´Ù.
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e-book format, check out Tom Paxton¡¯s The Animals¡¯ Lullaby (1993).
Kirkus Reviews
Dylan fans extant in 1979 when his album Slow Train Coming was released won't be able to keep his rasping voice out of their heads, but that shouldn't impair their appreciation, or children's, of this wonderfully imaginative visualization of the lyrics. The book starts off, logically enough, ``in the beginning,'' as a painted man stands on the skin of the earth and contemplates animal-shaped constellations in a starry sky. However, readers immediately realize that he's standing on a photographed potato skin, an apt collage element, and that such combinations of painting and photograph will run through every page. A painted pig appears in the middle of a real bed of hay, while the collage horns of a bull look demonic in a full-bleed spread of brightest red, with a photographed crowd in the stands, and a matador who is offstage except for his brocade-wrapped arms and a wisp of his taunting cape. The images continue in a splendid visual extension of Dylan's wry wit; children will delight in the chance to supply the final animal's name themselves. |
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