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45 Ed Emberley's Drawing Book of Trucks and Trains, 41 The Man Who Walked Between the Towers, 36 Let's Go Rock Collecting, 32 Hamster Champs
HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
Jaguarundi (Blue Ribbon Signature ÆäÀÌÆÛ¹é. ½´ÆÛ¹ÙÀÌ) ¢½ 3,400¿ø (ǰÀý)
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ÀúÀÚ : Virginia Hamilton, Floyd Cooper (Illustrator) | ÃâÆÇ»ç : Scholastic
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ÆäÀÌÁö : 40 pages
ISBN : 0590473670
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Edition: Paperback: 40 pages
ISBN: 0590473670
Ã¥ Å©±â : 28cm x 21.5cm



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Annotation
Although the other animals also feel threatened by the encroachment of humans, only Rundi and Coati journey north in search of a safer place to live.


From the Publisher
Reissued in a stunning, accessible package, Jaguarundi now includes all-new cover art, a full-color author photo, author signature, and a personal letter to the reader. "This compelling picture book is an animal fantasy rooted in the physical reality."--Booklist.


Children's Literature
My difficulties with this book stem, I think, from the fact that I don't know what it is supposed to be. Is it a folktale explaining how animals adapt to their environments, or how jaguarundis came to live in desert climates? Is it a metaphor for the search for freedom that has motivated countless groups of people to leave the safety of their homeland for the possibility of better times and situations? Is it an environmental plea? I don't know the answer to those questions, but I do know that the book does not succeed on all these levels simultaneously. It is difficult to connect with the characters and their problems-again perhaps because I had trouble simply identifying the basic problem. Also, the time lapse seemed confusing. An animal species adapted to life in the rainforest would need more time than Jaguarundi seems to have spent on his journey to be able to survive in a desert habitat. Stunning artwork and the illustrated animal glossary are definitely the bright spots here. - Judy Katsh


School Library Journal
An original fantasy that ``introduces young readers to a variety of real rain forest animals.'' As the ecosystem is gradually being tamed by humans who clear the land to build homes, ranches, and farms, Rundi Jaguarundi decides to move north where the great Rio Bravo flows and the forest canopy is still said to exist. He invites Coatimundia and other animals to accompany him. Big Brown Bat decides to stay, advising the others to learn to adapt, because there will always be danger, always be change. Jaguar announces he will not give up his hunting ground-it's him or them. Only Coatimundi decides to go with his friend. When they reach the Rio Bravo, it, too, has been claimed by man, so they continue on separately. Eventually Rundi settles down to raise a family. A picture glossary lists and defines the common animals found in Central and South America. Cooper's paintings convey the misty heat of the tropical habitat. The animals are realistically depicted, but the story and pictures do take liberties with the animal groupings-prey and predator stand together. The strength of this book is in its smooth presentation of cogent reasons for preserving the rain forest and its dwellers. A valuable curriculum item, which will fill many needs.-Karen K. Radtke, Milwaukee Public Library


Booklist
Younger for reading aloud. This compelling picture book is an animal fantasy rooted in physical reality. A jaguarundi (wildcat) tries to persuade the endangered animals of the rain forest to run north across the river to freedom, but one by one the other animals give their reasons for staying where they are. "Adapt," says the bat. "I'll never flee nor change my ways," gloats a powerful predator. Only the raccoonlike coati joins the jaguarundi on the perilous journey north. This isn't a formula story: the two emigrants find no paradise. The Promised Land has also been fenced and stripped by settlers. But the travelers adapt, and they survive in their new place. Hamilton says in a note that "the story parallels humans who escape their homelands in search of better, safer lives." The facts about the real animals are as powerful as the metaphor, and Cooper's glowing paintings capture the elusive beauty of each wild creature in its habitat. We feel the strength and the fragility as we try to know more. The book ends with small paintings and brief factual paragraphs about each of the 17 species mentioned in the story: where they live, how they behave, how endangered they are. Hazel Rochman
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