|
|
|
 |
| | |
|
Ȯ ̹ : 뺸1
|
Ȯ ̹ : 뺸2
|
Ȯ ̹ : 뺸3
|
[ å ũ ]
* An ALA Notable Children's Books
* Younger Readers Awards
Tomorrow's Alphabet George Shannon ̹ ð ȭ 繰 ϴ ߸ ֵ åԴϴ.
ù "ʹ ȫԴϴ." Ұմϴ. ʹ ̶ ִ ڵ鿡Դ ݾ Ҹ 鸮, ǹ Ǯϴ. ͵ ˿ ƴ϶ ȫ̳.
̷ ͺ , , , , 纣 Ͼ, Ҳ Ķ, ҳ , , ϴ 繰 츮 ż ȯ ݴϴ.
ū ưư ϵĿԴϴ.
[ ]
Edition: Hardcover: 40 pages
ISBN-10: 006029275X
ISBN-13: 978-0060292751
å ũ : 28.6cm x 22.5cm
[ ]
School Library Journal
If Georgia O'Keeffe had made a book for young children, it might have looked like this one. Close-ups of natural phenomenon in a vibrant palette combine with strategic pacing to undo the viewer's preconceptions about color. This creative duo has selected 10 images with which to stage their drama. The minimalist text appears in black ink, except for the words that name the colors; they are enlarged and color-coordinated. Thus, the opening page depicts a black crow, but the text reads, "Pink is for crow." The page turn reveals a spread showing a nest of newborn birds and the conclusion: "when it has just hatched from its egg." In like manner, author and artist pair purple and snow, blue and firelight, yellow and pine trees. The disconnect between the written hue and the initial object, combined with the elliptical construction, allows older children to guess and predict the outcomes and younger ones to be surprised. The bold, uncluttered scenes, rendered in acrylics, have a sweetness and strength that is quite pleasing to the eye. Easy to read and fun to share, this paean to the wonder of cycles and the rewards of close observation is the perfect prelude to a thoughtful excursion. Fans of Shannon and Dronzek would also enjoy titles such as Tana Hoban's Look! Look! Look! and N. N. Charles's What Am I? Looking Through Shapes at Apples and Grapes.
Booklist
Shannon challenges color associations that become ingrained in early life by using unusual combinations of words and images: "Pink is for crow," reads the text, which is illustrated with a painting of a glossy black bird. An explanation comes on the following spread: "When it has just hatched from its egg," accompanied by a picture of featherless pink nestlings. Subsequent spreads follow a similar pattern of contradiction and explanation: red poppies, for example, are black "when we take the time to look inside." The text is sometimes awkward: purple represents snow "when the snow is the shadow of us." But the rich hues and solid, uncomplicated shapes in the thickly brushed acrylic paintings extend the sense of visual delight and the mystery in the words. The format invites children to look with the eyes of an artist or a scientist, question preconceptions, and closely examine the actual world, where blueberries are, indeed, sometimes white.
|
* ֱ ǰ Ͻ е ٸ |
Dory Fantasmagory 2 պå, ۹ |
Charlie and the Chocolate Factory Roald Dahl, ۹, ̱ 100 , ۹ |
Oliver Button Is a Sissy ϵĿ, ۹ |
As the Crow Flies: A First Book of Maps ۹, ۹ |
|
|
|< << [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] >> >|
|
|
|