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18 In a Dark, Dark Room and Other Scary Stories, 11 Hondo and Fabian, 8 My Cool Sticker Backpack, 7 1-2-3 Peas
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Martin's Big Words (Caldecott¼ö»óÀÛ, ´º¿åŸÀÓÁî Best Illustrated Book, ÆäÀÌÆÛ¹é, ½´ÆÛ¹ÙÀÌ)
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ÀúÀÚ : Doreen Rappaport, Bryan Collier (Illustrator) | ÃâÆÇ»ç : Hyperion
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ÆǸŰ¡ : 11,200 3,900¿ø
ÆäÀÌÁö : 40 pages
ISBN : 9781423106357
Àç°í : ±¸ÀÔ ¹× º¸°ü °¡´É
±ÇÀ忬·É : À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (6¼¼~10¼¼)
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* Caldecott Honor ¼ö»óehtj
* The New York Times Best Illustrated Children's Book
* Coretta Scott King Award ¼ö»óÀÛ
* An ALA Notable Book


20¼¼±â ¿ª»çÀÇ Å« ¹°Áٱ⸦ ¹Ù²Û À§´ëÇÑ ¹Î±Ç¿îµ¿°¡ Martin Luther King ¸ñ»çÀÇ ¾÷Àû°ú ÀÏ´ë±â¸¦ ½¬¿ì¸é¼­µµ °¨µ¿ÀûÀÎ ¹®Àå°ú ¾Æ¸§´ä°í °­·ÄÇÑ ÄݶóÁê ±â¹ýÀÇ ±×¸²À¸·Î º¸¿©ÁÝ´Ï´Ù.

Å· ¸ñ»çÀÇ ¾î¸° ½ÃÀýÀº ¹Ì±¹¿¡¼­ ÀÎÁ¾Â÷º°ÀÌ ¸Å¿ì ½ÉÇß´ø ½Ã±â¿´Áö¿ä. ¹ö½ºµµ È­Àå½Çµµ ÈæÀΰú ¹éÀÎÀÌ µû·Î ÀÌ¿ëÇØ¾ß ÇßÀ¸¸ç, ¸¹Àº °ø°øÀå¼ÒµéÀÌ ÈæÀεéÀÇ ÃâÀÔÀ» ±ÝÁöÇß½À´Ï´Ù. ÈæÀÎ ÃâÀÔ±ÝÁö¸¦ ÀǹÌÇÏ´Â "White Only"¶ó´Â Ç©¸»À» º¸°í´Â ±âºÐÀÌ »óÇÑ ¸¶Æ¾¿¡°Ô ¾ö¸¶´Â ´Ã ¸»¾¸ÇϼÌÁÒ. "You are as good as anyone."

¸ñ»çÀÎ ¾Æ¹öÁöÀÇ ¼³±³¸¦ µè°í ¼º°æÀ» ÀÐÀ¸¸ç ÀÚ¶õ Martin Luther King Jr.´Â ¾Æ¹öÁö¿Í °°ÀÌ ¼ºÁ÷ÀÚ°¡ µË´Ï´Ù. ¸¶ÇÏÆ®¸¶ °£µðÀÇ ºñÆø·ÂÁÖÀÇ¿¡ ¸¹Àº ¿µÇâÀ» ¹ÞÀº Å· ¸ñ»ç´Â ³²µéÀÌ ÀÎÁ¾Â÷º°À» Áõ¿À·Î ¸Â¼­·Á ÇÒ ¶§, Áõ¿À·Î´Â Áõ¿À¸¦ ¸ô¾Æ³¾ ¼ö ¾øÀ¸¸ç ¿ÀÁ÷ »ç¶û¸¸ÀÌ ±× ÀÏÀ» ÇÒ ¼ö ÀÖ´Ù°í ¼³ÆÄÇÕ´Ï´Ù.

1950³â´ë, ÀÎÁ¾Â÷º°¿¡ ¹Ý´ëÇÏ´Â Ç×ÀÇ¿Í ½ÃÀ§°¡ Àü±¹À» ÈÛ¾µ ¶§, Å·¸ñ»ç´Â °¡� ¿µÇâ·ÂÀÌ Å« ÈæÀεéÀÇ Á¤½ÅÀû ÁöµµÀÚ°¡ µË´Ï´Ù. ±×¸®°í I have a dreamÀ¸·Î ½ÃÀÛÇÏ´Â À¯¸íÇÑ ¿¬¼³À» ³²±é´Ï´Ù. Å·¸ñ»ç´Â ºñ´Ü ¹Ì±¹ÀÎµé »Ó¸¸ ¾Æ´Ï¶ó Àü¼¼°èÀο¡°Ô ÆòÈ­¿¡ °üÇÑ ±íÀº ¿µÇâÀ» ³²°åÀ¸¸ç, 1964³â¿¡´Â ³ëº§ÆòÈ­»óÀ» ¼ö»óÇϱ⵵ Çß½À´Ï´Ù...



