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     ǰ  The Velveteen Rabbit (̱ 100 , ۹, ۹) (ǰ)
 
  å:The Velveteen Rabbit (̱ 100 , ۹, ۹) (ǰ)
  :Margery Williams, David Jorgensen (Illustrator), Margery Williams Bianco
  ǻ : Knopf
  :48
  ISBN:9780679803331
   : NO
  Һڰ:9,600
  ǸŰ:ݹ
  :0
   : 忬 - ġ, ʵб г(7~10)
   :

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󼼺1
[ å Ұ ]

 ȭå Դϴ. ̱ Ե NEA(National Education Association) "Teachers' Top 100 Books for Children" 22 åԴϴ.

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䳢 Ⱑ ֽϴ.  ߿ ִ ü Ѵٰ...

䳢 ҳ ɸ ٸ ⵿Ͽ Բ ż ˴ϴ. ׷ Ͼ...

۹Դϴ.  , ܾ Ƿ Ƿ ̿ մϴ. Ƿ ̿Դ θ ʿմϴ.



[ ]

Paperback: 48 pages
ISBN-10: 0679803335
ISBN-13: 978-0679803331
å ũ : 25cm x 23.4cm



[ ]

Book Description
Celebrate the Easter season with The Velveteen Rabbit, one of the most beloved of bunnies, as he celebrates his 75th anniversary! This special edition, complete with the original story and artwork as they appeared in 1922, remains a timeless classic in children's literature with over 1.5 million copies in print. Ever since its first publication, this wondrous tale of the velveteen rabbit has delighted readers of all ages with its story of wisdom and love. Few other children's books so beautifully capture the spiritual meaning of Easter as does this simple tale of transformation and redemption through a child's unwavering love.


From Horn Book
Slightly larger than the original, this edition is printed on a rich cream paper, and Nicholson's illustrations have been reproduced from the original artwork - giving the endpapers, illustrations, and cover background a new blue hue. A vibrant edition of the classic story.


From Publishers Weekly
The beloved tale of the stuffed bunny who becomes real is complemented by delicate pastel drawings.


From School Library Journal
Were it not for its jumpy design, this version would rank near the top of the half-dozen versions of The Velveteen Rabbit now available. The discomforting design may be accounted for by its translation from an electronic to a print medium (this version is based on a TV special narrated by Meryl Streep). Some illustrations are full page, others vignettes that bleed into the text; still other vignettes have hard edges; there are several isolated figures stuck on the white page; and here and there ovals, rather than rectangles, frame the images. No visual logic accounts for these design variations. Although there are several compelling illustrations, there are too many other scenes that just exist as if cut from larger cloth. The drawings themselves are well-crafted in a fuzzy range of colors that accentuates the warmer hues. Even the night is subfused with golden yellows. The effect is psychologically comforting, supporting the sentimental message of hope with its suggestion of death, resurrection and eternal life. Figures are rendered solidly and with anatomical conviction. Occasionally a pencil outline intrudes and breaks the dreamy magic's spell. Yet there can be no denying the magnetism of the individual characters.
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