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Edition: Mass Market Paperback: 416 pages
ISBN: 0439101352
Ã¥ Å©±â : 17.1cm x 10.6cm
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Book Description
One of the most popular novels of all time, this sparkling comedy of manners features splendidly civilized sparring between Mr. Darcy and the prejudiced Elizabeth Bennet, as they play out their spirited courtship in a series of 18th-century drawing-room intrigues.
From Our Editors
This timeless satire on English manners traces the fortunes and foibles of a family of marriageable young women and their suitors.
Annotation
In early nineteenth-century England, a spirited young woman copes with the suit of a snobbish gentleman as well as the romantic entanglements of her four sisters.
From the Publisher
Many consider this rich social commentary to be Jane Austen's finest novel. It is certainly among her more famous ones. Austen sets her entertaining study of manners and misconceptions against the backdrop of a class-conscious society in 18th-century England.
Spirited, intelligent Elizabeth Bennet is alternately enchanted and affronted by Mr. Darcy. She is quick to suspend her usual, more rational judgment when it comes to him. She also is quick to believe the worst gossip about this haughty, opinionated man, who soon manages to alienate Elizabeth and her family. But is the condescending air that Mr. Darcy wars an indication of his real character? Or has Elizabeth's pride gotten in the way of her chance for true romance?
Synopsis
In a remote Hertfordshire village, far off the good coach roads of George III's England, a country squire of no great means must marry off his five vivacious daughters. At the heart of this all-consuming enterprise are his headstrong second daughter Elizabeth Bennet and her aristocratic suitor Fitzwilliam Darcy—two lovers whose pride must be humbled and prejudice dissolved before the novel can come to its splendid conclusion.
A tour de force of wit and sparkling dialogue, Pride and Prejudice is also a sumptuously detailed picture of contemporary society, which, in its exploration of manner and motives, has a great deal to say about the society of today. Austen's best-loved novel is a memorable story about the power of reason, and above all about the strange dynamics of human relationships and emotions.
The handsome volumes in The Collectors Library present great works of world literature in a handy hardback format. Printed on high-quality paper and bound in real cloth, each complete and unabridged volume has a specially commissioned afterword, brief biography of the author and a further-reading list. This easily accessible series offers readers the perfect opportunity to discover, or rediscover, some of the world's most endearing literary works.
The volumes in The Collector's Library are sumptuously produced, enduring editions to own, to collect and to treasure.
Library Journal
Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.
Booknews
Presents the 1813 first edition text of , accompanied by an interesting selection of background material including biographical portraits by Austin's family members and biographers, 17 letters written by Austin (eight new to this edition), and 18 critical pieces by 19th and 20th century commentators (six new to this edition). Annotation c. Book News, Inc., Portland, OR (booknews.com)
Amazon.com
In a remote Hertfordshire village, far off the good coach roads of George III's England, Mr. and Mrs. Bennet -- a country squire of no great means and his scatterbrained wife -- must marry off their five vivacious daughters. At the heart of this all-consuming enterprise are the headstrong second daughter Elizabeth and her aristocratic suitor Fitzwilliam Darcy, two lovers in whom pride and prejudice must be overcome before love can bring the novel to its magnificent conclusion.
The New York Times, 1/14/96
This Pride and Prejudice, a joint production of the BBC and A&E, does shorten the distance just a bit between Joe and Jane.... It is not a lace doily. When Sue Birtwhistle, the producer of the series, first announced her intention to adapt, Pride and Prejudice for television, she told reporters that she intended to bring out the real subjects of the novel: sex and money. The tabloids jumped. One headline read, "Sex Romp Jane Austen."
"What I meant by sexy was smoldering looks across rooms, or hands touching," said Ms. Birtwhistle in a recent interview....
Ms. Birtwhistle's production, which was adapted by Andrew Davies, the scriptwriter for the PBS series, "Middlemarch," may not deliver a full romp, but it does bring a big dose of social realism, class consciousness and outdoorsy vigor to a novel that has too often been treated like a piece of old china.
"We definitely didn't want to do what we saw as the old studio-bound BBC drama that was shown in the Sunday teatime slot," said Ms. Birtwhistle. "It's a lively book, and we wanted to get across its vitality. We didn't want people sitting stiffly in drawing rooms."
They don't. The Bennet daughters kick up their heels at dances, burst out of doors for long walks and stroll the streets of Meryton, the market town just a mile from their home. The prideful Darcy, grandest catch ever to come within the Bennet orbit, does his necessary share of sneering in a drawing room, but he also roams the landscape on horseback. In one scene, after stripping down to a shirt and tight riding pants, he plunges into the pond on his estate, observed, as it happens, by Elizabeth Bennet, who is well on the way to dropping her prejudice after getting a good eyeful. It is pretty clear that she doesn't mind the look of Darcy's estate, either. Sex and Money indeed.
