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136 The Moon Seems to Change, 90 10 Minutes Till Bedtime, 29 Mr. Gumpy's Outing, 24 I'll Fix Anthony
HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
Where the River Begins (´º¿åŸÀÓÁî Best Illustrated Book, ÆäÀÌÆÛ¹é, ½´ÆÛ¹ÙÀÌ) 3,400¿ø (ǰÀý)
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Thomas Locker | ÃâÆÇ»ç : Puffin
210806
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ÆòÁ¡ 10Á¡ ¸®ºä 4°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 32 pages
ISBN : 9780140545951
Àç°í : ǰÀý
±ÇÀ忬·É : À¯¾Æ, À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (5¼¼~9¼¼)
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ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
[ Ã¥ ¼Ò°³ ]

* New York Times Best Illustrated Book


°­°¡¿¡ »ç´Â µÎ ¼Ò³â°ú ÇҾƹöÁö´Â °­ÀÌ ½ÃÀÛÇÏ´Â °÷ÀÌ ¾îµðÀÎÁö ã¾Æ ³ª¼·´Ï´Ù. »ó·ù·Î ¿Ã¶ó °¥¼ö·Ï ³ÐÀº °­Àº Á¡Â÷ Á¼¾ÆÁö°í, ¹°»ìÀÌ »¡¶óÁö¸ç, °á±¹Àº »ê ¼ÓÀÇ °è°îÀ¸·Î º¯Çß½À´Ï´Ù. ÅÙÆ®¸¦ Ä¡°í Ä·ÇÎÀ» ÇÑ ÈÄ ¸¶Ä§³» µµÂøÇÑ °­ÀÇ ã·ê«Àº Á¶±×¸¸ ¿¬¸øÀ̾ú½À´Ï´Ù...

ÀÚ¿¬ÀÇ ¾Æ¸§´Ù¿òÀ» ¸¸³£ÇÒ ¼ö ÀÖ´Â °øµé¿© ¸¸µç ±×¸²Ã¥ÀÔ´Ï´Ù.



[ ¼­Áö Á¤º¸ ]

Edition: Paperback: 32 pages
ISBN: 0140545956
Ã¥ Å©±â: 26.6cm x 21.5cm



[ ¿µ¹® ¼­Æò ]

Book Description
Josh and Aaron love to watch the river flow gently past their house. Together they make up stories about it, and always they wonder where the river begins. One day the boys and their grandfather set out to find the answer, and together they explore the moods of nature and the bonds of a man and his grandsons. American Bookseller Pick of the Lists. Full color.


Publisher's Weekly
Nature is the star in this affecting tale of a boy and his grandfather who journey to a waterway's source. PW said, ``Locker's paintings magnificently portray the changing landscape at different times of the day and in different kinds of weather.'' All ages.


The New York Times Book Review
"Here is a truly beautiful book." The author's use of conventional images of mortality . . . may or may not be comprehended by the intended audience. . . . He looks to the great American tradition of people in the landscape, a territory empty of modern features. . . . None of this detracts from--and, indeed, it adds to the beauty of--Mr. Locker's book. But it also helps define the nature of his experiment, for surely such it is, a kind of time travel that thrusts us backward. Sophisticated in technique, it is primitivistic in spirit. 'The River' should appeal greatly to those of his readers who regard 19th-century American painting as the grandest natural resource we have, being a kind of portable window into a landscape long since disappeared, an infinite wilderness preserve.


Growing Point
An American painter has used his sure technique and his eye for landscapeas the basis for a quest-story which should satisfy a very wide range of people. Children should respond to the idea of a journey to the source of a riverwhere every mile brings new contours and new possibilities; adults should rejoice in the elegant and exquisite sequence of scenes, from wooded hill and deep forest to a widening plain ending in 'a still pond, high in an upland meadow.'. . . {The paintings have an} abiding and enlivening sense of space, calm and freedom.
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