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82 Biscuit's New Trick, 44 Ed Emberley's Drawing Book of Trucks and Trains, 38 The Man Who Walked Between the Towers, 35 Let's Go Rock Collecting
HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
More More More Said the Baby (Caldecott ¼ö»óÀÛ, º¸µåºÏ, ½´ÆÛ¹ÙÀÌ)
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Vera B. Williams, Vera B. William | ÃâÆÇ»ç : Tupelo Books
240315
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ÆòÁ¡ 9.5Á¡ ¸®ºä 107°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 34 pages
ISBN : 9780688156343
Àç°í : ǰÀý
±ÇÀ忬·É : ¿µ¾Æ, À¯¾Æ (2¼¼~5¼¼)
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ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
[ Ã¥ ¼Ò°³ ]

* Caldecott ¼ö»óÀÛÀÔ´Ï´Ù.


¼¼¸íÀÇ ¾Æ±âµéÀÌ ¾Æºü, ¾ö¸¶, ÇÒ¸Ó´Ï¿Í Áñ°Å¿î ½Ã°£À» °®°í ÀÖ¾î¿ä. ºñÇà±âµµ Å¿ì°í, ¹è¿¡ ÀÔÀ» ¸ÂÃç¼­ °£Áö·´Çô Áֱ⵵ Çϰí, ²¸¾È¾ÆÁÖ°í, »Ç»Çµµ ÇØÁÝ´Ï´Ù. ¾ÆÀ̵éÀÌ ´õ ÇØ´Þ¶ó°í "More, more, more"Çϸ鼭 Á¶¸£Áö¿ä.

È­¸ñÇÑ °¡Á·¾Ö¿Í ÀڽĿ¡ ´ëÇÑ ºÎ¸ðÀÇ µû¶æÇÑ »ç¶ûÀ» ´À³¥ ¼ö ÀÖ´Â ¾î¸°ÀÌ ±×¸²Ã¥ÀÇ ¸íÀÛÀÔ´Ï´Ù.



[ ¼­Áö Á¤º¸ ]

Reading level: Baby-Preschool
Edition: Board book: 34 pages
ISBN-10: 0688156347
ISBN-13: 9780688156343
Ã¥ Å©±â: 15.6cm x 13.5cm



[ ¿µ¹® ¼­Æò ]

Children's Literature
Gouache paintings illustrate the love between three children, Little Guy, Little Pumpkin and Little Bird, and the adults in their lives. Little Guy's daddy catches him up to swing him around and kiss his tummy - which makes him cry "more, more, more." Little Pumpkin's grandma loves his toes, and Little Bird's mama loves her sleepy little eyes. A visual celebration of family ties. Caldecott Honor Book.


School Library Journal
The spontaneity and delight of play is captured perfectly in this trio of multigenerational, multiracial ``love stories'' about three pairs of babies and their grown-ups. Told in a natural, colloquial tone, the simple, engaging text is finely honed with a rhythm that is musical. The style is as buoyant and infectious as the actions described: ``Little Guy's daddy has to run like anything just to catch that baby up.'' Williams carries the same basic framework and language through each story, generating the repetition that is so satisfying to very young listeners, while the stories and characters maintain their own distinctions. Just as she celebrates universality within the text, Williams presents diversity with characteristic flair within her illustrations. Little Guy and his father are white, Little Pumpkin is African-American and her grandmother is white, and Little Bird and her mother are both Asian-American. Natural and unforced, Williams' choices are an accurate reflection of American society, but are noteworthy in their representation in books for this age group. Uncluttered, yet filled with movement, the splashy, vibrant paintings in gouache feature vigorous portraits and large, clearly defined objects set against a textured expanse of sweeping brushstrokes. The text appears in rainbow-hued letters within the illustrations, adding to the appealing design. Although it is a fine vehicle for toddler storytimes, the real strength of this book lies in the intimacy achieved when it is shared one-on-one between babies and adults or older siblings. A joyous expression of verbal and physical affection, these are truly love stories for our times. More, more, more . . .
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