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HOME  >    Àç°í°¡ ¾ø´Â »óǰ     >  Àç°í°¡ ¾ø´Â »óǰ 
The Apple Pie That Papa Baked (ÇϵåÄ¿¹ö, ½´ÆÛ¹ÙÀÌ) 7,400¿ø (ǰÀý)
Æ®À§ÅÍ·Î µµ¼­Á¤º¸ °øÀ¯ FacebookÀ¸·Î µµ¼­Á¤º¸ °øÀ¯ ¸ÞÀÏ·Î Á¤º¸ ¾Ë¸®±â
ÀúÀÚ : Lauren Thompson (Author), Jonathan Bean (Illustrator) | ÃâÆÇ»ç : Simon & Schuster Books for Young Readers
161003
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ÆòÁ¡ 0Á¡ ¸®ºä 0°Ç
ÆÇ¸Å°¡ : ¹ÌÁ¤
ÆäÀÌÁö : 32 pages
ISBN : 9781416912408
Àç°í : ǰÀý
±ÇÀ忬·É : À¯¾Æ, À¯Ä¡¿ø»ý, ÃʵîÇб³ ÀúÇгâ (5¼¼~10¼¼)
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* Ezra Jack Keats New Illustrator Award ¼ö»óµµ¼­
* Parents' Choice Award ¼ö»óµµ¼­
* School Library Journal Best Book of the Year


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Hardcover: 32 pages
ISBN-10: 1416912401
ISBN-13: 978-1416912408
Ã¥ Å©±â: 23.5 cm x 23.5 cm



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Book Description
These are the apples, juicy and red,
that went in the pie,
warm and sweet,
that Papa baked...
for guess who!


Kirkus Reviews *Starred Review*
"You can always tell when the cooks have added a special touch of TLC to a recipe...a could-have-been standard cumulative tale of a fatherly farmer collecting apples and baking a pie is made extraordinary by its fine folk art/folksong sensibilities, its particularly appetizing apple-pie palette of crusty golden-brown, buttery cream, apple-red and cast-iron black and by the artist's inspired use of line...Bean is someone to watch."


Booklist *Starred Review*
The familiar cumulative tale "The House That Jack Built" receives a gentle, loving twist in this nostalgically illustrated story. The end is the beginning as a pigtailed girl introduces the apple pie "warm and sweet that Papa baked." Then moving backward, the girl runs from her ramshackle house out to the tree "crooked and strong," where shiny red apples are waiting to be picked. The roots, "deep and fine," feed the tree that grows the apples that go into the pie. Then the text becomes ever more expansive: rain waters the roots, clouds drop the rain, the sky carries the clouds, the sun lights the sky-until, finally, the world, blooming with life, spins around the sun and causes the natural wonders that result in one special pie. The text is dear, and it's well matched by delightful illustrations. Bean uses the best of old and new in artwork that harkens back to the works of Lois Lenski, Robert McClosky, and especially Wanda Gag. With dun-colored backgrounds and black-and-gold line work (occasionally brightened with red), the intricately detailed art is reminiscent of the time when picture books were rarely full color. In a brief note, Bean explains how he works: extensive drawing, then scanning into his computer, where he recomposes and recolors the images. The almost wordless concluding spreads, which picture father and daughter sharing the pie with their animal friends, exude love.

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