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82 Biscuit's New Trick, 40 Ed Emberley's Drawing Book of Trucks and Trains, 37 The Man Who Walked Between the Towers, 32 Hamster Champs
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Cherries and Cherry Pits (´º¿åŸÀÓÁî Best Illustrated Book, ½´ÆÛ¹ÙÀÌ)
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Vera B. Williams | ÃâÆÇ»ç : Mulberry Books
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ÆòÁ¡ 8.7Á¡ ¸®ºä 3°Ç
ÆÇ¸Å°¡ : 9,800 3,200¿ø
ÆäÀÌÁö : 40 pages
ISBN : 9780688104788
Àç°í : ±¸ÀÔ ¹× º¸°ü °¡´É
±ÇÀ忬·É : ±ÇÀÚ¿¬·É - À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (6¼¼~10¼¼)
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ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
[ Ã¥ ¼Ò°³ ]

* An ALA Notable Book
* A New York Times Best Illustrated Book
* A Boston Globe/Horn Book Honor Book for Illustration


¾î¸° ¼Ò³à Bidemmi´Â ±×¸² ±×¸®±â¸¦ ÁÁ¾Æ ÇÕ´Ï´Ù. óÀ½¿¡´Â Å©·¹¿ëÀ¸·Î ÇϳªÀÇ Á¶±×¸¸ Á¡À» Âï°í ±× Á¡¿¡¼­ ½ÃÀÛÇØ¼­ Àüü ±×¸²À» ±×¸³´Ï´Ù. ±×¸®°í ±× ±×¸²¿¡ ¾î¿ï¸®´Â À̾߱⸦ Áö¾î ³»Áö¿ä. Á¶±×¸¸ Á¡¿¡¼­ ½ÃÀÛÇÑ BidemmiÀÇ »ó»ó·ÂÀº °¨µ¿ÀûÀÎ À̾߱â, Àç¹ÌÀÖ´Â À̾߱â, Èñ¸ÁÀÌ °¡µæÇÑ À̾߱â·Î ¹«ÇÑÈ÷ Ä¿Á® ³ª°©´Ï´Ù...



[ ¼­Áö Á¤º¸ ]

Edition: Paperback: 40 pages
ISBN-10: 0688104789
ISBN-13: 9780688104788
Ã¥ Å©±â: 22.8cm x 21.3cm



[ ¿µ¹® ¼­Æò ]

Book description
When Bidemmi starts to draw, her imagination takes off. Enter her world, look at her pictures, and watch her stories grow and grow. You will never forget her.


Publisher's Weekly
The creator of A Chair for My Mother, Something Special for Me and other stories for children introduces us to another irresistible heroine. Bedemmi loves to draw pictures with colored markers and write stories that always start ``with the word THIS.'' Exquisitely decorated and deceptively simple, the book alternates between the narrator's spare descriptions and evocative watercolors, and Bedemmi's own captivating tales and vivid, imaginative drawings. The book's title refers to Bedemmi's storiesall of which involve folks ``eating cherries and spitting out the pits, eating cherries and spitting out the pits.'' What about all those pits? Bedemmi has an ``important plan.'' She will plant them in her yard so they will grow ``until there is a whole forest of cherry trees right on our block.'' Williams's latest work is another glowing tale of the transformational power of a child's creativity and love.


School Library Journal
Bidemmi, a young black child, draws splendid pictures. ``As she draws, she tells the story of what she is drawing,'' always starting with the word ``this.'' Bidemmi's brightly colored words and pictures introduce children to the man with the nice face that's dark brown; to the tiny, white, grandmotherly lady; and to the tall boy who is much like Bidemmi's own brother. Finally, Bidemmi tells her story, revealing her wish for her neighborhood and her world. Each story involves cherriesbuying, sharing, and enjoying them. The man with the nice face shares them with his children, the tiny lady with her parrot, the tall boy with his little sister. Bidemmi will eat her cherries and then plant the pits, nourish them, watch them grow, and share the fruit with people from all over the neighborhood. Williams uses a first-person narrator to tie these tales together. Very different styles of illustration further define who is speaking. Soft, beautifully-crafted watercolors depict Bidemmi as the narrator speaks. As Bidemmi herself tells her stories, fresh, child-like, highly detailed illustrations done in lustrous colored markers are used. Well formated text and illustrations complement, enhance, and extend each other. All together, this is a fresh and imaginative book which exudes a respect for and understanding of children.


The New York Times Book Review
Ms. Williams alternates her own richly nuanced watercolor portraits of Bidemmi with 'Bidemmi's' spontaneous felt pen drawings, and she 'quotes' Bidemmi's commentary as the text. . . . The structure is somewhat contrived. The watercolors alone would make a beautiful small portfolio. . . . But the felt pen drawings suffer, as do so many adult 'translations' from the language or perception of children, from a notion of innocence that is too upbeat. . . . {This title} may captivate very little children with its brilliant color and its concreteness. . . . But the more independent (and restless) young reader may wellfeel as did the child to whom some years ago I gave a story of my own for an opinion. She returned it succinctly: 'There isn't enough trouble.'
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