[ ¼­Áö Á¤º¸ ]

Edition: Paperback: 40 pages
ISBN-10: 1423106350
ISBN-13: 978-1423106357
Ã¥ Å©±â: 27.3cm x 24.8cm



[ ¿µ¹® ¼­Æò ]

Booklist
"Remember if I am stopped, this movement will not be stopped, because God is with this movement." Weaving in Dr. King's own "big words," this inspiring picture-book biography celebrates the great leader as preacher and politician. Rappaport's spare narrative captures the essentials of the man, the movement he led, and his policy of nonviolence. Only in the case of Rosa Parks is the glimpse too simplistic, presenting her as an individual who refused to give up her seat on the bus, rather than as the political activist she was. Collier's collage art is glorious. Combining cut-paper, photographs, and watercolor he expresses his own Christian faith and King's power "to make many different things one." Stained glass windows are the dominant images, not only in the many church scenes, but also in the play of shape, light, and color in the realistic views of the city. With powerful art and pulsing words ("He walked with them and talked with them and sang with them and prayed with them"), this is a fine book to share and read aloud many times. Hazel Rochman


Publishers Weekly
This picture-book biography provides an ideal introduction to this leader and his works. Juxtaposing original text with quotes from King's writing and speeches, Rappaport's (Escape from Slavery) narrative offers a pastiche of scenes from King's life, beginning with his childhood experience of seeing "White Only" signs sprinkled throughout his hometown. He questions his mother about their meaning, and she assures him, "You are as good as anyone." Listening to his father preach, the boy asserts that "When I grow up, I'm going to get big words, too." Rappaport also touches upon King's role in the Montgomery bus strike that followed Rosa Park's 1955 arrest for refusing to give up her seat to a white passenger and his subsequent efforts as a civil rights crusader. After briefly describing the circumstances of his death, the story concludes, quite abruptly, with the statement, "His big words are alive for us today." The author relies on her subject's own words, and his power, passion and pacifism shine through. Collier's (Uptown) striking watercolor and cut paper collage art feature closely focused, lifelike images of King and other individuals against an inventive montage of patterns and textures. The portraits of King exude his spiritual strength and peaceful visage. In the background of some scenes are intricate recreations of stained glass windows, which, Collier explains in an introductory note, he interprets as a metaphor for King's life. An elegant, understated pictorial biography. Ages 5-9.


School Library Journal
Collier combines his distinctive watercolor-and-collage art with Rappaport's uncluttered text to sum up King's life and work. Each two-page spread begins with a short paragraph about King and his crusade for civil rights, followed by a powerful sample of his own words set in oversized, boldface type. Both portions of the succinct text work together to emphasize the leader's courage, commitment, and, ultimately, sacrifice without sensationalizing his death. King's assassination during the 1968 Memphis garbage strike is summed up in just two short sentences: "On his second day there, he was shot. He died." The book concludes with a reassuring reminder that his words are immortal. Rappaport advises readers to use "Martin Luther King" as the search term to find more than 200 Web sites dedicated to King and the civil rights movement. Both author and illustrator preface the book with brief notes to explain specific aspects of King's life and death that inspired them in their collaboration. The result is a stunning, reverent tribute.


Children's Literature
Beautiful it its simplicity, this small biography of Martin Luther King shines forth. Rappaport's text portrays King's childhood in two pages with his discovery that in spite of the "whites only" signs, his mother's words that "You are as good as anyone" would sustain him. When he sang hymns and read from the Bible in church, he vowed that he would grow up to "get big words." His career as a minister, being influenced by Gandhi, participation in the Montgomery Bus Boycott and subsequent civil rights marches, winning the Nobel Peace Prize, threats to his family and his death are touched upon. Each short paragraph ends with a memorable quote relevant to the subject of the page and many are familiar to adult readers. Instead of drawing from the "I have a dream" speech the quote about judging people by the content of their character, the author has selected—"I have a dream that one day in Alabama little black boys and black girls will join hands with little white boys and white girls as sisters and brothers." It is more accessible to the intended audience, if less ringing and memorable to the adult reader. Collier's stunning collage and bold watercolor illustrations are layered with meanings, textures, light and shadow. Stained glass windows, which appear in many of the illustrations, serve multiple symbolic purposes including providing light and a way of looking past where you are, says the illustrator in a front note. This is obviously a work of great care and love for the subject, a fine introduction and a fitting tribute to the Dr. King and his work. A chronology of important dates includes 1986 when Dr. King's birthday became a national holiday, and a fine selection of additionalreadings and web sites are suggested.
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