The Merriam-Webster Encyclopedia of Literature
Novel by Jane Austen, published anonymously in three volumes in 1813. The narrative, which Austen initially titled "First Impressions," describes the clash between Elizabeth Bennet, the daughter of a country gentleman, and Fitzwilliam Darcy, a rich and aristocratic landowner. Austen reverses the convention of first impressions: "pride" of rank and fortune, and "prejudice" against Elizabeth's inferiority of family, hold Darcy aloof; while Elizabeth is equally fired both by the pride of self-respect and by prejudice against Darcy's snobbery. Ultimately, they come together in love and self-understanding.
About the Author
Jane Austen, seventh of the eight children of Reverend George and Cassandra Leigh Austen, was born on December 16, 1775, in the small village of Steventon in Hampshire, England. Her childhood was happy: her home was full of books and many friends and her parents encouraged both their children's intellectual interests and their passion for producing and performing in amateur theatricals. Austen's closest relationship, one that would endure throughout her life, was with her beloved only sister, Cassandra.
From about the time she was twelve years old, Austen began writing spirited parodies of the popular Gothic and sentimental fiction of the day for the amusement of her family. Chock-full of stock characters, vapid and virtuous heroines, and improbable coincidences, these early works reveal in nascent form many of her literary gifts: particularly her ironic sensibility, wit, and gift for comedy. Attempts at more sustained, serious works began around 1794 with a novel in letters - a popular form at the time - called Lady Susan, and in the years immediately following with two more epistolary novels - one called Elinor and Marianne, the other First Impressions - that would evolve into Sense and Sensibility and Pride and Prejudice. Lady Susan, later revised and entitled Northanger Abbey, also was begun in that period.
From 1799 to 1809, little is known of Austen's life or literary endeavors, other than that upon her father's retirement she moved unhappily from her beloved home in Steventon to Bath; that he died a few years thereafter and she moved to Southampton; and that she began, but did not complete, a novel called The Watsons. A move back to the country in 1808 - to a cottage on one of her brother's properties in Chawton - seems to have revived her interest in writing.
Her revised version of Elinor and Marianne - Sense and Sensibility - was published, like all the work which appeared in print in her lifetime, anonymously, in 1811; and between the time Pride and Prejudice was accepted for publication and the time it actually appeared, she wrote Mansfield Park. Emma appeared in 1816 and was reviewed favorably by the most popular novelist of the day, Sir Walter Scott, who said:
The author's knowledge of the world, and the peculiar tact with which she presents characters that the reader cannot fail to recognize, reminds us something of the merits of the Flemish school of painting. The subjects are not often elegant, and certainly never grand; but they are finished up to nature, and with a precision which delights the reader.
Scott also insightfully pointed out Emma's significance in representing the emergence of a new kind of novel, one concerned with the texture of ordinary life.
Though all her novels were concerned with courtship, love, and marriage, Austen never married. There is some evidence that she had several flirtations with eligible men in her early twenties, and speculation that in 1802 she agreed to marry the heir of a Hampshire family but then changed her mind. Austen rigorously guarded her privacy, and after her death, her family censored and destroyed many of her letters. Little is known of her personal experience or her favorite subjects. However, Austen's reputation as a "dowdy bluestocking," as literary critic Ronald Blythe points out, is far from accurate: "she loved balls, cards, wine, music, country walks, conversation, children, and bad as well as excellent novels."
In 1816, as she worked to complete her novel Persuasion, Austen's health began to fail. She continued to work, preparing Northanger Abbey for publication, and began a light-hearted, satirical work called Sanditon which she never finished. She died at the age of forty-two on July 18, 1817, in the arms of her beloved sister, Cassandra, of what historians now believe to have been Addison's disease.
The identity of "A Lady" who wrote the popular novels was known in her lifetime only to her family and a few elite readers, among them the Prince Regent, who invited Austen to visit his library and "permitted" her to dedicate Emma to him (unaware, no doubt, that she loathed him). But Austen deliberately avoided literary circles; in Ronald Blythe's words, "literature, not the literary life, was always her intention." It was not until the December following her death, when Northanger Abbey and Persuasion were published, that "a biographical notice of the author" by Austen's brother Henry appeared in the books, revealing to the reading public for the first time the name of Jane Austen |
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Sounder Newbery Medal ¼ö»ó..
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