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[ 책 소개 ]
* Washington Children's Choice Picture Book Award Nominee
* Kentucky Bluegrass Award Master List
* Chicago Public Library Best Books for Children and Teens
* Book Sense 76 selection
* Oppenheim Toy Portfolio Gold Award Winner
* Booklist Editors' Choice
* A Junior Library Guild Selection
엄마 오리가 새끼 오리 다섯마리를 데리고 산보를 나갑니다. 하지만 여우가 새끼들을 잡아 먹으러 살금살금 다가 오네요. 여우를 발견한 엄마 오리는 여우를 골탕먹일 꾀를 생각해 냅니다. 엄마 오리는 짐짓 모른 척하며, 여우가 오리인지를 묻습니다. 여우는 자기가 오리라고 하면서 오리의 날개짓을 흉내냅니다. 엄마 오리는 여우를 진흙탕 속으로 데리고 가서 오리는 벌레를 좋아한다며 벌레를 먹어보라고도 하고, 연못으로 데려가서 풍덩 물 속에 빠트리기도 합니다. 새끼 오리를 잡아 먹으려다 고생만 한 여우는 결국 포기하고 돌아갈 수 밖에 없었지요...
물감으로 그린 수채화 그림은 여우와 오리들의 유머러스한 표정이 생동감이 있으며, 간결한 문장은 운율이 들어 맞아서 큰 소리로 읽으면 신이 납니다.
페이퍼백입니다.
[ 서지 정보 ]
Edition: Paperback: 40 pages
ISBN-10: 0763632848
ISBN-13: 978-0763632847
책 크기 : 20.2cm x 20.3cm
[ 영문 서평 ]
Book Description
Mama Duck has a good hunch that the big brown creature waddling behind her babies is no duck! As the foxy impostor sneaks closer and closer to Mama Duck's trailing brood, little ones will delight in shouting out his identity. Infectious rhythms and fresh, expressive watercolors liven up the pursuit, which ends when Mama Duck confronts the villain, beak to snout, and beats him at his own game.
Publishers Weekly
A hungry fox tries to convince a duck family that he's just a "big, brown" version of one of them: " `Yes I am!' says the stranger./ It's really, really true!/ I can waddle, I can scuttle./ I can strut a little, too./ I'm a duck!/ I'm a duck!/ I'm a duck like you!" But Mama Duck exposes his ruse by putting the fox through his duck paces, making him wallow in a mud puddle, eat bugs and swim underwater. "I really always knew that was no duck," says Mama triumphantly, as the sopping, half-drowned fox finally slinks away. Hindley's (A Song of Colors) tight, percussive rhymes give the story a drumbeat momentum as the climax nears. Bates's (Just You and Me) watercolors possess a sunlit, translucent grace, yet he still reaps plenty of comedy from his characterizations whether it's Mama Duck's narrowed-eyed maternal skepticism or the fox's woeful look as he plunges into the drink. Other details, such as the fox's snout peeking out from the flower pots or piglets romping in the mud with the ducklings, keep the setting cheerful and familiar, and undercut the villain's menace.
Children's Literature
The title advice is what a mother duck gives her five ducklings, as she instructs them in rhymes that sing. A suspicious-looking, brown-furred creature with four clawed feet, "a wicked foxy nose and a wicked foxy smile," tries to waddle and strut along with them, assuring her that he's a duck. He follows as they flop, quack and hup, adding his own "Yum!" to theirs as they forage in the puddles, but he has a different meal in mind. Finally challenged by Mama Duck to prove he is a duck by jumping into the river, he has to slink on home. Bates's loosely brushed, convincing watercolor drawings throughout the double-page scenes are mostly light-hearted and comic. But when Mama gets riled, her anger is as clear as fox's fright. The fun-filled language of the verses is a pleasure to read aloud, despite the grammar of the title.
School Library Journal
Following the path of her Horned Toad Prince (Peachtree, 2000), Hopkins fractures "The Three Billy Goats Gruff," transferring the action to the Southwest. Fancied-up armadillo sisters en route to a dance hall follow tradition and trick a female coyote that waits in the drainpipe under the highway for "armadilly chili" ingredients and fashion-accessory possibilities. Comic resolution sashays in when the creature accepts third sister Dilly's invitation to join the "girls' night out." Droll turns of phrase ("Lilly- knew how to shake her shell on the dance floor") and hints of dialect add fun and flavor to the tale. Unfortunately, Brooks's acrylic, gouache, colored-pencil, and ink renderings of the characters at night border on the disturbing. The crazed-eyed and emaciated coyote's vertebrae bulge, and her fur and eating utensils are flecked with red. Wide, heavy-lidded eyes and pouting lips diminish the heroines' appeal. Daylight scenes prove friendlier. Team this with Susan Lowell's The Three Little Javelinas (Rising Moon, 1992) for visual balance while exploring time-honored stories revisited in the West
Kirkus Reviews
Five little ducklings follow their mother and do what all ducks do, but when a sixth large and very hairy duckling joins the line, Mama Duck must use her ingenuity to root out the imposter. Waddling and hopping along, all the ducklings are trying their best to be model ducks, but suddenly a big, brown fox creeps on the scene. Mama is suspicious, but she decides to put this new "duck" through some tests. The fox does his best to follow Mama's directions. He walks with a waddle; takes a dip in the mud puddle to cool off; and even eats a worm, but it is clear that a worm is not what he has in mind for a snack as he creeps up on one of the baby ducklings. Mama's suspicions grow as the fox fails every test. Finally, she commands all the ducklings to hop in the river. "Down go the ducklings, all tails up! And down goes the stranger. Glup! Glup! Glup! / So where are all the ducklings now? Here they all come. Pop! Pop! Pop! Pop! Pop! Every one." All except the hairy, out-smarted stranger who slinks off towards home. Whimsical watercolor drawings fill each page highlighting the fox's silly antics. The rhyming text filled with repetitive phrases make this a natural for reading aloud.
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