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* Kate Greenaway 수상작
* SMART (Start Making a Reader Today) Book Award 수상작
* California Young Reader Medal 수상작
* Oppenheim Toy Portfolio Platinum Award 수상작
* Los Angeles' 100 Best Books

입맛이 까다롭고, 먹지 않는 음식이 너무 많은 동생 롤라에게 저녁을 먹여야 하는 찰리... 오늘 저녁 메뉴는 롤라가 제일 싫어하는 당근, 완두콩, 은깬 감자, 생선 튀김, 그리고 무엇보다도 절대로 먹으려고 하지 않는 토마토입니다. 찰리는 과연 어떻게 롤라가 이런 음식을 먹도록 할까요? 우선 당근은 목성에서 자라는 오렌지 줄기라고 합니다. 호기심에 롤라는 한 입 먹어보니 음~ 맛이 괜찮군요. 완두콩은 그린랜드의 하늘에서 떨어지는 녹색 덩어리라고 하고, 으깬 감자는 후지산의 꼭대기에 걸려 있는 구름을 떠 온 것이라고 하며, 생선 튀김은 바다 밑 인어공주가 좋아하는 것이라고 합니다. 호기심이 생긴 롤라는 맛을 보지 않을 수 없습니다. 하지만 롤라가 제일 싫어하는 토마토는??? 찰리는 과연 어떻게 롤라로 하여금 토마토를 먹게 할까요?

아이들의 음식에 대한 천진난만한 상상력이 독자에게 웃음을 선사합니다.

첫 페이지에서 탭을 당기면 롤라가 고개를 좌우로 흔드는 모습을 보여주며, 오른쪽 탭을 당기면 4개의 그림이 위로 일어납니다.

다음페이지의 휠을 돌리면 롤라가 먹지 않는 음식들이 차례로 등장하며, 오른쪽 페이지 탭을 당기면 롤라가 절대로 먹지 않는 음식들을 보여줍니다.

다음 페이지는 우주선을 타고 목성으로 가는 롤라의 모습을 팝업그림으로 보여줍니다. 그 외에도 이책에는 다양하고 정교한 입체그림이 포함되어 있습니다. 그린랜드의 숲속에서 하늘로부터 떨어지는 완두통을 받는 찰리롸 롤라의 모습, 후지산에 올라가는 찰리와 롤라, 인어공주가 되어 물속의 슈퍼마켓을 헤엄치는 롤라,커다란 식탁의 한쪽 끝에 놓여 있는 토마토, 달에 올라간 롤라 등 재미있는 팝업 입체그림이 가득한 책입니다.

페이지를 열 때마다 그림들이 입체적으로 펼쳐지는 큰 사이즈의 하드커버 팝업북입니다.

* 2페이지의 탭은 구조상의 문제로 상,하로 움직이는 종이가 잘 작동되지 않을 수 있으므로 처음 작동하실 때 가운데 아래로 당기는 탭과 위로 올라가는 종이를 같이 잡고 여러번 움직여서 부드럽게 만들어 주시기 바랍니다. by 웹관리자

[ 서지 정보 ]

Edition: Hardcover Pop-up Book
ISBN-10: 0763637084
ISBN-13: 9780763637088
책 크기 : 28cm x 25.5cm

[ 영문 서평 ]

Book Description
The Kate Greenaway Medal winner is now available in a vibrant pop-up edition, featuring ten pop-up scenes. Lola is a fussy eater. A very fussy eater. She won’t eat her carrots (until big brother Charlie reveals that they are really orange twiglets from Jupiter). She won’t eat her mashed potatoes (until Charlie explains that they are cloud fluff from the pointiest peak of Mount Fuji). There are many, many things Lola absolutely will not eat, including - and especially - tomatoes. Or will she? Kate Greenaway Medalist Lauren Child cooks up a witty treat for picky eaters and the people who love them.

