Next Update
½ÅÂøµµ¼­
½´ÆÛ¹ÙÀÌ
09:00
10:00
16:30
|ȸ¿ø°¡ÀÔ | Àå¹Ù±¸´Ï| ÁÖ¹®³»¿ªÁ¶È¸ | º¸°üÇÔ
°Ë»ö
.
Àå¹Ù±¸´Ï
0°³
ÃÖ±Ùº»»óǰ
0°³
¡¡
¡¡
¡¡
¡¡
¡ãTop
111 I Will Never Not Ever Eat a Tomato Pop-Up, 64 Max's Chocolate Chicken, 47 Picture Pie 2 : A Drawing Book and Stencil, 46 Tar Beach
HOME  >    Àç°í°¡ ¾ø´Â »óǰ   
REM: Rapid Eye Movement (ÇϵåÄ¿¹ö, ¢Â½´ÆÛ¹ÙÀÌ)6800
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Istvan Banyai | ÃâÆÇ»ç : Viking Books
070420
.
»ó¼¼±×¸²º¸±â
ÆòÁ¡ 0Á¡ ¸®ºä 0°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 32 pages
ISBN : 0670874922
Àç°í : ǰÀý
±ÇÀ忬·É : 5¼¼~9¼¼
ÃÖ±Ù 10¸í ÀÓÀÇ »õ·Î°íħ ÃÖ±Ù ÀÌ Ã¥À» ±¸¸ÅÇϽŠ´Ù¸¥ ȸ¿øÀÇ Ã¥Àå
ÀÌÀüÁ¦Ç° ¸ñ·ÏÀ¸·Î ÀÌÈÄÁ¦Ç°
[ Ã¥ ¼Ò°³ ]

Zoom°ú Re-zoomÀÇ ÀúÀÚÀÎ Istvan BanyaiÀÇ Wordless BookÀÔ´Ï´Ù.

ÀÌ Ã¥ÀÇ Á¦¸ñÀÎ REMÀº "Rapid Eye MovementÀ̸ç, ÀáÀ» Àß ¶§ REM ¼ö¸é ´Ü°è¿¡¼­ ²ÞÀ» ²ÙÁö¸¸, ²ÞÀÇ ³»¿ëÀº ³í¸®ÀûÀÎ ³»¿ë°ú ºñÇö½ÇÀûÀÎ ³»¿ëÀÌ µÚ¼®¿© ÀÖ½À´Ï´Ù.

¿Â°® Àå³­°¨°ú ÀÎÇüµéÀ» ¹æ¾È¿¡ ¾îÁú·¯ ³õ°í ħ´ë¿¡¼­ ÀáÀÌ µç ¼Ò³âÀº ²ÞÀ» ²ß´Ï´Ù. Á¶±×¸¸ Á¡ÀÌ ÄÅ ¼Ó¿¡ ºüÁö´õ´Ï »ç¶÷À¸·Î º¯Çϰí, ¿¬ÇÊ·Î ¿¬¸øÀ» ±×¸° ÈÄ ±× ¼Ó¿¡¼­ ³ë¶õ ÄÚÆ®¸¦ ²¨³» ÀÔ½À´Ï´Ù. ³ë¶õ ÄÚÆ®¸¦ ÀÔÀº »ç¶÷Àº Ű´Ù¸®°¡ µÇ°í, Ű´Ù¸®°¡ ¿Ê¿¡¼­ ¶¼¾î³½ ÇÑ °¡´ÚÀÇ »¡°£ ½ÇÀº Á¡Á¡ ´Ã¾î³ª¼­ º¹ÀâÇÑ ¹Ì·Î ÆÇÀ» ¸¸µì´Ï´Ù... ÀÌ·± ½ÄÀ¸·Î °¢°¢ÀÇ Àå¸éµéÀÌ ²¿¸®¿¡ ²¿¸®¸¦ ¹°°í¼­ ÀϾ¸ç, ¼Ò³âÀº ´«À» ºñºñ°í Àá¿¡¼­ ²¡´Ï´Ù¸¸, Çö½ÇÀÎÁö ²Þ ¼ÓÀÇ ¼¼°èÀÎÁö ºñ¸ù»ç¸ùÀÔ´Ï´Ù. ±×¸®°í È­Àå½Ç¿¡ °¡¼­ ¾çÄ¡ÁúÀ» ÇÏÀÚ ºñ·Î¼­ ¸¼Àº Á¤½ÅÀÌ µÇ¸ç, ²Þ ¼Ó¿¡¼­ º¸¾Ò´ø ¿Â°® »ó»óÀÇ ¼¼°è´Â ¼¼¸é´ëÀÇ ¹°°ú ÇÔ²² »ç¶óÁý´Ï´Ù...

