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* Parenting Books of the Year Awards
¼¼°è¿¡¼ °¡Àå ¸¹Àº »ç¶ûÀ» ¹Þ°í ÀÖ´Â Mother Goose Ã¥ÀÎ My Very First Mother Goose¿Í Here Comes Mother Goose¿¡ ÀÌÀº Iona Opie(±Û), Rosemary Wells(±×¸²)ÀÇ 3¹øÂ° Ã¥ÀÔ´Ï´Ù. ¾Æµ¿µ¿¿ä(Mother Goose)ÀÇ Àú¸íÇÑ Leading ExpertÀÎ Iona Opie¿Í ¼¼°è ¾î¸°À̵é·Î ºÎÅÍ °¡Àå »ç¶û¹Þ´Â IllustratorÁß ÇÑ ¸íÀÎ Rosemary Wells°¡ ȯ»óÀûÀÎ ÄÞºñ¸¦ ÀÌ·ï ¸¸µé¾úÀ¸¸ç, Ä¿´Ù¶õ ±Û¾¾·Î ÀμâµÈ Èï°Ü¿î 22ÆíÀÇ µ¿¿äµé°ú º¸±â¸¸ ÇØµµ Áñ°Å¿î ±×¸²µéÀÌ °¡µæÇÕ´Ï´Ù. Mother Goose¸¦ Áñ±â´Â ¾î¸°ÀÌ¿Í Mother Goose¿¡ °ü½ÉÀÌ ¸¹Àº µ¶Àڵ鿡°Ô º¸¼®°ú °°Àº Ã¥ÀÔ´Ï´Ù.
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Edition: Hardcover: 56 pages
ISBN-10: 076363655X
ISBN-13: 978-0763636555
Ã¥ Å©±â : 23.5cm x 23.5cm
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From the Publisher
The world¡¯s most respected Mother Goose folklorist reunites with one of the great illustrators of our time to present a rare selection of rhymes to share and treasure.
From the far reaches of shared memory come these charming but little-known nursery rhymes, mysterious tidbits of lore brought back to shining life by the shared talents of the two most beloved Mother Goose treasurers, Iona Opie and Rosemary Wells. MOTHER GOOSE'S LITTLE TREASURES is a gem in itself, allowing the littlest listeners - and the most discerning collectors - to discover a selection of marvelous rare nursery rhymes made new again.
From the Introduction:
These rhymes are a confirmation that though we must live in the real world, we need to know the way to another world, where there are no limits and nothing is certain. . . .
Just turn the pages, and look and listen, and say, as I do, Oh yes, oh yes, of course!
- Iona Opie -
Publishers Weekly
Opie and Wells depart from their previous two collections of well-known Mother Goose rhymes to venture to what Opie describes as "the far edge of Mother Goose's realm" and there collect "the most mysterious fragments from our shared memory." As if to signal the difference, the trim size has changed (it is smaller, at 9 ¡¿ 9) and the paper is matte, not glossy. Despite the large fonts and the continued presence of Wells's signature bunny characters, however, this is less a title for Everytoddler than one for lovers of rhyme and verse. Wells gives the art a more sophisticated look, trading the bright colors and bustling borders of the previous books for a more subdued palette and adding many more human characters. She riffs on designs of classic Mother Goose editions, playing with fonts and narrow frames, and she outdoes herself in ingenious interpretations. One verse beseeches a "chick chick chick chick chicken" to "lay a little egg for me"; Wells depicts a rustically dressed bunny and a chicken in the same room, each on its own telephone, a speech balloon issuing from the bunny's receiver shows a brightly painted egg. An especially fine series of pictures features a human mother, daughter and doll, all identically dressed; sometimes only one of the trio appears, introducing jokes about scale, but the funniest include all three, as in the art for a contradictory poem about a mother who tells her "darling daughter" that yes, she can go swimming as long as she doesn't go near the water (the look on the daughter's face as she wades into a pond is pure imp; the doll, towed in a toy boat, mirrors the girl's expression except for its eyes, which roll angelically heavenward). Sadly, theart suffers in the production-low contrasts leave the watercolors looking washed out.
School Library Journal
This third collection by Opie and Wells includes 22 less-familiar rhymes. According to Opie's introduction, " . . . the little treasures in this book . . . are the most mysterious fragments of our shared memory." Some rhymes are silly ("Little old dog sits under a chair,/Twenty-five grasshoppers/snarled in his hair . . . .") Others are surreal. For example, "Mother, May I?" poses the question, "Mother, may I go out swimming?," which is answered, "Yes, my darling daughter;/Hang your clothes on a hickory limb,/But don't go near the water." Meanwhile, the picture shows a little girl, waist-deep in a pool, pulling a little boat and holding a doll that looks just like the little girl, which does transform this playful verse into something, yes, mysterious. Many of the characters make multiple appearances, and many are Wells's characteristic rabbits and cats. The very nature of this book makes it a less-essential purchase than this team's My Very First Mother Goose (1996) or Here Comes Mother Goose (1999, both Candlewick), so possibly only larger collections or libraries with lots of Rosemary Wells fans will want it.
Booklist
In her introduction, Opie notes, "If I am Mother Goose's self-appointed treasurer, then Rosemary Wells is definitely her illuminator." Truer words were never spoken. This gem, comprising 22 tidbits from little-known nursery rhymes, shines with the charm of old-time rhymes and with Wells' beloved animal and child characters, set down in her signature style. As with familiar Mother Goose rhymes, the ones here don't always make sense, but they exude syncopated silliness and fun: "Mrs. Whirly / Mrs. Whirly sells fish, / Three ha'pence a dish; / Don't buy it, / don't buy it, / It stinks / when you fry it." What's more, the quirky nature of many of the rhymes provides a clean slate for Wells' inspired playfulness. This title joins Opie and Wells' two previous collections, My Very First Mother Goose (1996) and Here Comes Mother Goose (1999), to form a exceptional trilogy, which—given that Wallace Tripp's Granfa' Grig Had a Pig (1976) and Arnold Lobel's Gregory Griggs and Other Nursery Rhyme People (1978) are now hard to find—will keep Mother Goose's less-familiar rhymes alive. Like Tomie dePaola's Mother Goose (1985), this third Opie-Wells treasury of treasures is likely to become a staple in children's collections. |
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Who is the wee melodie man? A musical taod, who can play for different instruments.
Why will bonny Button-cap come on a nocturnal visit? To bring the gift of a teddy bear.
Why is the old dog sitting under the baby's high chair and snaffling the baby's sausages? Because he prefers them to his usual diet of stinking fish.
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