Children's Literature
Based on a BBC television series, this story is told in the first person by big brother Charlie, who is asked by his parents to help his little sister Lola eat her dinner. Lola is a very fussy eater. Lola does not eat carrots, peas, cabbage, or cauliflower and she will "never not ever eat a tomato." As the book begins, Lola looks at the dinner table and asks, "Why are those carrots there, Charlie?" Charlie tells her they are not carrots, they are "orange twiglets from Jupiter." Well, in that case, Lola agrees to try one, and for the rest of the book Charlie continues to invent new names for the foods that Lola refuses to eat. His ploy is so successful that, at the end of the book, Lola looks at her brother and asks him to "pass me one of those." "What one of those?" asks Charlie, looking askance at a bowl of tomatoes. "Moonsquirters are my favorite," says Lola. "You didn't think they were tomatoes, did you, Charlie?" The story is engaging. The art is quirky and fun, and the pop-ups, pull-tabs and lift-the-flaps put the cherry on top of this delightful treat!

Publisher's Weekly
Child (Clarice Bean, That's Me) here serves up a delectable variation on the picky-eater-themed tale. Charlie's parents give him the formidable task of feeding dinner to his fussy younger sister, Lola. The clever boy cajoles his sibling into eating foods that she insists "I do not eat." The girl lists such forbidden fruits as carrots, peas, potatoes, fish sticks and--the most dreaded--tomatoes, all of which her brother is dishing up for the meal. "These are not carrots. These are orange twiglets from Jupiter," maintains Charlie when Lola turns up her nose. He devises similarly tempting pseudonyms for other edibles: peas are rare "green drops" from Greenland that fall from the sky; mashed potatoes are cloud fluff from "the pointiest peak of Mount Fuji." A playful arrangement of type in a variety of fonts and sizes combined with mixed-media art that overlays photos on fanciful, childlike drawings provide a feast for young readers' eyes and mimic the boy's upbeat attitude. Finally, Lola herself follows her brother's example and asks him to pass the "moonsquirters my favorite," otherwise known as guess what? Apt not to be satiated with one serving of this appetizing fare, youngsters will never--not ever--pass up a second helping.

School Library Journal
Child has created two likable, winsome siblings with spunk and imagination. Charlie, who has been asked to give his little sister dinner, narrates this delightful tale. Feeding Lola proves to be a difficult task because she, like many kids, is a fussy eater. She promptly lists the foods she absolutely will not eat, and Charlie cunningly uses a little reverse psychology. He introduces her to items that most certainly look like those on her "will not eat" list, but have unusual names such as, "orange twiglets from Jupiter" (carrots), "green drops from Greenland" (peas), and "ocean nibbles from the supermarket under the sea" (fish sticks). Despite Lola's initial disinclination, Charlie's creative scheme works. While this story is a bit predictable, the book is funny and clever enough for readers to overlook this minor flaw. Child's mixed-media artwork (primitive cartoon characters, photographs, fabric swatches, and wallpaper remnants) enhances the innocent tone of the book. The illustrations resemble a child's cut-and-paste collage and the text often dances across the pages in a variety of fonts. Even finicky youngsters will enjoy this tasty treat..

Kirkus Reviews
Poster child for Picky Eaters of the World, Lola declares that she won't touch carrots, peas, potatoes, fish sticks, or, most especially, tomatoes, until her brother Charlie sets her straight. Those aren't carrots, they're orange twiglets from Jupiter; not peas, but green drops that fell from the sky in Greenland; not mashed potatoes, but cloud fluff. Intrigued, Lola tries a nibble or two, and by the end she's even asking for some round, red "moonsquirters." Child (Clarice Bean, That's Me!, 1999) lays clipped, handtinted photos of food, and drawn, cutout cartoon children over backgrounds of fabric, patterned paper, and brightly colored monochrome in various combinations. The effect is cleverly postmodern but not busy, with plenty of open space and bitesized blocks or wriggles of text. Funny bits of design will provoke a giggle: a smiling pea in the middle of a bowl of them or a Martian sharing the carrots. Would the subterfuge work in real life? Perhaps not, but even younger readers who find Lola's stance perfectly reasonable will join her in this engagingly playful head game.