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49 The Night Before Christmas, 34 The Korean Cinderella, 31 Gone Wild, 24 The Movable Mother Goose
HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
Cinderella (ÇϵåÄ¿¹ö, Caldecott ¼ö»óÀÛ, ½´ÆÛ¹ÙÀÌ) 7,800¿ø (ǰÀý)
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ÀúÀÚ : Marcia Brown | ÃâÆÇ»ç : Aladdin, Troll
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ÆäÀÌÁö : 32 pages
ISBN : 0689712618
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1955³â Caldecott MedalÀ» ¹ÞÀº Marcia BrownÀÇ ´ëÇ¥ÀÛÁß ÇϳªÀÔ´Ï´Ù. Marcia BrownÀº Caldecott»óÀ» ¸ðµÎ 9Â÷·Ê³ª ȹµæÇÑ À¯¸íÇÑ ¾Æµ¿±×¸²Ã¥ ÀÛ°¡ÀÔ´Ï´Ù. ¼­¾çÀÇ À¯¸íÇÑ ½Åµ¥·¼¶ó À̾߱â Ã¥ÀÔ´Ï´Ù. ¹®ÀåÀÌ Á» ¸¹¾Æ¼­ ¿µ¾î¸¦ ¾î´À Á¤µµ ÀÌÇØÇÒ ¼ö ÀÖ´Â ¾î¸°ÀÌ¿¡°Ô ÀûÇÕÇÕ´Ï´Ù.

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Paperback, 32 pages
ISBN: 0689712618
Ã¥ Å©±â : 25.5cm x 20cm



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Book Description
There is perhaps no better loved, no more universal story than Cinderella. Almost every country in the world has a version of it, but the favorite of story-tellers is the French version by Charles Perrault.
This translation is excellent for story-telling and also for reading aloud. Marcia Brown's illustrations are full of magic and enchantment from the little cupids putting back the hands of the clock to the last scene at the palace. They are pictures that will stay in a child's mind.


Publishers Weekly
Elegant paintings of a cavernous castle and an enchanted countryside distinguish this retelling of the transformed maiden.


School Library Journal
Lovely marbled endpapers introduce yet another "Cinderella." Goode's translation informalizes the text somewhat, losing the sense of a time long ago and a place far away. However, the plot remains intact, including the moral venerating innner beauty, which would have had more impact if Goode's Cinderella, soon to become Princess, didn't look so smug in the last two illustrations. The illustrations, set in 17th-Century France, contain all of the elements necessary for a successful Cinderella. Her ballgown is beautiful, lusher and more spectacular than her stepsisters' or the other guests. The transformation scenes, especially the lizard into footman, are visually satisfying. The bright watercolors add the proper sparkle, and attention is not drawn away from the main characters by distracting borders or designs. Young readers will be pleased with this edition (especially if it is accompanied by the cassette recorded by Jessica Lange), but scholars will continue to prefer Dore (Perrault's Fairy Tales Dover, 1969) or Le Cain (Cinderella: or, the Little Glass Slipper Penguin, 1977). Karen K. Radtke, Milwaukee Public Library


Booklist
From the plump pumpkins on the endpapers, to the shifty-eyed stepmother and Cinderella's vibrant ball gown, Koopmans' delicate watercolors provide yet another visual rendering of the familiar tale. Bell's smooth translation follows the traditional story. As Cinderella rides to the palace, her coach radiates light, and Cinderella herself is a blaze of color in her vibrant yellow gown in the brightly lit ballroom. The art lacks Marcia Brown's strong line, Diane Goode's distinctive facial expressions, James Marshall's rumpled goofiness, and Susan Jeffers' graceful elegance, but it is unusual in one respect. Instead of a maidenly Cinderella and manly prince, both protagonists are portrayed as prepubescent children. This unusual interpretation, which will charm some and disturb others, is best suited for larger collections. Linda Perkins


Kirkus Reviews
Perrault's ancient tale of Cinderella has been slimmed and toned down considerably, with her virtues less evident and the supporting cast less effective. Readers will wonder why Cinderella's father, who is not conveniently dead in this story, doesn't rally to her aid, but they will be otherwise enchanted by Koopmans's delicate illustrations. One good French touch comes at dinner; the prince is so besotted that ``even when the most delicious dishes were served for supper, he could not eat a morsel.''


Wilmington News Journal
...just the right size for preschoolers' little hands. The books in the Little Pebbles series are beautifully illustrated and bound well enough to withstand nightly rereading.


Card catalog description
Brown's illustrated translation of Perrault's tale in which Cinderella leaves behind a glass slipper in her haste to flee the palace before the fairy godmother's magic loses effect won the 1955 Caldecott medal.
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