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[ 책 소개 ]
* An ALA Notable Children's Book
* A Book Sense Book of the Year Finalist
* One of NYPL's 100 Titles for Reading and Sharing
* A CCBC Choice 2000
* An IRA Teachers' Choice
* A CBC/NCSS Notable Social Studies Trade Book
* A Parenting Magazine "Reading Magic" Award Winner
* An ABA Pick of the Lists
마리안 앤더슨은 1939년 링컨 기념관의 역사적인 공연으로 유명한 가수입니다. 당시에 7만 5000여명의 관중들이 콘서트 홀을 가득 채웠으며 기념비적인 공연으로 사람들의 기억속에 남아있습니다.
이 책은 메트로폴리탄 오페라 극장에서 최초로 공연한 흑인 가수인 마리안 앤더슨의 용기있는 인생을 기록한 자서전입니다. 가난한 흑인 얼음 장수의 딸로 태어나 교회에서 성가대원으로 활동하면서 본격적인 음악 세계에 빠져든 마리안은 이탈리아의 보게티에게 사사받게 됩니다. 이후 마리안 앤더슨은 미국의 인종 차별에도 불구하고 끝없는 노력으로 위대한 가수가 되었습니다.
고난과 역경을 극복하고 꿈을 이룬 한 여가수의 감동적인 인생을 통해 커다란 깨달음을 얻을 수 있습니다.
Lage Size | 닫기x |  What is 하드커버?
양장본이라고도 불리우며, 표지가 단단한 판지로 만들어진 책입니다.
판지를 천이나 가죽으로 감싸기도 합니다. 책의 속지는 일반적으로 중성처리된 종이(Acid-free paper)를 사용해서 잘 변질이 되지 않기 때문에 오랫동안 보관하기에 적합합니다. 이 종류의 책은 더스트 재킷, 또는 더스트 커버로 불리는 표지덮개가 함께 있는 경우가 많습니다. 간혹 내부 속지가 콩기름 코팅이 된 경우 고약한 냄새가 나는 책도 있습니다.
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[ 서지 정보 ]
Edition: Hardcover: 40 pages
ISBN: 0439269679
책 크기: 31.2cm x 26cm
[ 영문 서평 ]
Annotation
An Honor Book for the 2003 Robert F. Sibert Informational Book Award
Book Description
Marian Anderson is best known for her historic concert at the Lincoln Memorial in 1939, which drew an integrated crowd of over 75,000 people in pre-Civil Rights America. While this momentous event showcased the uniqueness of her character, and the struggles of the times in which she lived, it is only part of her story. Like the opera arias Marian would come to sing, Ryan's text is as moving as a libretto, and Selznick's pictures are as exquisitely detailed and elaborately designed as a stage set. Wheat emerges most profoundly from their shared vision is a role model of courage.
Booklist
*Starred Review* K-Gr. 3. In a lush, operatic style that suits the subject, this large-sized pictur| 닫기x |  What is | 닫기x | What is e-book?
전자책(electronic book)이라고도 불리우며, 책의 내용을 종이가 아닌 컴퓨터 모니터나 핸드폰의 화면을 통해 읽을 수 있습니다.
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전자책(electronic book)이라고도 불리우며, 책의 내용을 종이가 아닌 컴퓨터 모니터나 핸드폰의 화면을 통해 읽을 수 있습니다.
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| 닫기x | What is e-book?
전자책(electronic book)이라고도 불리우며, 책의 내용을 종이가 아닌 컴퓨터 모니터나 핸드폰의 화면을 통해 읽을 수 있습니다.
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Children's Literature
A moving portrait of Marian Anderson, this book is a beautiful marriage of text and illustrations. We follow Marian from her childhood, singing in church, through her rejection from a music school that refused to take "colored" to her glowing success despite the challenges of racism and prejudice. The text invites us into her life, and we ache with Marian every time she faces a struggle. Lyrics from songs Marian recorded are interspersed throughout푪hey are perfectly placed so they advance the story, justifying the title page description of the text as a "libretto." For example, as she sails to Europe to escape the restrictions of America and to learn foreign languages to expand her repertoire, the words "sometimes I feel like a motherless child... a long ways from home" are printed over a luminous seascape. The evocative illustrations are done entirely in shades of brown, akin to sepia-tone photographs. The author and illustrator previously collaborated on the award winning Amelia and Eleanor Go For a Ride, and according to their notes in the back, a connection between Eleanor Roosevelt and Marian Anderson helped inspire this book. May such inspiration continue to arise. Judy Rowen
School Library Journal
In extensive endnotes, Ryan and Selznick mention the many Eleanor Roosevelt stories they heard after publishing Amelia and Eleanor Go for a Ride (Scholastic, 1999). One fortuitous tale, concerning the First Lady and Marian Anderson, led to this companion book. Instead of the silver tones of the earlier title, this one employs acrylics in gold, copper, and a range of browns. As the book opens, the theater curtains part to reveal a girl singing in a window, framed in light. The title page is a concert program. The foreshadowing, tightly controlled recapitulation of themes, and stylized scenes (frequently incorporating stages) combine to suggest a performance. Linguistically and aesthetically, the book is a marvel of unified design. A trip to the Metropolitan Opera inspires young Anderson to strive for the dream she obtains by the end of the book. Early on, her master teacher enthuses that she "will be able to go anywhere and sing for anybody." The irony is played out as she tours Europe, but is stopped short in DC's Constitution Hall. Enter the Roosevelts, and what follows is history. When Marian sings, her eyes are always closed, her face a study of faith deeply felt. Hymns and spirituals punctuate the narrative, carefully chosen to tie into plot. Share this feast for the eyes and the soul with a wide audience.
Kirkus Reviews
Ryan and Selznick (Amelia and Eleanor Go for a Ride, 1999, etc.) reunite for another magical collaboration, this time presenting Marian Anderson to a young audience. Using the visual metaphor of an operatic presentation, the production opens on the Metropolitan Opera stage just before performance, followed by a spread in which the audience watches as the curtain rises and a street scene reveals a tiny figure singing in a brightly-lit window. The shape of the volume lends itself to the broad sweep of the stage and even the title page reads like the show's program. Anderson's story is perhaps not well known to younger children, but Ryan does a good job of making it accessible. In simply stated prose she acquaints young readers, who may be disbelieving, with a time of social injustice when a person of color could not pursue a professional career in concert music and it was an act of personal courage to sing before racially mixed audiences. Verses of Anderson's most famous songs are included as they have meaningful application for events. The account includes the most notable episode in her life when, denied access to Washington's Constitution Hall because of her race, Marian sang on the steps of the Lincoln Memorial before a crowd of thousands-black and white. Selznick's carefully researched, sepia-toned, acrylic illustrations dramatize Anderson's strong, handsome face on most pages. That face is faithfully and powerfully rendered, eyes closed when singing, with an intense, almost sublime engagement in her music. The work culminates with another history-making moment when she realizes her dream and becomes the first African-American to perform at the Metropolitan Opera. Selznick depicts herin this spread standing triumphantly in the spotlight, a vivid spot of color in an otherwise monochromatic treatment. A lengthy "encore" includes personal details and history from both author and illustrator; an "ovation" cites resources. Perfectly paced and perfectly pitched, this never loses sight of the fact that Marian Anderson was both a world-class musician and a powerful symbol to her people. A bravura performance. (notable dates, discography) |
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