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HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
The Numberlys (ÇϵåÄ¿¹ö, ½´ÆÛ¹ÙÀÌ) 7,800¿ø (ǰÀý)
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ÀúÀÚ : William Joyce (Author, Illustrator), Christina Ellis (Illustrator) | ÃâÆÇ»ç : Atheneum Books for Young Readers
210715
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ÆòÁ¡ 9.6Á¡ ¸®ºä 5°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 56 pages
ISBN : 9781442473430
Àç°í : ǰÀý
±ÇÀ忬·É : À¯¾Æ, À¯Ä¡¿ø»ý (3¼¼~7¼¼)
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ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
[ Ã¥ ¼Ò°³ ]

* Bank Street Best Children's Book of the Year Selection
* Publishers Weekly Bestselle


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Hardcover: 56 pages
ISBN-10: 1442473436
ISBN-13: 978-1442473430
Ã¥ Å©±â: 30 cm x 21 cm



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Book Description
From the team who brought you The Fantastic Flying Books of Mr. Morris Lessmore comes an alphabet tale extraordinaire!

Once upon a time there was no alphabet, only numbers¡¦

Life was¡¦fine. Orderly. Dull as gray paint. Very¡¦numberly. But our five jaunty heroes weren¡¯t willing to accept that this was all there could be. They knew there had to be more.

So they broke out hard hats and welders, hammers and glue guns, and they started knocking some numbers together. Removing a piece here. Adding a piece there. At first, it was awful. But the five kept at it, and soon it was¡¦artful! One letter after another emerged, until there were twenty-six. Twenty-six letters—and they were beautiful. All colorful, shiny, and new. Exactly what our heroes didn¡¯t even know they were missing.

And when the letters entered the world, something truly wondrous began to happen¡¦Pizza! Jelly beans! Color! Books!

Based on the award-winning app, this is William Joyce and Moonbot¡¯s Metropolis-inspired homage to everyone who knows there is more to life than shades of black and gray.



School Library Journal
In this large, mostly vertical picture book, the numberlys are tiny folks living in a black-and-white futuristic metropolis. Its buildings appear especially tall as the pages here often rotate the layout-readers must move the book a quarter turn so that the left-hand side tops a view spilling down the double page. The spare text and many wordless pages tell of a time when there were only numbers and no alphabet: "Everyone liked numbers. They had nice shapes and kept things in order. And everything added up¡¦So life was sort of¡¦numberly." Long, tidy rows of the little inhabitants, whose head antennae gives them an extraterrestrial appearance, include five friends who are unhappy with the sameness. This is a world where "there weren't any books or colors or jellybeans or pizza." But the friends want MORE, and in wordless spreads, they get to work, marching down long stairs among giant cogs and gears. As they struggle with the machinery lines, ad shapes tumble out. "At first it was awful. Then¡¦artful¡¦" As the falling bits shape into letters of the alphabet, they also take on color, and soon the world has pizza, jellybeans, and names for people. The varied layouts can be a bit confusing and the tone rather static, but there are comic moments and a provocative premise about the value of letters and words. The jacket flap invites readers "to "see this book come to life through the augmented reality app." Readers/viewers able to manipulate those machines on screen and help those little people crank out letters are likely to enjoy the lesson of recognizing and naming them. The numbers vs. alphabet concept seems sophisticated for young picture book readers, but teachers and librarians might find useful opportunities for discussion or by pairing this with other alphabet books.


Booklist
In a kiddie homage to Fritz Lang¡¯s Metropolis, Joyce (The Fantastic Flying Books of Mr. Morris Lessmore, 2012) has created an industrial city where, since only numbers exist, there are no words for colors or feelings or food. The inhabitants of the shadowy, sepia-toned city, the big-eyed Numberlys, march back and forth among retrofuturistic buildings in perfect unison until five fed up Numberlys set out to make something different. They put their welding goggles on, and with cranes, gigantic gears, and pulsing electricity, the five oddball friends build every letter of the alphabet. When they get to Z, their world is suddenly filled with color, and they can finally invent things like jelly beans, names, and pizza. Though there isn¡¯t much of a story-it amounts to little more than a brief alphabet book nestled in a vastly realized, imaginative atmosphere-letter-learning kiddos (and their design-loving parents) will pore over the detailed spreads. Initially a popular app (much like The Fantastic Flying Books), this has the feel of an animated film, and that alone is a big appeal. HIGH-DEMAND BACKSTORY: Joyce has a built-in audience after the runaway multiplatform success of The Fantastic Flying Books, and this similar production should have them lining up.

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