ưưÇÑ ÇϵåÄ¿¹öÀÔ´Ï´Ù.



[ ¼­Áö Á¤º¸ ]

Edition : School & Library Binding: 32 pages
ISBN: 0670874922
Ã¥ Å©±â : 26cm x 21cm



[ ¿µ¹® ¼­Æò ]

Book Description
The toys surrounding a boy who has fallen asleep while playing in his room reappear as fantastical images as he dreams.


Publishers Weekly
Cycles of metamorphoses propelled Banyai's Zoom and Re-Zoom, and this provocative, wordless volume similarly features leaps of visual logic. As the title suggests, Banyai may mean to duplicate rapid eye movement through images shown unfolding step-by-stephowever, the effect is more like free association than languorous dream-narrative. The sequence opens with a dot that drips into a glass of water and, in stages, transforms into a round-headed blue doll. The doll topples the glass and moves into a second spread, where it steals part of a reflection from a puddle. As the pages turn, the doll's body elongates in funhouse fashion, and new characters appear, among them a spinning snowman that turns into a princess, and a frog that enlarges into a crouching prince. Once all the characters have assembled, the view widens onto a bedroom where a boy slouches, his hand atop a book open to the scene of the frog becoming the prince. When the boy groggily gets up, his dream entities rearrange themselves, and when he walks to the bathroom sink to brush his teeth, the whole dream spirals down the drain. A mirror reflects a now-empty bedroom, but a certain blue doll is propped next to the hot-water tap. Viewing Banyai's precisely drawn graphics is like watching a cartoonset against blank, landscape-less backgrounds, his successive freeze-frame objects resemble animation cels. The illustrator questions perception on every page, prompting readers either to make up stories for each scene or simply to draw inspiration from his cinematic way of thinking.


Children's Literature
Rapid Eye Movement (REM) is a dream-like stage on the way to deep sleep which most people experience. Some can recall this stage after waking as one of illusion or bizarre happenings. This book visually represents the surreal experiences which one might recall from the REM period. You will need a leap of faith on this one. - Meredith Kiger


School Library Journal
Reality and fantasy intertwine, transmogrification abounds, and the impossible happens in this wordless excursion into the world of dreams. During REM (rapid eye movement) sleep, dreams evolve, and the cover art hints at these strange goings-on; two large bare feet are surrounded by some truly unusual objects. On the opening pages, a pair of eyes becomes a drop of water that morphs into a small blue man who elongates, then finds a string that turns into etc., etc. Just as in a dream, sense and nonsense blend until the sleeper (a boy in pajamas and warrior gear) awakes, seemingly unaware that he is surrounded by the animate and inanimate objects that populated his sleep. Groggily, he heads for the bathroom where he literally swirls the nighttime fantasy down the sink drain and embraces the new day. Banyai's distinctive illustrations are flat, boldly colored, and reminiscent of European comic art. They cleverly carry the ever-altering objects across one page and on to the next. After awhile, however, suspense diminishes and readers' curiosity wanes. When the sleeping child finally awakes, the fun resumes as dream-time objects find their real-life counterparts in the bedroom and bathroom, but loss of momentum midway may discourage ever reaching this conclusion. A purchase where Zoom (1995) and Re-Zoom (1995, both Viking) have loyal fans. Carol Ann Wilson, Westfield Memorial Library, NJ


