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85 Ed Emberley's Drawing Book of Trucks and Trains, 85 The Man Who Walked Between the Towers, 66 Let's Go Rock Collecting, 40 Beautiful Oops!
HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
Heckedy Peg (Christopher Award ¼ö»óµµ¼­, ÆäÀÌÆÛ¹é, ½´ÆÛ¹ÙÀÌ)
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Audrey Wood (Author), Don Wood (Illustrator) | ÃâÆÇ»ç : Voyager Books
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ÆòÁ¡ 10Á¡ ¸®ºä 4°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 32 pages
ISBN : 9780152336790
Àç°í : ǰÀý
±ÇÀ忬·É : À¯¾Æ, À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (5¼¼~9¼¼)
ÃÖ±Ù 10¸í ÀÓÀÇ »õ·Î°íħ ÃÖ±Ù ÀÌ Ã¥À» ±¸¸ÅÇϽŠ´Ù¸¥ ȸ¿øÀÇ Ã¥Àå
ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
[ Ã¥ ¼Ò°³ ]

* School Library Journal Best Book
* Irma Simonton Black Award ¼ö»óÀÛ
* Christopher Award ¼ö»óÀÛ
* Booklist Editors' Choice


Audrey Wood¿Í Don Wood ºÎºÎ°¡ ÇÔ²² ¸¸µç ¾Æ¸§´Ù¿î ±×¸²Ã¥ÀÔ´Ï´Ù.

ÀÛÁö¸¸ Æò¿ÂÇÑ ½Ã°ñÁý¿¡ °¡³­ÇÑ ÇÑ ¿©Àΰú ±×³àÀÇ Àϰö ¾ÆÀ̵éÀÌ ÇÔ²² »ì°í ÀÖ¾ú½À´Ï´Ù. ¿ù¿äÀÏ, È­¿äÀÏ.....ÀÏ¿äÀÏÀ̶ó´Â À̸§ °¡Áø Àϰö ¸íÀÇ ¾ÆÀ̵éÀº ¾ö¸¶¸¦ µµ¿Í Áý¾È ÀÏÀ» ³ª´©¾î Çß´ä´Ï´Ù. ¾ö¸¶´Â ¾ÆÀ̵éÀÌ ³Ê¹«³ª ±âÆ¯ÇØ¼­ ±×µéÀÌ ¿øÇÏ´Â ¹°°ÇµéÀ» »ç´ÙÁÖ±â·Î ¾à¼ÓÇÕ´Ï´Ù. ¾ö¸¶´Â ¾ÆÀ̵鿡°Ô ³·¼± »ç¶÷À» Áý¾È¿¡ µéÀÌÁö ¸» °Í°ú ºÒÀ» ÇÇ¿ìÁö ¸» °ÍÀ» ´çºÎÇÏ°í ½ÃÀå¿¡ °¬½À´Ï´Ù. ±×·±µ¥ ¾ÆÀ̵鸸 ³²Àº Áý¿¡ Heckedy Peg¶ó´Â ¸¶³à°¡ ³ªÅ¸³µ½À´Ï´Ù. ¿Â°® ¼ÓÀÓ¼ö·Î Áý¾È¿¡ µé¾î°£ ¸¶³à´Â ¾ÆÀ̵éÀ» À½½ÄÀ¸·Î º¯È­½ÃÄÑ ÀÚ·ç¿¡ ´ã¾Æ ½£ ¼ÓÀÇ ¿ÀµÎ¸·À¸·Î µ¹¾Æ°¬½À´Ï´Ù. µÚ´Ê°Ô µ¹¾Æ¿Â ¾ö¸¶´Â ÀÛÀº »õ¿¡°Ô ÀÚÃÊÁöÁ¾À» µè°í ¸¶³àÀÇ ¿ÀµÎ¸·À» ã¾Æ°¡´Âµ¥¿ä, °ú¿¬ ¾ö¸¶´Â ¾ÆÀ̵éÀ» ¸¶³à·ÎºÎÅÍ ±¸Çس¾ ¼ö ÀÖÀ»±î¿ä?

