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[ 책 소개 ]
어린이 그림책의 고전이 된 Where the Wild Things Are의 주인공 맥스가 이 책에서도 역시 늑대 옷을 입고 등장합니다.
곰돌이 인형을 좋아하는 맥스는 잠자리에서도 곰돌이 인형을 꼭 껴안고 잠을 청합니다. 하지만 노란색 개는 이런 맥스가 못마땅한가 봅니다. 곰돌이 인형만 좋아하는 것에 대해서 질투심을 느낍니다. 맥스는 재빨리 곰돌이 인형을 입에 물고 달아나는 누렁이를 쫓아갑니다만, 계단을 뛰어 올라가고, 의자 밑으로 기어 들어가며, 샤워 커텐 뒤에 숨는 누렁이를 잡는 것은 쉬운 일이 아니에요. 잠시 째려보다가 다시 누렁이를 쫓아가는 맥스는 마침내 길거리까지 쫓아가서 곰돌이 인형을 되찾는데 성공합니다. 침실로 돌아가는 맥스의 뒤를 슬픈 표정으로 따라가는 누렁이... 하지만 결국 침대에서 맥스는 곰돌이 대신에 누렁이를 꼭 껴안고 잠이 들었네요. 누렁이의 행복한 미소가 얼굴에 가득합니다...
Caldecott 수상작인 "A Very Special House"를 비롯해서 "I Want to Paint My Bathroom Blue," "A Hole Is to Dig," "Charlotte and The White Horse," "I'll Be You and You Be Me" 등 많은 작품에서 Maurice Sendak과 팀을 이뤘던 Ruth Krauss의 27개 단어로 된 이야기를 모리스 센닥이 사랑스러운 그림책으로 재창조했습니다.
튼튼한 | 닫기x |  What is 하드커버?
양장본이라고도 불리우며, 표지가 단단한 판지로 만들어진 책입니다.
판지를 천이나 가죽으로 감싸기도 합니다. 책의 속지는 일반적으로 중성처리된 종이(Acid-free paper)를 사용해서 잘 변질이 되지 않기 때문에 오랫동안 보관하기에 적합합니다. 이 종류의 책은 더스트 재킷, 또는 더스트 커버로 불리는 표지덮개가 함께 있는 경우가 많습니다. 간혹 내부 속지가 콩기름 코팅이 된 경우 고약한 냄새가 나는 책도 있습니다.
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[ 서지 정보 ]
Edition: Hardcover: 24 pages
ISBN: 006027994X
책 크기: 23.5cm x 19.5cm
[ 영문 서평 ]
Book Description
With just 27 words, the inimitable Ruth Krauss created a charming little universe. Now Maurice Sendak has turned her bears into a troupe of players in a slapstick comedy starring a familiar boy in a wolf suit.
Publishers Weekly
Let the wild rumpus continue, Max seems to say, in Sendak's illustrations of Krauss's 1948 text-the hero's first appearance since the 1964 Caldecott Medal- winning Where the Wild Things Are. And a joyful fete it is. On the half-title page, a vignette of a yellow floppy-eared dog gazing adoringly at Max appears next to a spot illustration of a Teddy bear, dangling from a rope by its neck (echoes of the opening to Wild Things). When the boy rescues the stuffed bear and takes it to bed with him-leaving his pet on the floor-the pooch kidnaps the bear and, for the next nine spreads, hides the Teddy in a sea of giant ursine limbs. "Bears/ Bears/ Bears/ Bears/ Bears," opens the text, which spans just over two dozen words. Nothing in the text suggests the visual drama that unfolds, yet thanks to Sendak's canny mix of insight and playfulness, Max, his pup and Teddy bear appear completely at home in this furry wonderland. The dog darts between ursine legs "on the stairs" on one spread, and hides behind a shower curtain while the giant bears are "washing hairs" in another. Sendak fans will recognize the palm tree setting against a cornflower-blue sky for the bears "giving stares" (i.e., Max tames the wild things with "the magic trick/ of staring into all their yellow eyes without blinking once"). The pursuit continues past a parade of bejewelled furry "million aires" in top hats, berets and boas, where Max reclaims his toy. Just when the dog fears banishment again, Max welcomes his beloved pooch back into bed. The tale speaks to new siblings and dejected friends, but for Krauss and Sendak aficionados (the duo's decade-long collaboration began with A Hole Is to Dig-see Children's Books), this is an occasion for celebration.
School Library Journal
Sendak's vision for Krauss's 1948 story is pure gold. The 27-word text is full of possibility: "Bears-Under chairs-Washing hairs-Giving stares-Collecting fares-." In both editions, the hand-lettered, cursive font creates an intimate, childlike aura, but the similarities stop there. Phyllis Rowand approached the phrases as discrete concepts to be illustrated. Her two-color spreads show fuzzy, brown bears in performance, with touches of gentle humor. Sendak sets a full-color story in motion on the cover. In a scene both familiar and fresh, a boy in a wolf suit snuggles his stuffed bear in a themed room where the object of his affection is replicated on every conceivable surface. His dog is visibly annoyed, and Sendak's signature honesty in dealing with emotions is evident in the pup's solution on the title page: the bear hangs from a noose. Upon witnessing more cuddling, the canine snatches the toy, and the chase is on. The boy pursues the duo through a world of adult-sized bears engaged in the silly or serious stage directions. The youngster's persistence finally pays off, but the pet assumes the place of honor in bed. The pained expression on the bear indicates that the story is far from over. Children will relate to the dog's jealousy, the child's separation anxiety, and the difficulty of divided loyalties. Sure to spark laughter and original wordplay, this is the marriage of two masters.
Kirkus Reviews
Sendak illustrates Krauss's 1948 original with visual and thematic references to his own Wild Things, interpreting a small drama in 27 words as a tale of childhood rivalry. The cover tableau grounds the story, with Max and his teddy bear cuddled in bed as a displaced dog looks on possessively. The dog's jealousy causes him to steal the bear and a chase ensues across the pages, all populated by bears, with a brief stop on the island where the "wild things" are, of course, bears. It's a circular journey that begins and ends in Max's room with Sendak's moon shining in. The wayward dog, to his blissful satisfaction, supplants the bear at last. Is this a forgiving Max overlooking organic misbehavior? The pooch doubtless finds Max's bed "still warm." Sendak's line is soft and thick, depicting dozens of non-threatening bears as large, pudgy and expressive. Readers will relish the reappearance of the iconic Max and the recognition of their own capricious allegiances. |
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8점 
27개의 필기체 단어
맘에 들어요
모리스 센닥이라 주저않고 구입