Kirkus Reviews
Hold on tight, Banyai (Re-Zoom, 1995, etc.) has "animated" a new visual adventure that takes place behind closed eyes, where the dreamworld offers many more irrational possibilities than the realms of his earlier work.
Fans of Crockett Johnson's Harold will find the magic protocol familiar: A drawn line becomes a pond; the artist's reflection, when swirled in the water and fished out, turns into a coat. The clown, pup, and snowman who populate this world pay tribute to another dreamtime visitor: Windson McCay's Little Nemo. As wordless as Banyai's other books, the illustrations draw onlookers in; the same pictures that turn a frog into a prince also turn the pages and move readers through the book. It ends with a cliché—it was all just a dream—but not before the images have been grounded in the real toy vehicles and dolls of the young dreamer's room.
Á¦Ç°»óÁ¦Á¤º¸   ¹è¼Û/¹Ýǰ/±³È¯ ¾È³»
Àüü¼±ÅÃ
°ü·Ã Á¦Ç°ÀÌ ¾ø½À´Ï´Ù.
Super Buy µµ¼­´Â ¹Ì±¹ ÃâÆÇ»çÀÇ Àç°íµµ¼­(Remainder Book), ÃʰúÃâ°£µµ¼­(Excess Inventory), ÇÒÀεµ¼­(Bargain Books)
µîÀ» Á÷¼öÀÔÇØ¼­ Á¤°¡ÀÇ 55%~80%¸¦ ÇÒÀÎÇÑ °¡°Ý¿¡ ÆÇ¸ÅÇÏ´Â Á¦Ç°ÀÔ´Ï´Ù. Super Buy Ã¥ÀÇ Ç°ÁúÀº °ÅÀÇ »õ Ã¥°ú °°Àº
¼öÁØÀÌÁö¸¸, °£È¤ Ä¿¹öÀÇ ½ºÅ©·¡Ä¡³ª Á¢Èû°ú °°Àº ÇÏÀÚ³ª, Ã¥ ÇÏ´ÜÀÇ Àç°íµµ¼­ ¸¶Å©°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.

