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[ 책 소개 ]
세계적인 대문호 세익스피어의 대표적인 희곡 7편을 만화 형식으로 쉽고 재미있게 소개하는 책입니다. 처음으로 셰익스피어 작품을 접하는 어린이들을 위해 원서의 내용을 쉽고 재미있게 각색했으면서도, 그 안의 대화는 원서의 문장을 그대로 인용했기 때문에 셰익스피어의 작품세계를 맛볼 수 있게 해줍니다.
셰익스피어의 작품들이 얼마나 흥미진진한지를 어린 독자들이 깨달을 수 있도록 도와주며, 셰익스피어 원문을 읽고 싶어하는 동기를 부여해 줍니다.
이 책에서 소개하는 희곡 7편의 제목은 아래와 같습니다.
- Romeo and Juliet (로미오와 쥴리엣)
- Hamlet (햄릿)
- A Midsummer's Night Dream (한 여름밤의 꿈)
- MacBeth (맥베드)
- Julius Caesar (쥴리어스 시저)
- The Winter's Tale (겨울이야기)
- The Tempest
Large Size의 | 닫기x |  What is 페이퍼백?
표지가 두꺼운 판지나 보드지가 아닌 비교적 얇은 종이를 사용해서 만든 책이며, 실박음질 대신에 풀로 제본처리하는 경우가 많습니다. 일반적으로 하드커버나 보드북에 비해서 가격이 저렴합니다. 소프트커버로 불리우기도 합니다. 책의 이음새 부분이 접히거나 휘는 내구성이 그리 좋지는 않은 책입니다.
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[ 서지 정보 ]
Edition : Paperback: 40 pages
ISBN: 0763623237
책 크기 : 31.5cm x 25.2m
[ 영문 서평 ]
Book Description
Retells seven of Shakespeare's plays--"Romeo and Juliet," "Hamlet," "A Midsummer Night's Dream," "Macbeth," "The Winter's Tale," "Julius Caesar," and "The Tempest"--in comic book format.
Publishers Weekly
Williams presents a septet of the Bard's plays in comic strip format, incorporating Shakespeare's dialogue along with additional synopsis and commentary. "This lively approach will ensure that kids know Shakespeare's plays first as great entertainment," noted PW.
Children's Literature
Seven of William Shakespeare's most famous plays are presented in this book: Romeo and Juliet, Hamlet, A Midsummer's Night Dream, MacBeth, Julius Caesar, The Winter's Tale, and The Tempest. The plays are retold in comic-strip style with brightly colored cartoon illustrations. The actor's dialogue uses the words Shakespeare actually wrote, and the story of the play is paraphrased underneath in an easy-to-read style. The plays are illustrated as being performed at the Globe Theatre (where they were originally performed in the 1500's), with the famously rude and noisy spectators around the stage. Young readers will especially enjoy the humorous hecklers! A wonderful way to introduce readers to the treasures of Shakespeare, and it may even lead them to an interest in the original plays. - Cheryl Peterson
School Library Journal
The success of Williams's Greek Myths for Young Children (Candlewick, 1992) is no surprise to those whose first exposure to the classics through "Classic Comics" led to a comfortable and even enthusiastic view of literature. The lively cartoon format never overwhelms the clear progress of the stories. While the technique used in her latest book may boggle the mind of a struggling adult, it should be child's play to average elementary-school readers. Each of the seven selections, Hamlet, Romeo and Juliet, Macbeth, The Winter's Tale, Julius Caesar, Midsummer Night's Dream, and The Tempest, is told as if it were on a stage, with cartoon panels carrying the actions and direct quotations from the play. The author's narration appears below the panels. An audience surrounds this presentation on three sides of each page. Not only are the stories complex and multilayered, but the byplay in the audience also further complicates these busy pages. As Hamlet struggles with his decision, orange sellers work a crowd that comments irreverently on the play. Queen Elizabeth I and Will himself appear at more than one production. Macbeth, which has a relatively simple story line, is told in larger panels and is not as hard to follow. The Winter's Tale is also not badly served by this treatment, although it's disappointing to find the most cartoonish stage direction in all of Shakespeare, "Exit, pursued by a bear," omitted. While it's hard to imagine anyone except maybe Robin Williams taking this on as a read-aloud, the kids who pore over detail in "Waldo" or Graeme Base's Animalia (Abrams, 1993) may graduate to enjoying an introduction to the plays in this format.-Sally Margolis, Barton Public Library, VT
Kirkus Reviews
Seven plays, Romeo and Juliet, MacBeth, The Tempest, The Winter's Tale, A Midsummer Night's Dream, Julius Caesar, and Hamlet, have been condensed into the comic-strip panels of Williams's other retellings (The Iliad and the Odyssey, 1996, etc.); Shakespeare's words are spouted by the performers, summaries of the plot appear beneath the frames, and Elizabethan-era playgoers heckle and comment from the sides and bottom of every pageþe.g., "Go on! Kiss her." Some plays take up two or three spreads, but for all their compactness, these condensations are surprisingly clear and faithful. The plays are newly accessible to a contemporary audience; with 40-50 players and members of the audience on every page, there humor in every corner and high drama in most frames. Every play is given its own palette; Macbeth's is appropriately ghostly and spooky, while A Midsummer Night's Dream is suitably sprightly and exhaustively antic. For readers familiar with the plays, the synopses are amusing and the watercolor depictions impressive; for those using this work as an entry to Shakespeare's works, welcome. |
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