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¾Æ¸¶µµ ¼¼°è¿¡¼ °¡Àå À¯¸íÇÑ µ¿ÈÀÎ Charles Perrault ½Åµ¥·¼¶ó À̾߱⸦ Caldecott ¼ö»óÀÛ°¡ÀÎ Susan JeffersÀÇ Ææ°ú ¼öÃ¤È ¹°°¨À» ÀÌ¿ëÇÑ ¾Æ¸§´Ù¿î ¼¼¹ÐÈ ±×¸²À¸·Î À籸¼ºÇß½À´Ï´Ù.
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ÇϵåÄ¿¹öÀÔ´Ï´Ù.
[ ¼Áö Á¤º¸ ]
Edition: Hardcover: 32 pages
ISBN-10: 0525473459
ISBN-13: 978-0525473459
Ã¥ Å©±â : 30.5cm x 24.2cm
[ ¿µ¹® ¼Æò ]
Book Description
Cinderella's transformation from poor girl to princess never failsto captivate young ones, and this stellar retelling, exquisitely illustrated by Susan Jeffers, is a must for every library. When the original version of this book was published in 1985, Publishers Weekly called it "a treasure for all ages," and The New York Times declared, "Fairy-tale aficionados will be mesmerized." For this hardcover reissue, Susan Jeffers retouched her pen-and- ink and dye illustrations, making them even richer. Her brilliant artwork is showcased in a new interior design featuring a fifth-color gold border. Embossed gold foil type on the jacket of this large-format picture book trumpets the arrival of the girl who went from rags to riches.
Publishers Weekly
Nearly two decades after its original publication, Susan Jeffers's detailed pen-and-ink and dye illustrations once again grace Charles Perrault's Cinderella (1985), retold by Amy Ehrlich. PW called Ehrlich's retelling "absorbing [and] easily grasped," while the artwork "shows Jeffers's gifts at their dazzling best."
Booklist
From the plump pumpkins on the endpapers, to the shifty-eyed stepmother and Cinderella's vibrant ball gown, Koopmans' delicate watercolors provide yet another visual rendering of the familiar tale. Bell's smooth translation follows the traditional story. As Cinderella rides to the palace, her coach radiates light, and Cinderella herself is a blaze of color in her vibrant yellow gown in the brightly lit ballroom. The art lacks Marcia Brown's strong line, Diane Goode's distinctive facial expressions, James Marshall's rumpled goofiness, and Susan Jeffers' graceful elegance, but it is unusual in one respect. Instead of a maidenly Cinderella and manly prince, both protagonists are portrayed as prepubescent children. This unusual interpretation, which will charm some and disturb others, is best suited for larger collections. Linda Perkins
Children's Literature
It was Charles Perrault who, as the book jacket points out, compiled the collection of fairytales that included Cinderella, Bluebeard, Little Red Riding Hood, Puss in Boots, and The Sleeping Beauty. This is a translation from the French, which has attempted to retain the essence of the original while making the classic story of the lovely and virtuous Cinderella accessible to the readers of today. The story of the harsh treatment of Cinderella by her cruel stepmother and hateful stepsisters is familiar. In this version, Cinderella leaves the ball at a quarter to twelve. It is when she attends a second ball that she forgets the promise she made to her fairy godmother. Cinderella dances the whole night away with the prince until the clock strikes twelve. When her secret is found out, Cinderella's stepsisters beg for forgiveness and she is able to totally forgive them. - Carolyn Mott Ford
Kirkus Reviews
Perrault's ancient tale of Cinderella has been slimmed and toned down considerably, with her virtues less evident and the supporting cast less effective. Readers will wonder why Cinderella's father, who is not conveniently dead in this story, doesn't rally to her aid, but they will be otherwise enchanted by Koopmans's delicate illustrations. One good French touch comes at dinner; the prince is so besotted that "even when the most delicious dishes were served for supper, he could not eat a morsel." (Picture book/folklore. 5-8) . |
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ÆòÁ¡     | Á¶È¸ (331) | Ãßõ (32) | ±â¹Î¼ö 2010/01/05 |
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