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72 Biscuit's New Trick, 33 Ed Emberley's Drawing Book of Trucks and Trains, 30 The Man Who Walked Between the Towers, 29 Hamster Champs
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Moses (Caldecott ¼ö»óÀÛ, ÇϵåÄ¿¹ö, ½´ÆÛ¹ÙÀÌ)
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Carole Boston Weatherford (Author), Kadir Nelson (Illustrator) | ÃâÆÇ»ç : Hyperion Books
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ÆòÁ¡ 9.3Á¡ ¸®ºä 18°Ç
ÆÇ¸Å°¡ : 22,400 7,200¿ø
ÆäÀÌÁö : 48 pages
ISBN : 9780786851751
Àç°í : ±¸ÀÔ ¹× º¸°ü °¡´É
±ÇÀ忬·É : À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (6¼¼~10¼¼)
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ÃÖ±Ù 10¸í ÀÓÀÇ »õ·Î°íħ ÃÖ±Ù ÀÌ Ã¥À» ±¸¸ÅÇϽŠ´Ù¸¥ ȸ¿øÀÇ Ã¥Àå
ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
[ Ã¥ ¼Ò°³ ]

* 2007 Caldecott Honor ¼ö»óÀÛ
* 2007 Coretta Scott King Illustrator Award ¼ö»óÀÛ
* 2008 Storytelling World Resource Award
* A New York Times Bestseller
* A Book Sense National Bestseller
* A Book Sense Winter 2006-2007 Children's Top Ten Pick
* A New York Times 100 Titles for Reading and Sharing
* A School Library Journal Best Book of 2006
* A Kirkus Reviews Best Children Book of 2006
* A 2006 Nick Jr. Family Magazine's Best Book of the Year
* A Blue Ribbon Book, The Bulletin 2006
* A Miami Herald Best Book of the Year 2006


ÀÌÁýÆ®¿¡¼­ ³ë¿¹·Î »ì´ø À̽º¶ó¿¤ ¹é¼ºµéÀ» À̲ø°í °¡³ª¾È ¶¥À¸·Î Å»Ãâ½ÃŲ ¸ð¼¼¿Í °°ÀÌ, ¹Ì±¹ ³²ºÎ Áö¿ª¿¡¼­ ³ë¿¹·Î »ì´ø ¼ö¸¹Àº ÈæÀεéÀ» ³ë¿¹Á¦µµ°¡ ÆóÁöµÈ ºÏºÎÁö¿ªÀ¸·Î Å»Ãâ½ÃŲ À§´ëÇÑ ÈæÀÎ ¿©¼ºÁöµµÀÚ Harriet TubmanÀÇ »îÀ» ¾Æ¸§´ä°í ¼¼¹ÐÇÑ ±×¸²À¸·Î º¸¿©ÁÝ´Ï´Ù. ¸Þ¸±·£µåÁÖÀÇ ÈæÀγ뿹ÀÇ ÀÚ½ÄÀ¸·Î ž Harriet TubmanÀº 29¼¼°¡ µÇ´ø ÇØ¿¡ ³ë¿¹Á¦µµ°¡ ÆóÁöµÇ¾ú´ø ¹Ì±¹ ºÏºÎÀÇ Çʶóµ¨ÇÇ¾Æ Áö¿ªÀ¸·Î ¸ñ¼ûÀ» °Ç Å»ÃâÀ» °¨ÇàÇÕ´Ï´Ù. ±×¸®°í Å»Ãâ¿¡ ¼º°øÇÑ ÈÄ ±×³à´Â ³²ºÎÀÇ ÈæÀγ뿹µéÀ» ºÏºÎÁö¿ªÀ¸·Î Å»Ãâ½ÃŰ´Â ÀÏÀ» °è¼Ó ÇÕ´Ï´Ù. ³ë¿¹µéÀ» Å»Ãâ½ÃŰ´Â ÀÏÀº ¸ñ¼ûÀ» °Å´Â À§ÇèÇÑ ÀÏÀ̾úÁö¸¸, ±×³à´Â ¼ö¹é¸íÀÇ ³ë¿¹µéÀ» Å»Ãâ½ÃÄ×À¸¸ç, ±× ´ç½Ã ÈæÀÎ ³ë¿¹ÀÇ Å»ÃâÀ» µµ¿ÍÁÖ´Â Underground Railroad¶ó´Â ºñ¹Ð ³×Æ®¿öÅ©¿¡¼­ Ä¿´Ù¶õ Ȱ¾àÀ» ÇÏ¿´½À´Ï´Ù...