Àú·ÅÇÏ°Ô ÆÇ¸ÅÇÏ´Â Super Buy Á¦Ç°ÀÇ Æ¯¼º»ó ¹ÝǰÀÌ µÇÁö ¾Ê½À´Ï´Ù¸¸, ÆÄº»ÀÎ °æ¿ì¿¡´Â ÂøºÒ·Î ¹ÝǰÇϽøé Ã¥°ªÀ»
ȯºÒÇØµå¸®°Å³ª Àû¸³±ÝÀ¸·Î ¿Ã·Áµå¸³´Ï´Ù. (¹Ýǰ Àü¿¡ ¿¬¶ô ¿ä¸Á)
ÇÏÇÁÇÁ¶óÀ̽ººÏ¿¡¼­´Â Áß°íµµ¼­(second hand book)¸¦ Ãë±ÞÇÏÁö ¾Ê½À´Ï´Ù.
   ÃÑ 0°ÇÀÇ µ¶ÀÚ¼­ÆòÀÌ ÀÖ½À´Ï´Ù.
¾ÆÁ÷ µî·ÏµÈ ¼­ÆòÀÌ ¾ø½À´Ï´Ù. (»õ·Î µî·ÏµÈ µµ¼­Àΰ¡ºÁ¿ä^^;)
- µî·ÏµÈ 128,146°ÇÀÇ ¼­ÆòÀÌ ÀÖ½À´Ï´Ù. ´õº¸±â
¾ËÂù Ã˰¨Ã¥ - Fuzzy Yellow Ducklings
gnhm - µµÇü+Ã˰¨ Á¶ÇÕÀÌ ±â¹ßÇϰí Àç¹ÌÀÖ¾î¿ä ¸¶Áö¸·¿¡ µ¿¹°µéÀÌ ÇѲ¨¹ø¿¡ ³ª¿À¸é¼­ °ÔÀÓÇÏ..
´Ù¾çÇÑ °¨Á¤Ç¥Çö - Glad Monster, Sad Monster
gnhm - ¾Ë·Ï´Þ·ÏÇÑ ¸ó½ºÅÍ ±×¸²À» ÅëÇØ ´Ù¾çÇÑ °¨Á¤Ç¥ÇöÀ» ¹è¿ï ¼ö ÀÖ¾î¿ä °¡¸éÀ¸·Î ¾µ ¼ö ..
ưưÇÑ º¸µåºÏ - The Grouchy Ladybug
gnhm - ÆäÀÌÆÛ¹éÀÌ ³Ê´ú³Ê´úÇØÁ®¼­ º¸µåºÏÀ¸·Î ±¸ÀÔÇØºÃ¾î¿ä ÄÆ¾Æ¿ô ÆäÀÌÁöµéÀÌ ¸¹Àº Ã¥Àε¥..
±â¹ßÇϰí Àç¹ÌÀÖ´Â À̾߱â - I Stink!
gnhm - ´À³¦Ç¥¿Í ÀǼº¾î°¡ ³­¹«Çؼ­ ÀоîÁÖ´Â »ç¶÷Àº Á¤¸» ¹ö°ÌÁö¸¸¡¦Èï¹Ì·Ó°í Àç¹ÌÀִ åÀÌ..
±Í¿©¿î Ã¥ - Biscuit's Pet & Play Halloween: A Touch & Feel Book
gnhm - ´Ù¸¥ Ã˰¨Ã¥µé¿¡¼­´Â Àß ¾ø´Â ƯÀÌÇÑ ÀçÁúµéÀÌ ÀÖ¾î¿ä ±×¸²µµ ±Í¿±°í ³»¿ëµµ ±Í¿©¿ö..
¾ÆÀ̵éÀÌ ÁÁ¾ÆÇϴ å - How Big Is Zagnodd?
gnhm - ÀÌ»óÇÑ À̸§À» °¡Áø ±«¹°(?)µéÀÌ µîÀåÇÒ ¶§¸¶´Ù ¾ÆÀ̵éÀº ³Ê¹« ÁÁ¾ÆÇÏ³×¿ä °£´ÜÇÑ ¹®..
Àç¹ÌÀִ å - One Fine Day
gnhm - ±Û¹äÀÌ ¸¹¾Æ º¸ÀÌÁö¸¸ ¹Ýº¹µÇ´Â ¹®ÀåÀÌ ¸¹¾Æ ±×·¸°Ô ¾î·ÆÁö ¾Ê³×¿ä ½ºÅ丮¸¦ µû¶ó ¹Ý..
. ÀúÀÚÀÇ ´Ù¸¥ ÀÛǰ
Re-Zoom
ÆäÀÌÆÛ¹é, ½´ÆÛ¹ÙÀÌ..
3,400¿ø

Àý´ë ¾ÈÀü »çÀÌÆ® : ȸ»ç¼Ò°³¤Ó°³ÀÎÁ¤º¸ Ãë±Þ¹æÄ§¤Ó°áÁ¦Á¤º¸ º¸È£Á¤Ã¥¤Óȸ¿ø¾à°ü
¿µ¾îµ¿È­Ã¥, ¿µ¾î±×¸²Ã¥, ¾Æµ¿¿µ¾îÃ¥ Àü¹®¼­Á¡
435-040 °æ±âµµ ±ºÆ÷½Ã »êº»µ¿ 1142-7 Áß¾ÓŸ¿ö 406È£
´ëÇ¥: ±èÅÂȯ
»ç¾÷ÀÚµî·Ï¹øÈ£: 123-90-94234
Åë½ÅÆÇ¸Å¾÷ ½Å°í Á¦ 2002-00051È£
°³ÀÎÁ¤º¸ º¸È£ °ü¸®ÀÚ ¼º¸í: ±èÅÂȯ
À̸ÞÀÏ: webmaster@halfpricebook.co.kr
°í°´¼¾ÅÍ: 031.399.1289  fax 031.399.1288
(AM 09:00~ PM 06:00 / ÁÖ¸», °øÈÞÀÏ ÈÞ¹«)
Copyright 2001-2016 half price book. All rights reserved.
Ŭ¸¯ÇϽøé À̴Ͻýº °áÁ¦½Ã½ºÅÛÀÇ À¯È¿¼ºÀ» È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.