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 이전 |  목록 | 다음 |
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상세그림 1 |
상세그림 2 |
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확대 이미지 : 상세그림 1
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확대 이미지 : 상세그림 2
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[ 책 소개 ]
첫 페이지를 넘기면 궁사가 활을 쏘는 모습의 일부분이 등장하고 다음 페이지에는 궁사 전체의 모습 -> 궁사가 그려져 있는 시계 -> 시계를 찬 사람이 이집트 그림 앞에서 그림 그리는 모습 -> 이집트 그림이 그려져 있는 오벨리스크 -> 오벨리스크가 그려져 있는 영화 촬영 세트... 이런 식으로 하나의 장면이 다음 페이지에서는 일부 장면이 되는 독특한 Zoom-out되는 그림들이 이어집니다. 마지막 장면에서는 조그만 빨간 점 두개가 어둠 속으로 사라집니다.
문장이 없는 Wordless Book이며, 아이디어가 독특한 책입니다. 뒷 페이지부터 보면 점차 확대되어가는 장면을 볼 수 있습니다. 어린 아이들 뿐만 아니라 어른들도 재미있게 볼 수 있는 책입니다.
큰 화제를 불러 일으켰던 Zoom에 이은 또 하나의 그림 속의 그림을 보여주는 책입니다.
고급스러운 아트지에 인쇄된 책입니다.
[ 서지 정보 ]
Paperback: 64 pages
ISBN-10: 014055694X
ISBN-13: 978-0140556940
책 크기 : 22.5cm x 18.2cm
[ 영문 서평 ]
Book Description
Open this wordless book and take off on a mindbending visual journey full of twists, turns, and surprises. Zoom from an Egyptian pyramid to an exotic jungle to a sandy beach. But if you think you know where you are, guess again. For in Istvan Banyai's mysterious landscapes of pictures within pictures, nothing is ever as it seems. "Banyai's artwork...works to perfection."-- Kirkus Reviews
The New York Times Book Review
Mr. Banyai uses brightly colored, highly detailed drawings calculated to appeal to Saturday morning cartoon addicts and comic book buffs. . . . {As in 'Zoom,' he} toys with our assumptions about the way things appear to be, using the same cinematic technique to play with spatial relations but adding another aspect: time. . . . The shifts in perspective in 'Re-Zoom' are not as seamless as they are in the first book, and the irony of mixing cultural markers may be lost on younger readers. Nonetheless, 'Re-Zoom' makes a good follow-up to 'Zoom.' . . . The beauty of all books like these is that they allow young readers to get into the act, to use their observational and descriptive skills to decipher images and come up with a story that is theirs alone.
Publishers Weekly
Re-Zoom resumes, or more accurately, reprises, the layout and nothing-is-as-it-seems perspective of last season's Zoom. Featuring detailed drawings backpainted on animation cels, this text-free volume opens with a red-on-blue cave painting that, with the turn of a page, becomes a detail on a wristwatch. The next spread reveals that the watch belongs to a young man doing a rubbing of carved hieroglyphs... and so on. To surprise his audience, which may already expect the sequence of pictures to expand to infinity, as in Zoom, Banyai toys not only with spatial relations but with time and with cultural referents: people in 19th-century garb, admiring an image of Napoleon, turn out to be on a movie set; a woman in traditional Japanese dress sports a yellow Walkman. There are nods to the arts as well. A black-and-white Alfred Hitchcock and a blue bodhisattva sit astride a thundering elephant, and a dejected-looking Picasso rides the New York City subway. The finale-which leaves readers in a subway tunnel as the train's red taillights recede-may not be as mindbending as Zoom's outer-space flight, but is nonetheless a clever solution. All ages.
School Library Journal
This remarkable companion to Zoom (Viking, 1995) is a visual journey, a cinematic picture book without words. Viewers are shown something that turns out to be just a piece of something larger, and thus not at all what they saw (or thought they saw) in the first place. With each page, one takes a step back to see the broader context. The image of an ancient archer is just a figure on a watch, the hand wearing the watch is making a rubbing in an Egyptian tomb, which turns out to be the Obelisk of Luxor in Paris, but not really because it's just a movie set...and on and on and on, until the final page, where the lights of a subway car disappear into a tunnel to become two eyes staring in the darkness-or so it appears. While not the most technically accomplished artist, Banyai makes up for it in originality, an assured sense of design and composition, and an avant-garde sensibility that children, especially older ones, will love. He mixes traditional and contemporary images in a sly way: for example, one picture shows a woman in traditional Japanese garb, wearing a walkman, looking right at viewers with a trace of a smile on her face. His is a truly global view, moving easily from Europe to Asia to the U.S. (although you never really know where you are). Children-small people in an adult-sized world-are often fascinated with size and perspective. Re-Zoom comments on that, on reality and illusion, on visual awareness, on all sorts of things. A fun book with a lot to ``say''-all in all, a valuable addition.
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