´Ù¾çÇÑ Å©±âÀÇ È°ÀÚ¸¦ Á¶È­·Ó°Ô ¹èÄ¡ÇÑ ¹®ÀåÀº °£°áÇÏ°í ½ÃÀûÀ̸ç, Å« »çÀÌÁîÀÇ Áö¸éÀ» °¡µæ ä¿ì´Â ÆÄ½ºÅÚdzÀÇ À¯È­±×¸²Àº Àå¾öÇÏ´Ù´Â ´À³¦ÀÌ µé Á¤µµ·Î ¾Æ¸§´ä½À´Ï´Ù.

Large SizeÀÇ Æ°Æ°ÇÑ ÇϵåÄ¿¹öÃ¥ÀÔ´Ï´Ù.



[ ¼­Áö Á¤º¸ ]

Hardcover: 48 pages
ISBN-10: 0786851759
ISBN-13: 978-0786851751
Ã¥ Å©±â : 30cm x 27.5cm



[ ¿µ¹® ¼­Æò ]

Book Description
Born into slavery, Harriet Tubman hears these words from God one summer night and decides to leave her husband and family behind and escape. Taking with her only her faith, she must creep through woods with hounds at her heels, sleep for days in a potato hole, and trust people who could have easily turned her in.

But she was never alone.

In lyrical text, Carole Boston Weatherford describes Tubman¡¯s spiritual journey as she hears the voice of God guiding her North to freedom on that very first trip to escape the brutal practice of forced servitude. Tubman, courageous and compassionate, and deeply religious, would take nineteen subsequent trips back South, never being caught, but none as profound as this first. Harriet Tubman¡¯s bravery and relentless pursuit of freedom are a testament to the resilience of the human spirit.

This is a unique and moving portrait of one of the most inspiring figures of the Underground Railroad. Kadir Nelson¡¯s emotionally charged paintings embody strength, healing, and hope.

Carole Boston Weatherford has authored more than a dozen children¡¯s books, including Jazz Baby, Freedom on the Menu: The Greensboro Sit-Ins, and A Negro League Scrapbook. A minister¡¯s wife, Ms. Weatherford makes her home in North Carolina and has roots in the same Maryland county where Harriet Tubman was born.

Kadir Nelson began drawing at the age of three, displaying artistic talent before he could write. His children¡¯s books include Ellington Was Not a Street, by Ntozake Shange, a Coretta Scott King Illustrator Award winner; Big Jabe: Hewitt Anderson¡¯s Great Big Life, winner of the Gold Medal from the Society of Illustrators¡¯ Original Art show; and the Coretta Scott King Honor Book Thunder Rose, both by Jerdine Nolen. Mr. Nelson makes his home in California with his family.



From School Library Journal
Tubman's religious faith drives this handsome, poetic account of her escape to freedom and role in the Underground Railroad. The story begins with Tubman addressing God on a summer night as she is about to be sold south from the Maryland plantation where she and her husband live: I am Your child, Lord; yet Master owns me,/drives me like a mule. In resounding bold text, God tells her He means for her to be free. The story is sketched between passages of prayerful dialogue that keep Tubman from giving up and eventually call upon her to be the Moses of [her] people. Deep scenes of night fill many double pages as the dramatic paintings follow her tortuous journey, arrival in Philadelphia, and later trip to guide others. Shifting perspectives and subtle details, such as shadowy forest animals guarding her while she sleeps, underscore the narrative's spirituality. Whether filled with apprehension, determination, or serenity, Tubman's beautifully furrowed face is expressive and entrancing. A foreword briefly explains the practice of slavery and an appended note outlines Tubman's life. The words and pictures create a potent sense of the harsh life of slavery, the fearsome escape, and one woman's unwavering belief in God.



From Booklist
Weatherford's handsome picture book about Harriet Tubman focuses mostly on Tubman's religious inspiration, with echoes of spirituals ringing throughout the spare poetry about her struggle ("Lord, don't let nobody turn me 'round"). God cradles Tubman and talks with her; his words (printed in block capitals) both inspire her and tell her what to do ("SHED YOUR SHOES; WADE IN THE WATER TO TRICK THE DOGS"). Nelson's stirring, beautiful artwork makes clear the terror and exhaustion Tubman felt during her own escape and also during her brave rescue of others. There's no romanticism: the pictures are dark, dramatic, and deeply colored--whether showing the desperate young fugitive "crouched for days in a potato hole" or the tough middle-aged leader frowning at the band of runaways she's trying to help. The full-page portrait of a contemplative Tubman turning to God to help her guide her people is especially striking.
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