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[ 책 소개 ]
인상파가 지배하던 19세기 후반, 사물의 본질에 의존하지 않고 화가의 개인적인 주관을 중시하는 표현주의를 주장했던 폴 고갱의 드라마틱한 삶과 작품세계를 자세히 소개하는 책입니다. 잘 나가던 증권거래인이었던 고갱은 30대 중반 이후 본격적인 작품활동을 시작했으며, 43세에 남태평양의 타히티로 이주해서 많은 작품들을 남겼습니다.
이 책의 고갱의 일대기와 함께 연대별로 그의 대표작품 20편을 수록하고 있으며, 작품의 배경스토리와 작품분석을 함께 싣고 있어서 작품을 눈과 마음로 감상하는 한편으로 각각의 작품들에 대해서 화가의 내면세계를 공유하면서 깊이있게 이해할 수 있습니다.
튼튼한 | 닫기x |  What is 하드커버?
양장본이라고도 불리우며, 표지가 단단한 판지로 만들어진 책입니다.
판지를 천이나 가죽으로 감싸기도 합니다. 책의 속지는 일반적으로 중성처리된 종이(Acid-free paper)를 사용해서 잘 변질이 되지 않기 때문에 오랫동안 보관하기에 적합합니다. 이 종류의 책은 더스트 재킷, 또는 더스트 커버로 불리는 표지덮개가 함께 있는 경우가 많습니다. 간혹 내부 속지가 콩기름 코팅이 된 경우 고약한 냄새가 나는 책도 있습니다.
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[ 서지 정보 ]
Edition : Hardcover: 40 pages
ISBN: 1592700101
책 크기 : 23cm x 17.5cm
[ 서지 정보 ]
Book Description
The paintings of Paul Gauguin (1848-1903) abound with color, sensuality and the sumptuousness of nature. Equally as colorful are the details of his life. Gauguin epitomized the artist as rebel and the dramatic character of his life is almost as spectacular as his art. Gauguin was born in Paris, but grew up in Lima, Peru. As a young man, he returned to France where he worked as a stockbroker from 1872 until 1883, when he began to paint full-time. In 1891, he went to Tahiti, a place that affected him deeply and thus had a profound effect on his art. From then until his death, he lived in the South Pacific, returning to France only once. His most famous painting, Where Do We Come From? What Are We? Where Are We Going? was painted in Tahiti in 1897. While Gauguin's paintings were in part a reaction against the naturalism of the Impressionists, they stand, most importantly, as the expression of a daring and original personality. He is considered a Post-Impressionist and one of the most important artists of all time.
Publishers Weekly
The Great Artists series launches with a quartet of paper-over-board biographies, including analysis and reproductions of their masterpieces, as well as timelines of important events during their lifetimes. Great Artists: Michelangelo by Roberto Carvalho de Magalhaes, for instance, features the sculpture David, for which Michelangelo "employed all his knowledge of human anatomy and classical art," and The Creation of Adam, the famous scene on the ceiling of the Sistine Chapel. Leonardo Da Vinci by Maria Teresa Zanobini Leoni takes a look at the Italian artist's The Last Supper and Mona Lisa (La Gioconda). Featured works in the study of the French Impressionist Claude Monet also by Magalhaes include The Poppies at Argenteuil and his series of oil paintings based on Rouen Cathedral. Paul Gauguin by Maria Siponta De Salvia examines the works of this French painter who lived in Tahiti for many years, including Two Women on the Beach and Ea Haere la Oe (Where Are You Going?).
KLIATT
Extraordinarily well illustrated and edited, each of these little books traces the life and work of a great artist while placing him in his historical context. Sidebars provide details in the artist's life, but the main text focuses on a detailed analysis of the style and technique of the major work shown on each page. Technical vocabulary such as cloisonnisme and stiacciato are defined as they are used; diagrams illustrate perspective; maps trace the travels of the artists. Relatively inexpensive, these books provide excellent introductions to the works of these artists. There is, however, much frontal nudity depicted, by Michelangelo and Gauguin especially. (Great Artists series). KLIATT Codes: JS*--Exceptional book, recommended for junior and senior high school students. 2005, Enchanted Lion, 40p.
Library Journal
These three titles provide exceptionally good reproductions and detailed analyses of the artists' works in relation to their lives and times. The language, however, is complex and above the heads of the students that the design would indicate. The books are not biographies; they devote only a page at the beginning to a brief sketch of the artist's life, and offer incidental information throughout the rest of the texts. Additional facts appear in top and side margins, but the reason for separating facts this way is not clear, and makes for awkward reading. For example, in Monet, the death of the artist's first wife and his second marriage are noted in the sidebars; students reading only the main texts will wonder who this other woman is. Da Vinci barely makes mention of the man's accomplishments in the sciences. The titles on Monet and Gauguin in the "Artists in Their Time" series (Watts) are better choices on these men; there are many excellent titles on da Vinci. Select these volumes only if you need additional information on the artwork, not the artists. |
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