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The Three Pigs (Caldecott Medal 수상작, 하드커버, 슈퍼바이) |
Super Buy The Three Pigs (Caldecott Medal 수상작, 하드커버, 슈퍼바이) |
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* 2002년 Caldecott Medal 수상작 * NewYork Public Library, Children's Books 100 Titles * School Library Journal Best Books of the Year * Cahners, Best Books for Children 널리 알려진 Three Little Pigs(세마리 아기돼지)는 많은 작가들에 의해 새로운 시각으로 재구성되었으며, 이 책 역시 무려 6차례나 칼데콧상을 받은 천재작가 데이비드 위스너가 기발한 아이디어로 새로운 아기돼지 3형제 이야기를 만들었습니다. 이 책은 국내에서는 "아기돼지 세마리"라는 제목으로 번역서가 출간되었습니다. 아기돼지 3형제중 짚단으로 엉성한 집을 만든 첫째 돼지에게 늑대가 찾아와서 잡아먹으려고 합니다만, 아기돼지는 그림 밖으로 도망가서 위기를 넘깁니다. 나무로 집을 지은 둘째 돼지와 벽돌로 집을 지은 세째 돼지 역시, 첫째 돼지의 도움으로 그림 밖으로 나와서 늑대를 허탕치게 만듭니다. 세마리 돼지는 동요와 동화의 세계를 드나들다가, 기사에게 죽음을 당할 용을 구해서 같이 세째 돼지가 지은 벽돌집 그림 속으로 되돌아 갑니다. 그리고 용은 문 밖에 있던 늑대를 혼내주고... 마치 타임머신을 타고 다니듯, 돼지들이 그림 밖으로 나왔다가 다른 그림으로 들어간다는 발상이 기발하고 독창적입니다. 튼튼한 하드커버입니다. [동영상] [ 서지 정보 ] Edition: Hardcover: 40 pages ISBN-10: 0618007016 ISBN-13: 9780618007011 책 크기: 29.4cm x 23.5cm [ 영문 서평 ] Book Description This picture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf's huffing and puffing blows the first pig right out of the story . . . and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects--cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight. Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday's frogs and Sector 7's clouds will be captivated by old friends--the Three Pigs of nursery fame and their companions--in a new guise. New York Times Review of Books Wiesner's dialogue and illustrations are clever, whimsical and sophisticated. Publishers Weekly *Starred Review* Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape, they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brilliant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilitiesDand that the range of story itself is limitless. Booklist *Starred Review* Wiesner has created a funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories. School Library Journal *Starred Review* In Tuesday (Clarion, 1991), Wiesner demonstrated that pigs could fly. Here, he shows what happens when they take control of their story. In an L. Leslie Brooke sort of style (the illustrations are created through a combination of watercolor, gouache, colored inks, and pencils), the wolf comes a-knocking on the straw house. When he puffs, the pig gets blown "right out of the story." (The double spread contains four panels on a white background; the first two follow the familiar story line, but the pig falls out of the third frame, so in the fourth, the wolf looks quite perplexed.) So it goes until the pigs bump the story panels aside, fold one with the wolf on it into a paper airplane, and take to the air. Children will delight in the changing perspectives, the effect of the wolf's folded-paper body, and the whole notion of the interrupted narrative. Wiesner's luxurious use of white space with the textured pigs zooming in and out of view is fresh and funny. They wander through other stories-their bodies changing to take on the new style of illustration as they enter the pages-emerging with a dragon and the cat with a fiddle. The cat draws their attention to a panel with a brick house, and they all sit down to soup, while one of the pigs reconstructs the text. Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite. |
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