|
|
|
|
|
| ÃÖ±Ù ÀÌ Ã¥À» ±¸¸ÅÇϽŠ´Ù¸¥ ȸ¿øÀÇ Ã¥Àå |
|
 |
|
|
|
[ Ã¥ ¼Ò°³ ]
Caldecott ¼ö»óÀÛ°¡ÀÎ Tomie dePaolaÀÇ ¾Æ¸§´Ù¿î ±×¸²Ã¥(´Ý±âx | What is ÇϵåÄ¿¹ö? ¾çÀ庻À̶ó°íµµ ºÒ¸®¿ì¸ç, Ç¥Áö°¡ ´Ü´ÜÇÑ ÆÇÁö·Î ¸¸µé¾îÁø Ã¥ÀÔ´Ï´Ù.
ÆÇÁö¸¦ õÀ̳ª °¡Á×À¸·Î °¨½Î±âµµ ÇÕ´Ï´Ù. Ã¥ÀÇ ¼ÓÁö´Â ÀϹÝÀûÀ¸·Î Áß¼ºÃ³¸®µÈ Á¾ÀÌ(Acid-free paper)¸¦ »ç¿ëÇØ¼ Àß º¯ÁúÀÌ µÇÁö ¾Ê±â ¶§¹®¿¡ ¿À·§µ¿¾È º¸°üÇϱ⿡ ÀûÇÕÇÕ´Ï´Ù. ÀÌ Á¾·ùÀÇ Ã¥Àº ´õ½ºÆ® ÀçŶ, ¶Ç´Â ´õ½ºÆ® Ä¿¹ö·Î ºÒ¸®´Â Ç¥Áöµ¤°³°¡ ÇÔ²² ÀÖ´Â °æ¿ì°¡ ¸¹½À´Ï´Ù. °£È¤ ³»ºÎ ¼ÓÁö°¡ Äá±â¸§ ÄÚÆÃÀÌ µÈ °æ¿ì °í¾àÇÑ ³¿»õ°¡ ³ª´Â Ã¥µµ ÀÖ½À´Ï´Ù.
|
ÇϵåÄ¿¹ö)ÀÔ´Ï´Ù.
Las Posadas´Â Å©¸®½º¸¶½º Àü 9ÀÏ µ¿¾È ¿¹¼öÀÇ Åº»ýÀ» ÃàÇÏÇÏ¸é¼ ¾Æ±â ¿¹¼ö ź»ý ¶§ÀÇ ¸ð½ÀÀ» ÀçÇöÇÏ´Â ÃàÁ¦ÀÔ´Ï´Ù. ¸¶À» »ç¶÷µéÀº ¼º¸ð ¸¶¸®³ª¿Í ¿ä¼Á µî ¿©·¯°¡Áö ¿ªÇÒ·Î ºÐÀåÀ» ÇÏ°í °Å¸®¸¦ ÇàÁøÇϸé¼, ¸» ±¸À¯¿¡¼ ¾Æ±â ¿¹¼ö¸¦ ³º±â ±îÁöÀÇ °úÁ¤À» ÀçÇöÇÕ´Ï´Ù. ÀÌ·± Las Posadas Çà»ç´Â ½ºÆäÀÎ, ¸ß½ÃÄÚ ¹× ¹Ì±¹ ³²ºÎÀÇ È÷½ºÆÐ´Ð°è ¸¶À»¿¡¼ ¾ÆÁ÷µµ ¼º´ëÇÏ°Ô ÇàÇØÁö°í ÀÖ½À´Ï´Ù.
ÀÌ Ã¥ÀÇ ¹è°æÀÌ µÇ´Â °÷Àº ¹Ì±¹ ³²ºÎÀÇ »êŸÆä ºÎ±ÙÀÇ Á¶±×¸¸ ¸¶À»ÀÔ´Ï´Ù. ¿¬·ÎÇϽŠ¿£Áö ¼ö³à´ÔÀÌ Las Posadas Çà»ç¸¦ ¸Ã°Ô µÇ¾ú½À´Ï´Ù¸¸, ¿ÃÇØ´Â Á¶Ä« ºÎºÎ°¡ ¼º¸ð ¸¶¸®¾Æ¿Í ¿ä¼ÁÀÇ ¿ªÇÒÀ» ÇÏ°Ô µÇ¾î¼ ¿£Áö¼ö³à´ÔÀº ¹«Ã´ ±â»¼½À´Ï´Ù. ¼öÁÖÀÏ µ¿¾È ¿¹Ç࿬½À°ú Áغñ¸¦ °ÅÃÄ µåµð¾î Las Posada Çà»ç¸¦ ÇÏ´Â ³¯, ¿£Áö ¼ö³à´ÔÀº ±íÀº º´¿¡ °É¸®°Ô µÇ°í, ¼³»ó°¡»óÀ¸·Î Æø¼³ÀÌ ½ñ¾ÆÁö´Â ¹Ù¶÷¿¡ ¿£Áö ¼ö³à´ÔÀÇ Á¶Ä«ºÎºÎ´Â ´« ¼Ó¿¡ °¤È÷°Ô µË´Ï´Ù. ±âÀûÀÌ ÀϾ±â Àü¿¡´Â ¿ÃÇØÀÇ Las Posadas¸¦ ¹«»çÈ÷ Ä¡¸¦ ¼ö ¾ø°Ô µÈ ¼ø°£, ±â´Ù¸®´Â ¸¶À» »ç¶÷ ¾Õ¿¡ ¿£Áö ¼ö³à´ÔÀÇ Ä£±¸¸¦ ÀÚóÇÏ´Â ºÎºÎ°¡ Á¶¶û¸»À» Ÿ°í ³ªÅ¸³ª°í...
[ ¼Áö Á¤º¸ ]
Hardcover, 32 pages
ISBN: 0399234004; (October 1999)
Ã¥ Å©±â : 28.7cm x 22.3cm
[ ¿µ¹® ¼Æò ]
Booklist
An introduction describes Las Posadas, an old Spanish custom that commemorates Mary and Joseph's search for shelter in Bethlehem. In this story, set in Santa Fe, New Mexico, Sister Angie, a nun for 50 years, is thrilled that her niece Lupe and Lupe's husband, Roberto, will serve as Mary and Joseph trying to find a welcoming door in Santa Fe. On the day of Las Posadas, Sister Angie is down with the flu, and Lupe and Roberto are caught in a snowstorm. Happily, a pregnant woman and her husband, riding a mule and supposedly sent by Sister Angie, save the procession. Children soon realize it is a carving of Mary and Joseph come to life that has led the procession. Because the characters are all adults and the ending is predictable (though perhaps not as predictable for children as for grownups), this may have less appeal than some of dePaola's other works. The art, too, is staid, with many pictures featuring Sister Angie, Lupe and Roberto, a priest, and Mary and Joseph. What gives the illustrations most of their appeal are the pure winter colorings, whites, purples, deep greens, and blues. Many of the spreads are illuminated by farolitos, small lights that decorate the procession route. An author's note gives some of the same information as the introduction. Ilene Cooper
Kirkus Reviews
A wondrous occurrence, an ancient tradition, and an elderly nun's abiding faith are the basis of this moving Chirstmas tale from dePaola (26 Fairmount Avenue, p. 629, etc.). Sister Angie is overjoyed when her niece Lupe and her husband are selected to play Mary and Josephhere, Maria and Josfor Las Posadas, the reenactment of the journey into Bethlehem. When Sister Angie becomes ill and Lupe and Roberto become stranded in a heavy snowstorm, it seems as if the celebration will be delayed.... |
|
|
|
|
|
|
|