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상세그림1 |
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확대 이미지 : 상세그림1
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확대 이미지 : 상세보기2
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[ 책 소개 ]
* Oppenheim Toy Portfolio Platinum Award Winner
* Book Sense 76 selection
라몬은 그림 그리기를 좋아합니다. 그림을 그리는 동안은 행복함을 느낍니다. 때와 장소를 가리지 않고 모든 사물들을 느끼는대로 그렸습니다. 하지만 어느날 꽃병을 그리고 있을 때, 형 레온이 라몬의 그림을 보고는 전혀 꽃병같이 보이지 않는다고 놀리자, 라몬의 그림에 대한 자세가 180도 바뀌게 됩니다. 형의 놀리는 웃음소리가 귓전에서 떠나지 않는 라몬은 사물을 정확하게 그리려고 합니다만, 생각같이 그려지지가 않았습니다. 즐거웠던 그림 그리기가 이제는 고역이 되었지요. 몇달이 지나고 마침내 라몬은 그림 그리기를 포기하려고 할 때 여동생 마리솔의 한 마디가 라몬에게 그림에 대한 새로운 생각을 갖게 합니다. 라몬이 그린 꽃병은 정확한 모습을 묘사하지 않았습니다만, 마리솔은 꽃병같이(Vase-ish) 보인다고 말했지요. 이 말에 힘입은 라몬은 다시 그림을 그릴 힘을 얻게 되고, 각각의 그림에 ish를 붙여서 그림집을 만들었습니다. Tree-ish, House-ish, Boat-ish, Afternoon-ish, Fish-ish, Sun-ish, Peace-ish, Silly-ish, Excited-ish... 그는 ish 그림뿐만 아니라, 마음에 느끼는대로 ish 시도 썼습니다....
튼튼한 하드커버입니다.
[ 서지 정보 ]
Edition: Hardcover: 32 pages
ISBN-10: 076362344X
ISBN-13: 978-0763623449
책 크기 : 21.3cm x 19.6cm
[ 영문 서평 ]
From the Publisher
A creative spirit learns that thinking "ish-ly" is far more wonderful than "getting it right" in this gentle new fable from the creator of the award-winning picture book THE DOT.
Ramon loved to draw. Anytime. Anything. Anywhere. Drawing is what Ramon does. It¹s what makes him happy. But in one split second, all that changes. A single reckless remark by Ramon's older brother, Leon, turns Ramon's carefree sketches into joyless struggles. Luckily for Ramon, though, his little sister, Marisol, sees the world differently. She opens his eyes to something a lot more valuable than getting things just "right." Combining the spareness of fable with the potency of parable, Peter Reynolds shines a bright beam of light on the need to kindle and tend our creative flames with care.
Publishers Weekly
As simple yet stimulating as Reynolds's The Dot, this tale centers on another youngster questioning his artistic ability. Spot illustrations portray Ramon as a cheerful boy who loves to draw "anytime" (he draws in bed), "anything" (he paints pictures of trash cans) and "anywhere" (readers will giggle at the sight of him perched on the toilet, drawing pad on his lap). But his self-confidence plummets when Ramon's older brother laughs at his attempts to draw a vase of flowers ("What is that?"). After months and crumpled attempts at trying to make his pictures look "right," the frustrated child puts his pencil down, announcing, "I'm done." His younger sister runs off with one of the discarded drawings and when he chases her to her bedroom, he discovers (in a moment reminiscent of The Dot) she has created a "crumpled gallery" of his work. Pointing to his attempted rendering of the flower vase, the girl calls it "one of my favorites." When Ramon complains, "That was supposed to be a vase of flowers," she supportively responds, "Well, it looks vase-ish!" Ramon then feels "light and energized. Thinking ish-ly allowed his ideas to flow freely." Reynolds's minimalist pen-and-ink illustrations feature subtle washes of watercolor and ample splashes of emotion and humor. A tidy lesson in the importance of thinking-or drawing-outside the box and believing in one's own abilities despite others' reactions.
Children's Literature
Ramon enjoys drawing, "Anytime. Anything. Anywhere," until his brother laughs at his efforts. Then nothing seems "right," and Ramon stops drawing in frustration. But his sister Marisol has saved all his discarded efforts and put them up on her wall. What was supposed to be a vase of flowers, Marisol declares "vase-ish." All the drawings are something-"ish," Ramon realizes. He is inspired to fill his journals with drawings of things, of feelings, even with writings that are "poem-ish." One day, he has such a wonderful feeling that he decides not to draw it, but simply to savor it. "And Ramon lived ishfully ever after." The message of this story is open to many interpretations. But the sketchy watercolor and ink illustrations are directly appealing, depicting Ramon creating and his many "ish-y" creations. We are caught up in his inspiration and his ultimate enjoyment of the moment.
Kirkus Reviews
A lovely tale about the trials of a budding artist brought to us by the author/illustrator of Dot (2003). Ramon creates drawings at a furious pace. Everywhere he goes, he draws. But there's nothing like a derisive older brother to put the kibosh on a sensitive artist type. Suddenly, Ramon becomes self-critical. He cannot satisfy his own desire to get things "right" anymore, so he decides to put away his pencil for good. Luckily another family member, his sister, has secretly been collecting Ramon's art for her own private gallery. She convinces him that a successful drawing need not be a perfect reflection of reality. It's okay if a house looks house-ish or a fish looks fish-ish. It is just the liberating sentiment Ramon needs to reignite his creativity. Told in spare prose with Reynolds's signature line drawings in watercolor, ink, and tea, Ish will encourage other little artists.
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