ÀÌ À̾߱â´Â 16¼¼±âºÎÅÍ Áö±Ý±îÁö À̾îÁ®¿À´Â ¿µ±¹ÀÇ ÀüÅëÀû °ÔÀÓÀ¸·ÎºÎÅÍ À¯·¡µÈ °ÍÀä, À̾߱âÀÇ ÈĹݺο¡´Â ¼Õ¿¡ ¶¡À» Áã°Ô ÇÏ´Â ¸¶³à¿Í ¾ö¸¶ÀÇ ±ä¹ÚÇÑ ´ë°áÀÌ ÆîÃÄÁý´Ï´Ù. Don Wood´Â ±×ÀÇ ´É¶õÇÑ À¯È­·Î ĢĢÇÑ ¸¶³àÀÇ Áý ÁÖº¯°ú ¹à°í ÆòÈ­·Î¿î ¿µ±¹ÀÇ ½Ã°ñ dz°æÀ» ´ëÁ¶ÀûÀ¸·Î ±×·È°í, µîÀå Àι°µéÀÇ »ý»ýÇÑ ÃÊ»óÀº µå¶ó¸¶Æ½ÇÑ À̾߱â¿Í ÇÔ²² °í±Þ½º·± ±×¸²Ã¥ÀÇ ¸é¸ð¸¦ À¯°¨¾øÀÌ º¸¿©ÁÖ°í ÀÖ½À´Ï´Ù.

Irma Simonton Black Award ¿Í Christopher Award¸¦ ¼ö»óÇÑ Heckedy PegÀº Audrey Wood°¡ °³ÀÎÀûÀ¸·Î °¡Àå ÁÁ¾ÆÇÏ´Â ÀÛǰÀ̱⵵ ÇÕ´Ï´Ù.



[ ¼­Áö Á¤º¸ ]

Edition: Paperback: 32 pages
ISBN: 0152336796
Ã¥ Å©±â: 29.5cm x 23cm



[ ¿µ¹® ¼­Æò ]

Book description
Seven children named Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday; a witch who intrudes on the peace of their cottage; and a spell only the children's mother can break - these dramatic elements for a story that is both contemporary and timeless. Inspired by a sixteenth-century game still played by children today, this fresh and original story by Audrey Wood is certain to become a classic.


Publisher's Weekly
Paintings rich in atmosphere highlight this delectable tale of a witch's unusual dietary cravings and a mother's ingenious revenge.


School Library Journal
This original story reads like a pure folktale. The poor mother of seven children, each named for a day of the week, goes off to market promising to return with individual gifts that each child has requested and admonishing them to lock the door to strangers and not to touch the fire. The gullible children are tricked into disobeying their mother by the witch, Heckedy Peg, who turns them all into various kinds of food. The mother can rescue her children only by guessing which child is the fish, the roast rib, the bread, etc., a trick she neatly performs by matching each kind of food with the gift that each child had requested (Monday asked for butter, so Monday is the bread, etc.). This story, deep and rich with folk wisdom, is stunningly illustrated with Don Wood's luminous paintings. He shows the countryside as a true fairy tale settingthe half-timbered village, thatched roof cottages, haymakers in the field, and the witch's hut in dark, dank woods. With variety of color and line he enhances every nuance of the text, from the individuality of the children and the stalwart mother to the unrelenting evil of the witch. A tour de force in every way.


The New York Times Book Review
There is a sense of the past in this book, a feel of a familiar tale toldat the fire to old and young alike, a timeless quality to this mother's unconditional and steadfast love for her children. . . . Mr. Wood's lush full-coloroil paintings have the depth and textures of old masters, but at times they seem a bit crowded, like too many fine paintings hung in a gallery. They fit well with the ancient story, and there is a fascinating use of light that tellsus more than words can about the family's joyfulness.
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