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[ 책 소개 ]
Color Zoo로 Caldecott 상을 수상한 Lois Ehlert의 화려한 색상과 단순하면서도 추상화된 그림책입니다. 절묘하게 겹쳐져 보이는 레이어 페이지들의 형태를 통해 추상적이고도 기발한 그림을 상상해 볼 수 있는 독특한 책입니다.
die-cut되어 잘려있는 이미지들이 책 전체에 걸쳐 소개됩니다. 기어다니는 벌레, 꿈틀꿈틀 움직이는 애벌레, 점프하는 개구리, 표류하는 바다조개, 노래하는 새, 헤엄치는 물고기, 춤추는 나비, 영글어가는 과일, 떨어지는 나뭇잎 등 자연(Nature) 속에서 볼 수 있는 동식물들이 형태대로 잘려져 있습니다.
상세그림에서 보듯이 잘려진 그림의 빈 공간으로 칼라 페이지들이 겹쳐져 보이면서 저마다 다른 이미지를 만들어냅니다. 앞, 뒤 페이지에서 보는 방향에 따라 색깔과 모양이 달리 만들어지기 때문에 아이와 함께 수수께끼 그림 맞추기(Rebus Game)을 하며 재미있게 놀이를 할 수 있답니다.
| 닫기x |  What is 페이퍼백?
표지가 두꺼운 판지나 보드지가 아닌 비교적 얇은 종이를 사용해서 만든 책이며, 실박음질 대신에 풀로 제본처리하는 경우가 많습니다. 일반적으로 하드커버나 보드북에 비해서 가격이 저렴합니다. 소프트커버로 불리우기도 합니다. 책의 이음새 부분이 접히거나 휘는 내구성이 그리 좋지는 않은 책입니다.
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[ 서지 정보 ]
Edition: Paperback (40 pages) & CD
ISBN: 8954903231
책 크기: 21.5cm x 20.3cm
[ 영문 서평 ]
Book Description
Describes some of the many things in the natural world--such as worms, seashells, flowers, and stars--that a child can appreciate.
From the Publisher
Creeping bugs and wiggling worms, splashing rain and glittering stars--nobody notices the details of the world around them more than children--and artists.
Take a walk with bestselling picture book creator Lois Ehlert in this vibrant die-cut celebration of nature's many wonders. Complete with a simple rebus game, this gentle book of discovery will inspire readers of all ages to share their love for nature--and to look at the world in a whole new way.
Synopsis
In this colorful die-cut picture book by award-winning author Lois Ehlert, a child thanks the world for all of nature’s wonders.
Publishers Weekly
According to PW, "Ehlert's work enters the realm of the abstract, suggesting the interconnectedness of nature through a complex blend of shapes, colors and images."
Children's Literature
This 8 1/2" square book has an intriguing cover. A small, cutout hand centered on a royal blue background is filled with a kaleidoscope of shapes and colors. As the cover is opened it becomes obvious that the colors and shapes are formed by layers of intensely colored pages-die-cut like stencils through which colored slices of succeeding and preceding pages appear. The text opens with "My world is made of things I like" and, along the bottoms of the pages, words are printed. On some pages the names of objects such as bugs, worms, sun, butterflies are found; sometimes it is a description of action such as fluttering, dancing, drifting. Especially effective is the page full of small round holes which is called "splashing rain" on the front and "glittering stars" on the reverse. The inside back-cover sheet is a rebus of the words and shapes that appear in the book. As the pages are turned the appeal of the book diminishes. The colors and shapes that appear in the cut-out spaces could have been given more consideration as to overall design and application to the shape they are filling.- Eleanor Heldrich
School Library Journal
Here Ehlert employs the same technique (bold-colored die cuts) that she used in her Color Farm and Color Zoo. She starts out with the sentence "My world is made of things I like." A globelike circle reveals an inviting array of colors and shapes. With each succeeding page, complete with a single cutout, the artist then goes on to demonstrate the things she likes in nature: a creeping bug, a leaping frog, drifting seashells, growing fruit, etc. Depth of design is executed by means of page overlays, so that the pictures build on one another, and some images are more successful than others. A few of the overlapping items are not immediately clear and may cause confusion. The concluding double-page endpaper reintroduces all of the words in a rebus format, emphasizing how important it is to love nature. But, all in all, this book is more of an engineering feat than an effective depiction of the interconnectedness of all living things.
Kirkus Reviews
"The world is made of things I like," Ehlert (Waiting For Wings) begins, then proceeds to elaborate: "creeping bugs, wiggling worms," frogs and fruit, flowers and rain, sun and moon. From the hand in the front cover to the constellations at the end, all of these natural forms are depicted as die-cut holes in stiff, brightly monochromatic stock, their cumulative overlaps filling the empty middles with dazzling abstractions of shape and color that change with each turn of the page. Though the holes are so large, and the margins so narrow, that tears are inevitable, this brilliant symphony in form and color provides a rich visual experience, enhanced by a large type, rebus-strewn blurb filling the rear endpapers. Despite the design problem, and a superfluous text, this gifted graphic artist is in top form here. |
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9.6점 
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