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[ 책 소개 ]
Caldecott 수상작가인 Tomie De Paola가 신데렐라 이야기를 멕시코의 풍습과 문화를 배경으로 재구성한 책입니다. 이야기의 기본 줄거리는 신데렐라 이야기와 비슷합니다만, 요정의 등장, 마차로 변하는 호박, 마부로 변하는 생쥐, 자정이 되자 사라지는 마법, 유리구두 등과 같은 Fairy Tale적인 요소는 철저히 배제되었으며, 좀 더 현실적인 이야기로 재구성했습니다.
어려서 어머니를 여의고 유모의 손에 자란 아델리타는 착하고 아름다운 숙녀로 성장합니다. 어느날 아버지가 재혼을 하게 되고 계모와 2명의 의붓언니를 새식구로 맞이하게 됩니다. 아델리타의 미모와 성품에 대해 질투심을 느끼던 세 모녀는 아버지가 병으로 죽은 후 아델리타를 식모로 부려먹으며 온갖 심술을 다 부립니다. 그러던 어느날 마을의 명문 집안 아들이 제비어가 외지에서 공부를 마치고 신부감을 찾기 위해 고향의 집으로 돌아와서 파티를 열게 됩니다. 어린 시절 제비어와 절친한 사이였던 아델리타는 그 파티에 꼭 가고 싶었지만, 변변한 옷조차 없어서 슬픔에만 잠겨 있었습니다. 그 때 유모가 몰래 찾아와서 아델리타를 위해 마련한 예쁜 옷과 숄을 입혀주고...
이국적인 멕시코의 문화와 언어를 느껴볼 수 있는, 아름답고 재미있는 그림책입니다.
큰 사이즈의 | 닫기x |  What is 페이퍼백?
표지가 두꺼운 판지나 보드지가 아닌 비교적 얇은 종이를 사용해서 만든 책이며, 실박음질 대신에 풀로 제본처리하는 경우가 많습니다. 일반적으로 하드커버나 보드북에 비해서 가격이 저렴합니다. 소프트커버로 불리우기도 합니다. 책의 이음새 부분이 접히거나 휘는 내구성이 그리 좋지는 않은 책입니다.
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[ 서지 정보 ]
Edition: Paperback: 40 pages
ISBN-10: 0142401870
ISBN-13: 9780142401873
책 크기: 27.8cm x 22.9cm
[ 영문 서평 ]
Book Description
A long time ago, there lived a beautiful young woman namedAdelita. So begins the age-old tale of a kind-hearted young woman, her jealous stepmother, two hateful stepsisters, and a young man in search of a wife. The young man, Javier, falls madly in love with beautiful Adelita, but she disappears from his fiesta at midnight, leaving him with only one clue to her hidden identity—a beautiful rebozo— shawl. With the rebozo in place of a glass slipper, this favorite fairy tale takes a delightful twist. Tomie dePaola's exquisite paintings, filled with the folk art of Mexico, make this a Cinderella story like no other.
Publishers Weekly
There's no pumpkin coach or glass slipper in sight, but Cinderella fans will find much to like in dePaola's (26 Fairmount Avenue) original twist, infused with Mexican warmth and color. Following her father's sudden death, Adelita is left to suffer the abuse of her cruel stepmother and stepsisters. Adelita's kindly nanny/housekeeper takes on the role of fairy godmother, making certain that the girl has something to wear to the party thrown by a local wealthy family to honor their (eligible bachelor) son, Javier. Adelita makes an unforgettable impression at the gala, draped in a dramatic red shawl that was her mother's; Adelita uses it to signal to Javier when he comes looking for her the next day. DePaola tweaks just enough details to make his version fresh; his liberal use of Spanish phrases (translated within the text) and cultural details enlighten as they enliven. He humorously winks at readers, too, by having his characters refer to the classic story ("All Do$a Micaela and her two daughters could talk about was `the mysterious Cenicienta' [Cinderella] who had appeared and then disappeared from the fiesta, just like the fairy tale"). His vibrant acrylics incorporate folk art motifs as well as rustic domestic items. The jazzy design features mosaic-like tile backgrounds of varying shades that frame smaller panels and portraits throughout.
School Library Journal
In this folktale variant, lovely Adelita gains a family when her father remarries. Following the traditional story line, Dona Micaela and her daughters, Valentina and Dulce, are utterly impossible, but all is well as long as Adelita's father is alive. However, when he dies, she is relegated to helping in the kitchen. Eventually, Dona Micaela evicts old Esperanza, and her stepdaughter is left to do all the work. On the night of the fiesta at the Gordillos' hacienda, it is Esperanza who takes the fairy godmother role, sends Adelita to the party, and sees to it that young Javier is smitten. True to form, he locates the young woman when she flees, and they marry. The prose is straightforward and crisp, though the habit of including a Spanish phrase that is translated immediately afterward (e.g., "Soy yo-only me-" or "-mi peque-ita-my little one-") interrupts the narrative flow. However, this is a minor quibble given the beauty of dePaola's signature artwork. Making perfect use of clear, warm hues, the full-color acrylic illustrations are a feast for the eye. Depth and brilliance in composition combine with economy of line and form to create a true tour de force. Use this with either Robert D. San Souci's Little Gold Star (HarperCollins, 2000) or Joe Hayes's Little Gold Star/Estrellita de oro (Cinco Puntos, 2000) for different looks at "Cinderella" through Mexican eyes.
Kirkus Reviews
Placing this Cinderella variation in upper-class Mexico in the last century, dePaola (A New Barker in the House, p. 409, etc.) has framed the story in a more realistic vein than usual. There are no magical elements, yet the prolific author-illustrator weaves together a very satisfying tale of the beautiful and good Adelita and her sweet young man, Javier, a childhood friend. The fairy godmother is a faithful servant who has always worked for the Mercado family. The dress belonged to Adelita's mother and instead of the glass slipper, Adelita uses her beautiful rebozo, a shawl covered in birds and flowers, to lead her rich young gentleman back to her after she leaves the fiesta early. The human relationships remain the same: the evil stepmother and the selfish stepsisters are depicted here in the usual way, yet kindly Adelita invites them all to her wedding at the end. Esperanza, the servant who quietly manages to bring an end to Adelita's sufferings, brings a cart to take her to the hacienda, not a coach made out of a pumpkin. Spanish phrases and their translations are used throughout the text and a list providing pronunciations is given at the end. The acrylic paintings are handsome and dignified, with borders of Mexican tile and many archways giving a graceful unity to dePaola's signature characters. The rich colors change in tone as sad times, mourning, and great happiness are all depicted in different double-page spreads. The endpapers explode with the lively pattern of the all-important rebozo. Decorative objects, including religious items, pottery, Mexican crafts, and kitchenware give the illustrations an authentic touch. Heartwarming, but not sappy, this version will lead youngwriters off in many directions as they write their own Cinderella tales in locations of their own choosing. An enjoyable read-aloud, this is a fine addition to the author's growing collection of stories set in Mexico. |
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