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HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
The Lion and the Little Red Bird (ÆäÀÌÆÛ¹é, ½´ÆÛ¹ÙÀÌ)
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Elisa Kleven | ÃâÆÇ»ç : Puffin
240131
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ÆòÁ¡ 10Á¡ ¸®ºä 9°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 32 pages
ISBN : 9780140558098
Àç°í : ǰÀý
±ÇÀ忬·É : À¯¾Æ, À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (5¼¼~9¼¼)
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[ Ã¥ ¼Ò°³ ]

* ABA-CBC Children's Books
* Kansas State Reading Circle


B is for BethlehemÀÇ IllustratorÀÎ Elisa KlevenÀÇ È­·ÁÇÏ°í ¾Æ¸§´Ù¿î ÄݶóÁê ±×¸²ÀÌ µ¸º¸ÀÌ´Â Àç¹ÌÀÖ´Â ±×¸²Ã¥ÀÔ´Ï´Ù.

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Edition: Paperback, 32 pages
ISBN-10: 0140558098
ISBN-10: 9780140558098
Ã¥ Å©±â: 24cm x 20.4cm



[ ¿µ¹® ¼­Æò ]

Book Description
"A little bird and a lion, friends although they don't understand one another's language, are inexplicably happy when they're together. The bird loves the sight of the lion's tail, which changes color daily. When the lion brings the bird into his cave, she understands the changes; the lion uses his tail as a paint brush for creating beautiful murals. . . . Kindergarten to gradetwo." (SLJ)


Publisher's Weekly
The universal language of art helps bridge the communication gap between a bird and the king of beasts in Kleven's ( Abuela ; Ernst ) latest picture book. When the bird notices the lion's bushy green tail, it piques her curiosity. The appendage, in fact, changes color daily, a phenomenon that exasperates the bird until she becomes privy to the secret: the lion has painted a sweeping mural inside his cave, using his tail as a brush. Though Kleven's vibrant combination of watercolor and mixed-media collage is a tasty visual smorgasbord, her insubstantial story lacks drama. Rather than incite wonder, the bird's questions grow increasingly annoying by mid-story. Children may find a challenge in guessing what color the lion's tail will be, as each consecutive spread provides a hint about the forthcoming transformation. The illustrations' intricate details--nesting birds, leaping frogs, flitting butterflies--add sparkle to scenes already resplendent with bold color and texture. Regrettably, the lustrous art does little to energize a plodding tale.


Children's Literature
For children that are ready for a real story, author-illustrator Kleven's The Lion and the Little Red Bird starts simply. A red bird wonders at how a lion's tail changes color. She observes and marvels until the smiling lion rescues the shivering bird from a storm. Once inside his cave, she chirps happily amid his glowing art and the lion delights to the sound of her song. Kleven's art is brilliant collage that changes mood with her plot and exposes deep meaning without belaboring the point.


School Library Journal
A sweet and captivating book with gorgeous illustrations. Its story line and artwork both have unusual and unexpected qualities that work together to generate a magical, light mood. A little bird and a lion, friends although they don't understand one another's language, are inexplicably happy when they're together. The bird loves the sight of the lion's tail, which changes color daily. When the lion brings the bird into his cave, she understands the changes; the lion uses his tail as a paint brush for creating beautiful murals. In light of this knowledge, she sings her happiest song for him as their friendship deepens. Kleven's collages incorporate pastels, ink, paper, and wool. Their beautiful colors, surprising textures, and striking details give emotion and meaning to the story. She is especially successful in depicting the lion's gentleness and in suggesting the feelings that bond these two, which provides the power behind the story and fuel for readers' interest. A unique and worthwhile contribution to any collection.


The New York Times Book Review
It's odd, perhaps, to write a book about a peaceable kingdom where words don't get in the way. The two characters in 'The Lion and the Little Red Bird' have no common language, which Elisa Kleven, the author and illustrator, seems to hint is the basis for a good relationship. In fact, the lion never deigns to speak at all. . . . Ms. Kleven seems to recognize that her greatest strength, her truest language, is that of image and not of word. So the hero of the story is, not surprisingly, the nonverbal lion rather than the very talkative bird. . . . The image of a preverbal paradise where lion and bird pass a joyful lifetime of creativity and play is very seductive. But this seemingly innocent appeal can be read as carrying a far different message to children, a message of parental--and in this case patriarchal (the lion is, after all, king)--control: It is better to be seen than heard.
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