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Starry Messenger(1997³â)°ú Tibet Through the Red Box(1999³â)·Î µÎÂ÷·Ê Caldecott»óÀ» ¼ö»óÇÑ Peter SisÀÇ ÃÖ½ÅÀÛÀÔ´Ï´Ù.
³Ê¹«³ª °¾ÆÁö¸¦ Ű¿ì°í ½Í¾îÇÏ´Â ¼Ò³à Madlenka. »ý±è»õ°¡ ¾î¶»µç ¿¹»Û ¸ñ°ÉÀ̸¦ °É¾îÁÖ°í °°ÀÌ »êÃ¥ÇÒ ¼ö ÀÖ´Â °¾ÆÁö¸é µÇ´Âµ¥¡¦ ±×·±µ¥ ºÎ¸ð´ÔÀº ´ÜÈ£ÇÏ°Ô ¾È µÈ´Ù°í ÇϽʴϴÙ. Madlenka´Â À¯ÄèÇÏ°í ±Í¿©¿î »ó»ó·ÂÀ¸·Î ²ÞÀ» ÀÌ·ç¾î°©´Ï´Ù.
»ó»ó¼ÓÀÇ °¾ÆÁö ¸ñ¿¡ ¿¹»Û ¸ñ°ÉÀÌ ÁÙÀ» °É¾î ÀÌ¿ô¿¡ »ç´Â ¼¼°è ¿©·¯³ª¶ó Ãâ½ÅÀÇ Ä£±¸µé¿¡°Ô ¼Ò°³¸¦ ÇÏ·¯ ´Ù´Õ´Ï´Ù.
Ä£±¸ Ŭ·¹¿ÀÆÄÆ®¶ó´Â »ó»ó¼ÓÀÇ ¸»À» µ¥¸®°í ³ª¿Í Madlenka¿Í ¸¸³³´Ï´Ù. ±Í¿±°í ¾ÓÁõ¸ÂÀº µÎ ¼Ò³à´Â ±×³àµéÀÇ ¾Ö°ß°ú ¾Ö¸¶¸¦ µ¥¸®°í ¹«ÇÑÇÑ »ó»óÀÇ ¼¼°è·Î ¶°³³´Ï´Ù.
¾Æ¸§´Ù¿î ¸¶À½À» Áö´Ñ Madlenka¿Í ±×ÀÇ Ä£±¸µéÀº ÇູÀ» ÀüÇØÁÝ´Ï´Ù.
Peter SisÀÇ ¼¶¼¼ÇÏ¸ç ºÎµå·¯¿î ±×¸²ÀÌ ¾ÆÁÖ ¸Å·ÂÀûÀ̸ç, Áß°£Áß°£ µéÃ纸´Â Ç÷¦(flaps)°ú die-cutÀº º¸´Â Àç¹Ì¸¦ ´õÇØÁÙ »Ó ¾Æ´Ï¶ó ¾ÆÀ̵éÀÇ È£±â½ÉÀ» ÀÚ±ØÇÒ °ÍÀÔ´Ï´Ù.
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Edition: Hardcover: 40 pages
ISBN-10: 0374346992
ISBN-13: 978-0374346997
Ã¥ Å©±â : 26.2cm x 26.2cm
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Book Description
Madlenka wants a dog! She doesn't really care what kind, so long as it's a dog that she can put on a leash and walk around the block. But her mother and father say NO! What is Madlenka to do? It just takes some imagination . . . Madlenka's friends on the block all play along, remembering the dogs of their childhood, and in the end it seems quite possible that there's more to Madlenka's dog than we can see. With his considerable charm, Peter Sís uses lift-up flaps and peek-through windows to bring us into Madlenka's magical world where play and fantasy make wishes come true.
Publishers Weekly
Favorite characters return for more fun and games. Her persistent requests for a dog denied, Madlenka takes matters into her own hands (and gets more than she bargained for) in Madlenka's Dog by Peter Sis. As Madlenka strolls her city block with her imaginary dog on a leash, lift-up flaps and die-cut windows reveal her neighbors' own dream dogs.
Children's Literature
"In the universe, on a planet, in a country, in a city, in a house on a block where everyone is walking a dog, there lives a girl named Madlenka who wants a dog very much." Thus begins a haunting story that celebrates the power of a child's imagination to create her heart's desire. As Madlenka goes out walking her imaginary dog, on its real leash, she meets others who cherish the memories of bygone dogs in their hearts푘ach dog shown under a lift-up flap, so that, for example, the baker's childhood dog appears under the flap made by his tray of just-baked croissants. Every adult was once a child; every adult once had a beloved dog of his or her own. Finally, Madlenka, with her imaginary dog, and her friend Cleopatra, with her imaginary horse, set off on a series of elaborate adventurous journeys in their apartment-building courtyard, until Madlenka returns home, followed by all the dogs she has summoned through her imagination. This is a gentle, unusual, magical book, which will reward many readings. 2002, Farrar/Frances Foster, - Claudia Mills
School Library Journal
S's's little girl returns for another walk around her city block, this time with an invisible dog. Again, she meets friendly people representing a wide variety of cultures. Each person remembers a dog he or she loved, and when readers lift a flap over what an individual is carrying, they see a picture of the dog and youthful owner together. Later, Madlenka meets her friend Cleopatra, who loves horses as much as she loves dogs. The girls then imagine themselves in exotic settings. Peekaboo cutouts as well as extravagant colors are featured in this part of the book. The writing is straightforward and simple while the artwork makes beautiful use of detail, color, and space. Madlenka's parents' dismay at their daughter's wish for a dog is humorously shown through the body language of simple silhouettes. Small but effective touches of warmth and color accent the drab gray of the city streets. While not as distinctive or original as some of S's's more ambitious work, this title celebrates the power of imagination and shows a child finding real joy in her community.
Kirkus Reviews
The urban child introduced in Madlenka (2000) takes another stroll around her multicultural block, this time accompanied by an imaginary but convincingly present dog. After introducing her new pet to Mr. Gaston the baker, Michiko the painter, and other adult friends, each of whom sees it as a different breed, Madlenka joins her friend Cleopatra, and her invisible horse, for a series of wordless adventures in polar snows, ancient Egyptian sands, and various locales between. S? adds artfully placed die-cut holes and shaped flaps within his richly ornamented scenes, making this a book designer's dream as well as a time- and world-spanning sojourn full of visual surprises and pleasures. And when Madlenka is finally called home, she arrives trailed by more than two dozen very visible canine companions. The human and canine cast both are identified on the final page of this fantastical, brilliantly imagined outing. |
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