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* Horn Book Magazine Fanfare List
Hondo and FabianÀ¸·Î Caldecott»óÀ» ¼ö»óÇÑ Peter McCartyÀÇ ¾Æ¸§´ä°í Á¤°¨ ³ÑÄ¡´Â ±×¸²Ã¥ÀÔ´Ï´Ù.
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ºÎÀÚ °£ÀÇ Ä£¹Ð°¨À» ´À³¢°Ô ÇØÁÖ´Â Á¤°¨ ³ÑÄ¡´Â ±Û°ú Peter McCarty ƯÀ¯ÀÇ »ö¿¬ÇÊÀ» ÀÌ¿ëÇØ¼ ±×¸° ºÎµå·¯¿î º§ºªÇ³ÀÇ ±×¸²ÀÌ ¸ÚÁø Á¶È¸¦ ÀÌ·ç´Â Ã¥ÀÔ´Ï´Ù.
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Paperback: 32 pages
ISBN-10: 0805067086
ISBN-13: 978-0805067088
Ã¥ Å©±â: 25.1cm x 24cm
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Book Description
A warm-hearted portrait of a simple event that encapsulates the bond between a father and a son.
This warm and thoughtful story about a father and son on an all-night drive to the mountains is just right for Father's Day.
From Publishers Weekly
Mood replaces plot in Coy's debut book, which describes a father and son's all-night road trip in the '50s. Action is spare and archetypal: they see a deer, fix a flat, stop for breakfast at a diner. The author establishes the sweetness of the father/son relationship, but doesn't offer much meat in his storytelling. McCarty's (Frozen Man) soft pencil illustrations look like black-and-white photos blurred and bleached by the passage of time; even so, they seem to glow with the refracted beams from the car's headlights. There is a quiet, insistent power to the art, but the sensibility is almost implacably adult. Kids will likely be frustrated by the limited ability of black-and-white illustrations to represent such references as the sun setting "in a mix of orange and pink." While this treatment?and this topic?may nourish the nostalgia of parents, the primary audience may be asking, "Are we there yet?" long before the end of the drive.
From School Library Journal
My dad and I are driving west...I'm excited because it's my first trip to the mountains and we're going to sleep in a tent." Soon, night falls, and their journey is marked by the vast prairies in the moonlight, a flat tire, conversations and car games, a hurried visit to an outhouse where "...it's dark and flies buzz," and, toward dawn, a stop at a roadside diner. When they're done with breakfast, the boy is surprised by the daylight: "Suddenly, I see giant peaks, sharp as bear's teeth, that push into the sky. 'Look, Dad, the mountains.' " Told in the first person in the present tense, the narrative has an immediacy that is an interesting contrast to its overall nostalgic tone. The closeness between father and son is depicted in a nicely understated way. Coy has captured the fresh perspective and simple voice of a child. McCarty's soft pencil drawings show a postwar era, with old cars and billboards and a very low-tech pup tent. The illustrations' still, slightly surreal quality is appropriate to the mood. A distinctive book that may need some selling, but that will appeal to many kids once they get into it.
From Booklist
The road trip is a rite of passage for most Americans, from Jack Kerouac and Neal Cassady to Thelma and Louise. But the passage isn't always about rebellion, as this quiet story of a father and son's night drive to the mountains makes clear. Set in the early 1950s (judging from the car), a time when driving at night could still inspire feelings of comfort and safety, Coy's tale is narrated by a young boy taking his first road trip with Dad. In simple declarative sentences, the boy explains what happens (seeing a deer, listening to a ball game, fixing a flat), but he also manages to communicate a sense of wide-eyed wonder: the stars are brighter, the dark is darker, and you can stay up as long as you want. Best of all are McCarty's hazy, evocative black-and-white drawings, which effectively capture the cocoon-like intimacy inside the car and the compelling otherness on the outside. Refreshingly, neither text nor pictures force-feed a syrupy message about father-son bonding. There's bonding all right, but it's the invisible kind, the kind that holds. |
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